Nonprofit · EIN 13-6206608
NEW YORK LIVE ARTS INC
Tax-exempt · NEW YORK, NY 10011
Financials
| Year ended | Form | Revenue | Expenses | Net income | Total assets | Liabilities | Net assets |
|---|---|---|---|---|---|---|---|
| June 30, 2025 | 990 | $10,364,322 | $8,881,944 | $1,482,378 | $20,418,099 | $605,186 | $19,812,913 |
| June 30, 2024 | 990 | $6,638,638 | $6,558,266 | $80,372 | $19,106,950 | $702,003 | $18,404,947 |
| June 30, 2023 | 990 | $7,057,889 | $7,148,864 | -$90,975 | $18,845,656 | $497,839 | $18,347,817 |
Financial details: 990 for the year ended June 30, 2025
Revenue
- Contributions, gifts and grants
- $8,389,793
- of which government grants
- $326,155
- Program service revenue
- $1,405,451
- Investment income
- $475,673
- Net gain from sales of assets
- $194,222
- Net income from sales of inventory
- $13,318
- Other revenue
- $93,405
Expenses
- Grants and similar amounts paid
- $2,728,225
- Compensation of officers, directors and key employees
- $493,392
- Other salaries and wages
- $2,623,583
- Salaries, compensation and benefits (total)
- $3,640,969
- Professional fundraising fees
- $0
- Legal fees
- $115,100
- Accounting fees
- $37,271
- Occupancy
- $339,956
- Travel
- $109,422
- Depreciation
- $404,716
- Program services (functional)
- $7,170,743
- Management and general (functional)
- $947,754
- Fundraising (functional)
- $763,447
Balance sheet and other
- Total assets, start of year
- $19,106,950
- Total assets, end of year
- $20,418,099
- Total liabilities, end of year
- $605,186
- Net assets, end of year
- $19,812,913
- Land, buildings and equipment
- $5,911,396
- Publicly traded securities
- $10,319,228
- Net assets without donor restrictions
- $12,519,529
- Net assets with donor restrictions
- $7,293,384
- Gross receipts
- $17,307,570
- Employees
- 180
- Volunteers
- 21
- Year formed
- 1965
- State of legal domicile
- NY
From the e-filed returns the IRS publishes as XML (latest three processing years; amended returns replace the original). PDF copies at the IRS.
Officers, directors and key employees
As listed on the 990 for the year ended June 30, 2025, highest compensation first.
| Name | Title | Hours / week | Compensation | Other / benefits |
|---|---|---|---|---|
| KIMBERLY CULLEN | EXEC. DIR./CEO Trustee or director, Officer | 50 | $330,545 | $155 |
| NUPUR DEY | CHIEF FINANCIAL OFFICER Officer | 50 | $151,741 | $3,416 |
| JANET WONG | ASSOCIATE ARTISTIC DIRECTOR Highest-paid employee | 40 | $125,512 | $8,954 |
| KYLE MAUDE | PRODUCING DIRECTOR Highest-paid employee | 40 | $124,080 | $9,670 |
| DAVID ARCHULETTA | CHIEF DEVELOPMENT OFFICER Highest-paid employee | 40 | $110,564 | $20,044 |
| TYLER ASHLEY | COMMUNICATIONS DIRECTOR Highest-paid employee | 40 | $108,937 | $8,007 |
| ALAN MARKS | CHAIR Trustee or director, Officer | 3 | $0 | $0 |
| HELEN HAJE | CO-VICE CHAIR Trustee or director, Officer | 3 | $0 | $0 |
| SLOBODAN RANDJELOVIC | CO-VICE CHAIR Trustee or director, Officer | 3 | $0 | $0 |
| DARNELL MOORE | TREASURER Trustee or director, Officer | 3 | $0 | $0 |
| AIMEE MEREDITH COX | SECRETARY Trustee or director, Officer | 3 | $0 | $0 |
| BILL T JONES SEE SCH L | EXEC.ARTISTIC DIR./TRUSTEE Trustee or director, Officer | 30 | $0 | $0 |
| BJORN AMELAN SEE SCH L | CREATIVE DIRECTOR/TRUSTEE Trustee or director | 3 | $0 | $0 |
| SARAH ARISON | TRUSTEE Trustee or director | 3 | $0 | $0 |
| LATOYA RUBY FRAZIER | TRUSTEE Trustee or director | 3 | $0 | $0 |
14 more people on this return
| Name | Title | Hours / week | Compensation |
|---|---|---|---|
| EMMA COHEN-FRIEDMAN | TRUSTEE Trustee or director | 3 | $0 |
| LINDA GENEREUX | TRUSTEE Trustee or director | 3 | $0 |
| STEPHEN HENDEL | TRUSTEE Trustee or director | 3 | $0 |
| RICHARD H LEVY | TRUSTEE Trustee or director | 3 | $0 |
| CHARLA JONES | TRUSTEE Trustee or director | 3 | $0 |
| COLLEEN KEEGAN | TRUSTEE Trustee or director | 3 | $0 |
| AMY NEWMAN | TRUSTEE Trustee or director | 3 | $0 |
| RANDY POLUMBO | TRUSTEE Trustee or director | 3 | $0 |
| ELLEN POSS | TRUSTEE Trustee or director | 3 | $0 |
| MATTHEW PUTMAN | TRUSTEE Trustee or director | 3 | $0 |
| JANE BOVINGDON SEMEL | TRUSTEE Trustee or director | 3 | $0 |
| RUBY SHANG | TRUSTEE Trustee or director | 3 | $0 |
| CATHARINE STIMPSON | TRUSTEE Trustee or director | 3 | $0 |
| WADE TURNBULL | TRUSTEE Trustee or director | 3 | $0 |
990 for the year ended June 30, 2024: 26 people
| Name | Title | Hours / week | Compensation | Other / benefits |
|---|---|---|---|---|
| KIMBERLY CULLEN | EXEC. DIR./CEO Trustee or director, Officer | 50 | $308,691 | $155 |
| DAVID ARCHULETTA | CHIEF DEVELOPMENT OFFICER Highest-paid employee | 40 | $126,089 | $15,739 |
| NUPUR DEY | DIRECTOR OF FINANCE Officer | 50 | $129,497 | $2,314 |
| KYLE MAUDE | PRODUCING DIRECTOR Highest-paid employee | 40 | $114,361 | $9,109 |
| JANET WONG | ASSOCIATE ARTISTIC DIRECTOR Highest-paid employee | 40 | $113,651 | $8,377 |
| TYLER ASHLEY | COMMUNICATIONS DIRECTOR Highest-paid employee | 40 | $103,203 | $8,297 |
| RICHARD H LEVY | CO-CHAIR Trustee or director, Officer | 3 | $0 | $0 |
| STEPHEN HENDEL | CO-CHAIR Trustee or director, Officer | 3 | $0 | $0 |
| HELEN HAJE | CO-VICE CHAIR Trustee or director, Officer | 3 | $0 | $0 |
| SLOBODAN RANDJELOVIC | CO-VICE CHAIR Trustee or director, Officer | 3 | $0 | $0 |
| ALAN MARKS | TREASURER Trustee or director, Officer | 3 | $0 | $0 |
| BILL T JONES SEE SCH L | EXEC.ARTISTIC DIR./TRUSTEE Trustee or director, Officer | 30 | $0 | $0 |
| BJORN AMELAN SEE SCH L | CREATIVE DIRECTOR/TRUSTEE Trustee or director | 3 | $0 | $0 |
| SARAH ARISON | TRUSTEE Trustee or director | 3 | $0 | $0 |
| AIMEE MEREDITH COX | TRUSTEE Trustee or director | 3 | $0 | $0 |
| LATOYA RUBY FRAZIER | TRUSTEE Trustee or director | 3 | $0 | $0 |
| CHARLA JONES | TRUSTEE Trustee or director | 3 | $0 | $0 |
| COLLEEN KEEGAN | TRUSTEE Trustee or director | 3 | $0 | $0 |
| DARNELL MOORE | TRUSTEE Trustee or director | 3 | $0 | $0 |
| AMY NEWMAN | TRUSTEE Trustee or director | 3 | $0 | $0 |
| RANDY POLUMBO | TRUSTEE Trustee or director | 3 | $0 | $0 |
| ELLEN POSS | TRUSTEE Trustee or director | 3 | $0 | $0 |
| MATTHEW PUTMAN | TRUSTEE Trustee or director | 3 | $0 | $0 |
| JANE BOVINGDON SEMEL | TRUSTEE Trustee or director | 3 | $0 | $0 |
| RUBY SHANG | TRUSTEE Trustee or director | 3 | $0 | $0 |
| CATHARINE STIMPSON | TRUSTEE Trustee or director | 3 | $0 | $0 |
990 for the year ended June 30, 2023: 28 people
| Name | Title | Hours / week | Compensation | Other / benefits |
|---|---|---|---|---|
| KIMBERLY CULLEN | EXEC. DIR./CEO/ASSISTANT TREASURER Trustee or director, Officer | 50 | $274,845 | $155 |
| DAVID ARCHULETTA | CHIEF DEVELOPMENT OFFICER Highest-paid employee | 40 | $126,447 | $14,366 |
| NUPUR DEY | DIRECTOR OF FINANCE Officer | 50 | $126,168 | $1,633 |
| JANET WONG | ASSOCIATE ARTISTIC DIRECTOR Highest-paid employee | 40 | $104,538 | $8,169 |
| KATHRYN MAUDE | PRODUCING DIRECTOR Highest-paid employee | 40 | $102,496 | $8,816 |
| RICHARD H LEVY | CO-CHAIR Trustee or director, Officer | 3 | $0 | $0 |
| STEPHEN HENDEL | CO-CHAIR Trustee or director, Officer | 3 | $0 | $0 |
| HELEN HAJE | CO-VICE CHAIR Trustee or director, Officer | 3 | $0 | $0 |
| SLOBODAN RANDJELOVIC | CO-VICE CHAIR Trustee or director, Officer | 3 | $0 | $0 |
| ALAN MARKS | TREASURER Trustee or director, Officer | 3 | $0 | $0 |
| ALANNA RUTHERFORD | SECRETARY Trustee or director, Officer | 3 | $0 | $0 |
| BILL T JONES SEE SCH L | EXEC.ARTISTIC DIR./TRUSTEE Trustee or director, Officer | 30 | $0 | $0 |
| BJORN AMELAN SEE SCH L | CREATIVE DIRECTOR/TRUSTEE Trustee or director | 3 | $0 | $0 |
| WILLARD AHDRITZ | TRUSTEE Trustee or director | 3 | $0 | $0 |
| SARAH ARISON | TRUSTEE Trustee or director | 3 | $0 | $0 |
| AIMEE MEREDITH COX | TRUSTEE Trustee or director | 3 | $0 | $0 |
| LATOYA RUBY FRAZIER | TRUSTEE Trustee or director | 3 | $0 | $0 |
| CHARLA JONES | TRUSTEE Trustee or director | 3 | $0 | $0 |
| COLLEEN KEEGAN | TRUSTEE Trustee or director | 3 | $0 | $0 |
| DARNELL MOORE | TRUSTEE Trustee or director | 3 | $0 | $0 |
| AMY NEWMAN | TRUSTEE Trustee or director | 3 | $0 | $0 |
| RANDY POLUMBO | TRUSTEE Trustee or director | 3 | $0 | $0 |
| ELLEN POSS | TRUSTEE Trustee or director | 3 | $0 | $0 |
| MATTHEW PUTMAN | TRUSTEE Trustee or director | 3 | $0 | $0 |
| JANE BOVINGDON SEMEL | TRUSTEE Trustee or director | 3 | $0 | $0 |
| RUBY SHANG | TRUSTEE Trustee or director | 3 | $0 | $0 |
| CATHARINE STIMPSON | TRUSTEE Trustee or director | 3 | $0 | $0 |
| DIANA WEGE | TRUSTEE Trustee or director | 3 | $0 | $0 |
Address and contacts
- Address (IRS master file)
- 219 W 19TH ST, NEW YORK, NY 10011-4001
- In care of
- % DANC
- Principal officer (990 for 2024)
- KIM CULLEN, 219 WEST 19TH STREET, NEW YORK, NY 10011
- Signed the 990
- KIM CULLEN, EXECUTIVE DIRECTOR/CEO
- Phone
- (212) 691-6500
- Website
- WWW.NEWYORKLIVEARTS.ORG
- Return prepared by
- LUTZ AND CARR CPAS LLP
Mission
NEW YORK LIVE ARTS STRIVES TO CREATE A ROBUST FRAMEWORK IN SUPPORT OF THE NATION'S DANCE AND MOVEMENT-BASED ARTISTS THROUGH NEW APPROACHES OF PRODUCING, PRESENTING, AND EDUCATING IN OUR 20,000 SQUARE FOOT HOME, WHICH INCLUDES A 184-SEAT THEATER, TWO 1,200 SQUARE FOOT STUDIOS, AND COMMUNAL SPACE IN THE LOBBY AND CAFE. LIVE ARTS SERVES AS HOME BASE FOR THE BILL T. JONES/ARNIE ZANE DANCE COMPANY, PROVIDES AN EXTENSIVE RANGE OF PARTICIPATORY PROGRAMS FOR ADULTS AND YOUNG PEOPLE, AND SUPPORTS THE CONTINUING PROFESSIONAL DEVELOPMENT OF ARTISTS. WITH OUR AUDIENCE, WE SEEK TO BECOME A PLACE FOR DANCE THAT IS VITAL TO THE FABRIC OF SOCIAL AND CULTURAL LIFE IN NEW YORK, AMERICA, AND BEYOND.
Program accomplishments
- NEW YORK LIVE ARTS HAD A CRITICALLY ACCLAIMED 2024-25 SEASON INCLUDING SIX 2024 BESSIE AWARD NOMINATIONS AMONG THREE COMMISSIONED ARTISTS AND TWO 2025 BESSIE AWARD NOMINATIONS. LIVE ARTS PRODUCED THIRTEEN FULLY PRODUCED PRESENTATIONS, INCLUDING RCA, LIVE FEED, AND LIVE ARTERY FESTIVAL THAT BROUGHT IN AN AUDIENCE OF NEARLY 6,912 TO LIVE ARTS. THE BILL T. JONES/ARNIE ZANE DANCE COMPANY TOURED NATIONALLY, BRINGING ITS WORK TO APPROXIMATELY 6,702 AUDIENCE MEMBERS. DURING THE COMPANY'S 43RD YEAR, THEY HAD 8 PERFORMANCES IN NEW YORK CITY. REMOUNTING THE ICONIC WORK STILL/HERE AT BROOKLYN ACADEMY OF MUSIC (BAM), MARKING ITS 30TH ANNIVERSARY, AS WELL AS PREMIERING A NEW WORK FOR THE HOME SEASON AT NEW YORK LIVE ARTS. BILL T. JONES WAS COMMISSIONED TO CREATE A SOLO FOR THE WHITNEY ART MUSEUM'S EDGES OF AILEY EXHIBIT, WHERE HE HAD 2 SOLD-OUT SHOWS FOR HIS WORLD PREMIER OF MEMORY PIECE: MR. AILEY, ALVIN. THE UN-AILEY? WE ALSO REMOUNTED THE WORK FOR THE COMPANY'S HOME SEASON IN MAY 2025.NEW YORK LIVE ARTS CONTINUED TO SUPPORT THE DEVELOPMENT OF THE NEW WORK OF ITS SEVENTH RESIDENT COMMISSIONED ARTIST, MIGUEL GUITERREZ, AND HIS WORK, SUPER NOTHING, WHICH PREMIERED IN JANUARY 2025. LIVE ARTS ANNOUNCED JOANNA KOTZE AS THE EIGHTH RESIDENT COMMISSIONED ARTIST FOR THE FISCAL YEAR 26-27 AND WILL SUPPORT THE DEVELOPMENT OF THEIR NEW WORK. LIVE ARTS ALSO COMMISSIONED NEW WORK FROM SOME OF THE MOST FORWARD-THINKING INDEPENDENT ARTISTS OF OUR TIME IN OUR THEATRE AND IN NYC: INCLUDING WALLY CARDONA, LISA FAGAN & LENA ENGLESTEIN, MILKA DJORDEVICH AND MAKINI (JUMATATU POE). THE LIVE FEED RESIDENCY PROGRAM IS A LABORATORY FOR THE DEVELOPMENT OF NEW COMMISSIONED WORK DIRECTED TO OUR THEATER. EMERGING AND MID-CAREER ARTISTS SELECTED BY THE LIVE ARTS CURATORIAL STAFF ARE OFFERED 140 HOURS OF REHEARSAL TIME OVER TWO YEARS, FOLLOWED BY MODERATED DISCUSSIONS IN THE FIRST YEAR. IN THE SECOND YEAR, WE PREMIER THEIR NEWLY CREATED PERFORMANCE PIECE IN OUR THEATER. ALONG WITH PERFORMANCE FEES, EACH COMMISSIONED ARTIST ENJOYED A WEEK-LONG TECHNICAL RESIDENCY IN NEW YORK LIVE ARTS' THEATER, AN UNUSUAL OPPORTUNITY TO REFINE A WORK FOR THE STAGE. NEW YORK LIVE ARTS SERVED AS AN ARTISTIC HOME TO MORE THAN 200 EMERGING AND MID-CAREER ARTISTS. THE EMERGING ARTIST PROGRAM, FRESH TRACKS SUPPORTED FIVE NEW ARTISTS WITH A YEAR OF PROFESSIONAL DEVELOPMENT, LED BY ARTISTIC ADVISOR JULIANA MAY, AND PRODUCING A NEW WORK ON A SHARED EVENING OF FOUR PERFORMANCES OF: MAXI HAWKEYE, KASHIA KANCEY, JADE MANN, AYO OHS.THE BILL CHATS PROGRAM, WHERE WE CONTINUED TO INVESTIGATE ISSUES OF OUR TIME, THIS YEAR WITH BILL T. JONES IN CONVERSATION WITH JUDITH BUTLER AND ANNE DEVEARE SMITH. THE MOTHERBOARD SUITE, CREATED BY SAUL WILLIAMS AND BILL T. JONES, CONTINUED ITS TOURING TO THE FORD IN LOS ANGELES, CA, WITH ONE PERFORMANCE TO APPROXIMATELY 700 AUDIENCE MEMBERS. IN ITS 14TH YEAR, THE LIVE ARTERY FESTIVAL PRESENTED SEVEN FULLY PRODUCED PRODUCTIONS: JULIA ANTINOZZI, LESLIE CUYJET, MILKA DJORDJEVICH, JESSIE FACTOR, MIGUEL GUTIERREZ, FAUSTIN LINYEKULA, SAMARA SARAI, STACY SPENCE, AND ZOE|JUNIPER. THERE WERE ALSO 8 STUDIO SHOWINGS OF EXCERPTS AND WORK-IN-PROGRESS NEW WORKS FROM OUR RESIDENCY ARTISTS AND CURATED GUESTS, INCLUDING BILL T. JONES/ARNIE ZANE COMPANY, KYLE ABRAHAM AND ABRAHAM IN MOTION (AIM), SHAMEL PITTS|TRIBE, CYNTHIA OLIVER, JOSEPH KECKLER, OGEMDI UDE, RODERICK GEORGE, AND MICHAEL SAKAMONTO WITH DJ SPOOKY. KAYLA FARRISH, GABRIELA CARNIERO DA CUNHA, HEATHER KRAVIS, JANANI BALUSBRAMANIAN, AND TERE O'CONNOR. THIS ALLOWED PRESENTERS TO LISTEN TO ARTIST PITCHES AND ARTISTS TO MEET PRESENTERS IN A RELAXED SETTING TO BUILD TOURS, COMMISSIONS, ETC. LIVE ARTS CONTINUES TO PARTNER WITH L'ALLIANCE NEW YORK | CROSSING THE LINE AND TOGETHER, WE CO-PRESENTED THREE INTERNATIONAL ARTISTS IN FALL 2024: NADIA BEUGR, LENIO KAKLEA, AND ISMEL MOUARAKI.LIVE ARTS ALSO CONTINUES TO SUPPORT VISUAL ARTISTS BY EXHIBITING THEIR WORK ON THE FORD FOUNDATION LIVE GALLERY. THE 2024-2025 ARTIST WAS ISAIAH GARDNER. ADDITIONALLY, WE CONTINUE TO COLLABORATE WITH THE NEW YORK FOUNDATION FOR THE ARTS IMMIGRANT ARTIST PROGRAM, THE INSTALLATION IN/BETWEEN, WHEREIN BETWEEN 20-25 IMMIGRANT ARTISTS SHOW THEIR WORK ON THE FORD FOUNDATION LIVE ARTS GALLERY WALL IN THE SPRING. WE CLOSED OUR FY25 SEASON WITH OUR ANNUAL PRIDE: THE HOUSE PARTY, INCLUDING LIVE PERFORMANCES, BUILDING-WIDE AND ON THE SIDEWALK. PERFORMERS INCLUDED HOUSES LEGENDS OF DRAG, YAS MAMA, BODY HACK, CASA DIVA, HOUSE OF TRANSCENDENCE, RAGGA, PAPI JUICE, SWITCH N PLAY, BUBBLE T, AND DOUBLE DUTCH DREAMZ JUMPING FOR JUSTICE, REPRESENTED BY 33 INDIVIDUAL ARTISTS. WE HOSTED A QUEER MARKETPLACE IN OUR LOBBY WITH EIGHT QUEER VENDORS, HOSTED BY UNTITLED AND OUR VERY OWN TYLER ASHLEY, THE DAUPHINE. THE EVENT TOOK PLACE ALONGSIDE A FORD FOUNDATION LIVE GALLERY LOBBY EXHIBITION FEATURING 8 ARTISTS, CO-PRESENTED WITH AND CURATED BY QUEER I ART AND LITE BRITE NEON STUDIO THAT WAS ON VIEW JUNE-SEPTEMBER.NEW YORK LIVE ARTS' LIVE CORE PROGRAM IS DEDICATED TO PROVIDE ARTISTS WITH THE TOOLS, SUPPORT, AND PROFESSIONAL DEVELOPMENT THEY NEED TO TRULY EXCEL. THE PROGRAM DRAWS ON THE RESOURCES OF THE INSTITUTION TO MAKE IT POSSIBLE FOR ARTISTS TO CONNECT WITH LARGER AUDIENCES, RAISE FUNDS TO SUPPORT THEIR WORK, AND AUGMENT THE VISIBILITY OF DANCE IN NEW YORK. ENROLLMENT WITH AN AFFORDABLE $100 FOR A FULL YEAR OF UNLIMITED ACCESS TO MARKETING SERVICES, INCLUSION IN LIVE ARTS' E-BLASTS AND PRINT PROGRAMS, DEVELOPMENT AND FUNDRAISING GUIDANCE, TICKET DISCOUNTS, AND ACCESS TO MASTERCLASSES AND WORKSHOPS. NEW YORK LIVE ARTS HAD AN ONGOING PARTNERSHIP WITH THE JAMES BALDWIN SCHOOL FOR EXPEDITIONARY LEARNING, FOCUSED ON HIGH SCHOOL STUDENTS WHO HAVE PREVIOUSLY EXPERIENCED SCHOOL AS UNRESPONSIVE TO THEIR NEEDS AS INDIVIDUALS. DESIGNED TO BROADEN THE ARTISTIC EXPERIENCE AND PROVIDE TWO FULL SEMESTERS OF COURSE WORK, A CLASS OF SIX TO EIGHT STUDENTS WORKED WITH A TEACHING ARTIST RECRUITED FROM OUR BILL T. JONES/ARNIE ZANE ALUMNI TO DEVELOP PERSONAL ORAL HISTORY INTO PERFORMANCE. STUDENTS WILL HAVE THE OPPORTUNITY TO TOUR OUR THEATER AND EITHER SIT IN ON AN OPEN COMPANY REHEARSAL OR MOVEMENT CLASS TAUGHT BY THE BILL T. JONES ARNIE ZANE COMPANY. NEW YORK LIVE ARTS THEATER TOURS ARE 60 MINUTES IN LENGTH AND CAN ACCOMMODATE UP TO 30 STUDENTS IN THE STUDIOS (FOR REHEARSALS/CLASS) AND UP TO 70 STUDENTS IN THE THEATER. ALONG WITH ITS TOURING SCHEDULE, BILL T JONES/ARNIE ZANE COMPANY ALSO TAUGHT A WEEKLY MORNING COMMUNITY CLASS AS WELL AS CONTINUED ITS 8-YEAR PARTNERSHIP WITH LOYOLA MARYMOUNT UNIVERSITY, WHEREIN THE STUDENTS LEARN BILL T. JONES/ARNIE ZANE COMPANY REPERTORY AND ONE PERFORMER SPENDS A WEEK WITH THE STUDENTS EACH SPRING, TEACHING AND BEING IN COMMUNITY WITH COLLEGE AGED STUDENTS, DISCUSSING WHAT IT IS TO BE A PROFESSIONAL ARTIST WORKING IN NYC. THE COMPANY ALSO TRAVELED TO POMFRET HIGH SCHOOL IN CONNECTICUT, LEADING WORKSHOPS AND PERFORMING TWO LEC/DEMS FOR THE STUDENTS, STAFF, AND COMMUNITY. LICENSING THE WORKS OF BILL T. JONES/ARNIE ZANE COMPANY THROUGH NEW YORK LIVE ARTS PROVIDES UNIVERSITIES/COMPANIES WITH THE OPPORTUNITY TO ENGAGE IN A WELL-ROUNDED, EXTENSIVE LEARNING EXPERIENCE ROOTED IN SIGNIFICANT WORKS FROM THE COMPANY'S REPERTORY. IN FY25 BILL T. JONES/ARNIE ZANE COMPANY LICENSED WORKS TO UNIVERSITY OF ALABAMA SETTING POWER/FULL AND THE FIVE COLLEGE DANCE DEPARTMENTS IN WESTERN MASS, SETTING SPENT DAYS OUT YONDER. THE BILL T. JONES/ARNIE ZANE COMPANY SPENT THE YEAR DEEPENING THEIR RELATIONSHIP WITH NEARBY SCHOOLS-INVITING 2ND GRADERS INTO OUR REHEARSAL PROCESS FROM A LOCAL SCHOOL IN THE BRONX, TEACHING WORKSHOPS TO CITY COLLEGE STUDENTS, AND AT NYU.BILL T. JONES CONTINUED ON THE CURRICULUM GLOBAL PROJECT, WHICH PIVOTED FROM A FESTIVAL TO A FILM AS A SCALABLE REIMAGINING OF THE ORIGINAL IDEA, EMBEDDING A FILM TEAM DURING THE STILL/HERE REMOUNT AT BAM, AND STRENGTHENING LOCAL COMMUNITY CONNECTIONS AROUND HEALTH AND SURVIVAL AND CARRYING FORWARD GLOBAL THEMES THROUGH A MORE ACCESSIBLE AND FAR-REACHING FORMAT, PRESERVING AND EXPANDING IMPACT. THE FILM SERVES AS THE PERMANENT VEHICLE FOR BILL T. JONES' GLOBAL ENGAGEMENT AND LEGACY, ATTRACTING NEW PARTNERS, AND ENSURING LONG-TERM ENDURANCE OF THE WORK. TRANSITIONING FROM A FESTIVAL FORMAT, LIVE ARTS NOW SEES THE FILM AS THE FULLEST EXPRESSION OF LEGACY, WHILE CONTINUING TO ENGAGE INTERNATIONAL ARTISTS AND RECREATE HISTORICAL WORKS UNDER THE CURRICULUM GLOBAL VISION.AS MENTIONED EARLIER, BILL WAS INVITED TO RECREATE STILL/HERE COMMEMORATING ITS 30TH ANNIVERSARY. TO DO THIS, WE HAD TO REDESIGN THE COSTUMES, UNEARTH THE SET PIECES FROM STORAGE, REMAKE THE VIDEOS FROM LASER DISCS, WHICH WAS THE MEDIA USED IN 1994. WE RAISED $275,000 IN COMMISSIONING FUNDS TO SUPPORT THIS REMOUNT AND BOOKED A 15-CITY TOUR FOR THE 25-26 SEASON.Expenses $7,170,743 · grants $2,728,225 · revenue $1,498,856
What it must file and when
IRS records say it files Form 990 or 990-EZ. Based on its last return; a smaller organization may file the 990-N. Its accounting year ends in June, so each return is due on the 15th day of the 5th month after that.
| Tax year | Year ended | Due | IRS public records |
|---|---|---|---|
| 2025 | June 30, 2026 | November 16, 2026 | Not due yet |
| 2024 | June 30, 2025 | November 17, 2025 | 990 on file |
| 2023 | June 30, 2024 | November 15, 2024 | 990 on file |
IRS record
- EIN
- 13-6206608
- Tax-exempt status
- 501(c)(3): Charitable, religious, educational or scientific organization
- Foundation status
- Publicly supported organization (509(a)(2))
- Donations deductible (Pub 78)
- Public charity, 50% deduction limit
- Exempt since
- 1966
- Accounting year ends
- June
- Files
- Form 990 or 990-EZ
- Category (NTEE)
- Arts, culture and humanities (A620)
- Assets (IRS master file)
- $20,418,099
- Income (IRS master file)
- $17,307,570
Filing history
| Form | Year ended | Revenue | Expenses | Assets | Return |
|---|---|---|---|---|---|
| 990 | June 2025 | $10,364,322 | $8,881,944 | $20,418,099 | XML |
| 990 | June 2024 | $6,638,638 | $6,558,266 | $19,106,950 | XML |
| 990 | June 2023 | $7,057,889 | $7,148,864 | $18,845,656 | XML |
| 990 | June 2022 | $10,002,942 | $7,100,064 | $18,773,149 | IRS |
| 990 | June 2021 | – | – | – | IRS |
| 990 | June 2020 | – | – | – | IRS |
| 990 | June 2019 | – | – | – | IRS |
| 990 | June 2018 | – | – | – | IRS |
990-N: the IRS bulk file holds only the latest e-Postcard per organization; earlier years come from archived copies of that file since 2020 and can have gaps (the IRS e-Postcard search lists every one). 990, 990-EZ, 990-PF, 990-T: every e-filed return in the IRS e-file index since 2019; XML for the latest three processing years, amounts from the IRS Statistics of Income extracts before that. PDF copies and determination letters at the IRS (search EIN 13-6206608).
Questions about NEW YORK LIVE ARTS INC
- What is the EIN of NEW YORK LIVE ARTS INC?
- The employer identification number (EIN) of NEW YORK LIVE ARTS INC is 13-6206608.
- Is NEW YORK LIVE ARTS INC tax-exempt?
- Yes. The IRS lists it as tax-exempt under section 501(c)(3) since 1966.
- Are donations to NEW YORK LIVE ARTS INC tax-deductible?
- Yes. It is listed in IRS Publication 78 (Public charity, 50% deduction limit).
- Which annual return does NEW YORK LIVE ARTS INC file?
- Form 990 or 990-EZ. Based on its last return; a smaller organization may file the 990-N.
- When is the next return of NEW YORK LIVE ARTS INC due?
- The return for tax year 2025 (the year ending June 30, 2026) is due November 16, 2026. Form 8868 extends it by six months; the 990-N cannot be extended.
- When did NEW YORK LIVE ARTS INC last file with the IRS?
- The latest return in the IRS public files is the 990 for the year ended June 2025.
- Who is the principal officer of NEW YORK LIVE ARTS INC?
- The 990 for the year ended June 30, 2025 names KIM CULLEN.
- Who are the officers and directors of NEW YORK LIVE ARTS INC?
- The 990 for the year ended June 30, 2025 lists 29 people; 6 received compensation from the organization, the highest $330,545 (KIMBERLY CULLEN, EXEC. DIR./CEO).
- How much revenue does NEW YORK LIVE ARTS INC have?
- On its 990 for the year ended June 30, 2025 it reported revenue of $10,364,322, expenses of $8,881,944 and total assets of $20,418,099 at year end.
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- METROPOLITAN OPERA ASSOCIATION INC EIN 13-1624087 · last filed 990 for 2025
- AMERICAN MUSEUM OF NATURAL HISTORY EIN 13-6162659 · last filed 990 for 2025
- LINCOLN CENTER FOR THE PERFORMING ARTS INC EIN 13-1847137 · last filed 990 for 2025
- WHITNEY MUSEUM OF AMERICAN ART EIN 13-1789318 · last filed 990 for 2025
- SESAME WORKSHOP EIN 13-2655731 · last filed 990 for 2025
- ROYAL NATIONAL THEATRE EIN 38-3866410 · last filed 990 for 2025
All nonprofits in NEW YORK · New York · Arts, culture and humanities