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Nonprofit · EIN 13-2874863

FIJI THEATER COMPANY INC

Tax-exempt · NEW YORK, NY 10012

Financials

$1.9M$1.5M2022$1.2M$1.6M2023$1.6M$1.4M2024
Revenue Expenses · by fiscal year end
Financials of FIJI THEATER COMPANY INC by year, from its e-filed returns
Year endedFormRevenueExpensesNet incomeTotal assetsLiabilitiesNet assets
June 30, 2025990$1,577,822$1,373,250$204,572$1,910,034$64,573$1,845,461
June 30, 2024990$1,237,332$1,643,105-$405,773$1,751,144$110,255$1,640,889
June 30, 2023990$1,941,073$1,521,236$419,837$2,217,740$171,078$2,046,662
Financial details: 990 for the year ended June 30, 2025

Revenue

Contributions, gifts and grants
$1,319,968
of which government grants
$551,926
Program service revenue
$167,479
Investment income
$74,637
Royalties
$10,877
Other revenue
$15,738

Expenses

Grants and similar amounts paid
$124,842
Compensation of officers, directors and key employees
$249,305
Other salaries and wages
$491,465
Salaries, compensation and benefits (total)
$830,207
Professional fundraising fees
$0
Accounting fees
$52,900
Occupancy
$56,431
Travel
$14,839
Depreciation
$3,344
Program services (functional)
$964,866
Management and general (functional)
$227,195
Fundraising (functional)
$181,189

Balance sheet and other

Total assets, start of year
$1,751,144
Total assets, end of year
$1,910,034
Total liabilities, end of year
$64,573
Net assets, end of year
$1,845,461
Land, buildings and equipment
$4,082
Net assets without donor restrictions
$1,280,461
Net assets with donor restrictions
$565,000
Gross receipts
$1,577,822
Employees
67
Year formed
1985
State of legal domicile
NY

From the e-filed returns the IRS publishes as XML (latest three processing years; amended returns replace the original). PDF copies at the IRS.

Officers, directors and key employees

As listed on the 990 for the year ended June 30, 2025, highest compensation first.

NameTitleHours / weekCompensationOther / benefits
Sara ZatzAssoc. Director
Officer
40$76,024$33,487
Jane JungManaging Dir.
Officer
40$78,122$29,751
John ChongArtistic Director Emeritus0$855$10,000
Cathy BarbashTrustee
Trustee or director
2$0$0
Amy ChinPresident
Trustee or director, Officer
6$0$0
Deirdre ValenteTreasurer
Trustee or director, Officer
2$0$0
Kim ChanTrustee
Trustee or director
2$0$0
Lillian ChoSecretary
Trustee or director, Officer
2$0$0
990 for the year ended June 30, 2024: 9 people
NameTitleHours / weekCompensationOther / benefits
Sara ZatzAssoc. Director
Officer
40$78,729$35,214
Jane JungManaging Dir.
Officer
40$80,903$20,572
John ChongArtistic Director0$0$26,550
Bruce AllardiceExecutive Director0$0$10,500
Cathy BarbashTrustee
Trustee or director
2$0$0
Amy ChinPresident
Trustee or director, Officer
6$0$0
Deirdre ValenteVice President
Trustee or director
2$0$0
Kim ChanTrustee
Trustee or director
2$0$0
Lillian ChoTreasurer
Trustee or director, Officer
2$0$0
990 for the year ended June 30, 2023: 7 people
NameTitleHours / weekCompensationOther / benefits
Bruce AllardiceExecutive Director40$83,894$35,693
John ChongArtistic Dir.
Trustee or director
40$59,134$14,041
Cathy BarbashTrustee
Trustee or director
2$0$0
Amy ChinPresident
Trustee or director, Officer
6$0$0
Deirdre ValenteVice President
Trustee or director
2$0$0
Kim ChanTrustee
Trustee or director
2$0$0
Lillian ChoTreasurer
Trustee or director, Officer
2$0$0

Address and contacts

Address (IRS master file)
47 GREAT JONES ST, NEW YORK, NY 10012-1196
In care of
% PING CHONG
Principal officer (990 for 2024)
Amy Chin, 47 Great Jones St Fl 6, New York, NY 10012
Signed the 990
Amy Chin, President
Phone
(212) 529-1557
Return prepared by
Mary G Sormeley CPA

Mission

Fiji Theater Company, Inc. creates works of theater and art that reveal beauty, precision, and a commitment to social justice. Founded by Ping Chong, the company creates original interdisciplinary works by a group of affiliated artists and is committed to artistic innovation, collaboration community engagement, and amplifying underrepresented voices. The Fiji Theater develops works in collaboration with local, regional, national, and international institutional partners ranging from schools and universities, to regional theaters, international arts festivals,, and grass roots social service organizations.

990 for the year ended June 30, 2025

Program accomplishments

  • FY25 was the final year of a planned three-year transition period.New work and public presentations in FY25 included:minor b by Nile Harris, member of the Interim Artistic Leadership Team (2022 - 2025) and Pink Fangs FY26 Resident Artist, premiered at The Shed on August 8-10, 2024. The work had 3 free performances, all of which reached sold out capacity. Harris and his ensemble used the biography of early 20th century jazz cornetist Buddy Bolden, who spent the majority of his life in a mental asylum, as a launching point to stage a series of discrete events rejecting and subverting minor black behavior that refuses capitalization and respectability.Temporary Boyfriend, by Malcolm-x Betts and Nile Harris, premiered at The Chocolate Factory January 11-16 2025 as part of the Under the Radar Festival with scenic and technical direction by Dyer Rhoads and sound design by Geng PTP. Two additional shows were added after the original run sold out within minutes. Betts and Harris staged the nuanced poetics of their long-term collaboration, mining the friction and intrigue at the pith of their connection in an improvisatory duet of which Daniella Brito (Brooklyn Rail) commented, throughout Temporary Boyfriend, the question is no longer can life be art? It is, when is life not art? From the kinship of ancestors lost to the AIDS epidemic, to contemporary manifestations of ephemeral gay brotherhood, Temporary Boyfriend presented an intimate portrait of the aesthetics of proximity and estrangement. Uncovery: P_____G: In June 2025, Pink Fang revealed the public outcome of our three-year journey delving into the heart of the companys identity at a launch event held at La MaMas Galleria space. With a full-scale visual arts installation designed by Resident Artist Nile Harris and a gathering song by collaborating artist Troy Anthony of the Fire Ensemble that invited a moment of collective gratitude, Uncovery introduced the companys new name, mission, and leadership structure, through performance as a participatory happening. This event drew an enthusiastic capacity crowd of over 150 community members. Additional ActivitiesIn addition to public performances, Pink Fang supported ongoing development of The Table by Mei Ann Teo (Artistic Director, New Work) and Erika Chong Shuch, with dramaturgy by Tomi Tsunoda. The Table grapples with our drive to push and press and pursue, and the unfillable craving it feeds rather than satisfying. It embodies the exertions and contortions that result - sometimes painful, sometimes absurd, often both - and wonders: what might happen when we stop? Manifested through sound, human movement, and mundane objects, The Table confronts a battle fought with the weapons and on the battlegrounds of insatiability, consumption, and grief. The work had two week-long developmental workshops, with invited sharings of work in progress.In FY25 initial development also took place for Memory Generation, a new experiential theater work which invites reflection on aging, isolation and connection, place and belonging. Conceived and created by Sara Zatz (Artistic Director, Engagement) in collaboration with Detroit-based theater director, producer and educator Sherrine Azab (A Host of People), Memory Generation is inspired by her own family history and experience as a caregiver for a parent with dementia. Building on the direct experiences of people with dementia and caregivers, the work explores both the unexpected losses as well as moments of humor and joy that arise when dementia impacts individuals, families, and communities. Memory Generation performances will integrate the concept of Memory Cafes (unique creative and social spaces for people with dementia and their caregivers) with Pink Fangs Undesirable Elements methodology of creating theatrical work from the personal experiences and histories of participants, incorporating techniques designed to accommodate memory limitations.Developmental workshops continued in FY25 for The Truth Beneath by Talvin Wilks and Paul Berman, with contributing writer Cherry Lou Sy. The Truth Beneath, is a fractured narrative about memory, politics, social media, disinformation, and the fragility of democracy rooted in the life and work of Filipino-American journalist Maria Ressa (2021 Nobel Peace Prize recipient). Workshops took place from March 11-14th at Downtown Arts, and May 31-June 3, at the Wooster Groups Performing Garage, both with a cast of 8 performers, culminating with invited sharings of the work in progress. In Arts Education, Pink Fangs 10-week in-class residency program served more than 1,500 public school students through residencies, after-school programs, and performances in Manhattan, Brooklyn, and Queens. Activities included a mixture of writing, oral storytelling, and theater exercises designed to build expressive performance skills and to celebrate the power of theatrical storytelling to build empathy across diverse experiences, with activities in English, Spanish, Mandarin, (based on school need). All residencies incorporated final culminating performances.
    Expenses $964,866 · revenue $167,479

What it must file and when

IRS records say it files Form 990 or 990-EZ. Based on its last return; a smaller organization may file the 990-N. Its accounting year ends in June, so each return is due on the 15th day of the 5th month after that.

Tax yearYear endedDueIRS public records
2025June 30, 2026November 16, 2026Not due yet
2024June 30, 2025November 17, 2025990 on file
2023June 30, 2024November 15, 2024990 on file

IRS record

EIN
13-2874863
Tax-exempt status
501(c)(3): Charitable, religious, educational or scientific organization
Foundation status
Publicly supported organization (170(b)(1)(A)(vi))
Donations deductible (Pub 78)
Public charity, 50% deduction limit
Exempt since
1976
Accounting year ends
June
Files
Form 990 or 990-EZ
Assets (IRS master file)
$1,910,034
Income (IRS master file)
$1,577,822

Filing history

FormYear endedRevenueExpensesAssetsReturn
990June 2025$1,577,822$1,373,250$1,910,034IRS
990June 2024$1,237,332$1,643,105$1,751,144XML
990June 2023$1,941,073$1,521,236$2,217,740XML
990June 2022$1,662,626$1,129,210$1,630,686IRS
990June 2021–––IRS
990June 2020–––IRS
990June 2019–––IRS
990June 2018–––IRS

990-N: the IRS bulk file holds only the latest e-Postcard per organization; earlier years come from archived copies of that file since 2020 and can have gaps (the IRS e-Postcard search lists every one). 990, 990-EZ, 990-PF, 990-T: every e-filed return in the IRS e-file index since 2019; XML for the latest three processing years, amounts from the IRS Statistics of Income extracts before that. PDF copies and determination letters at the IRS (search EIN 13-2874863).

Questions about FIJI THEATER COMPANY INC

What is the EIN of FIJI THEATER COMPANY INC?
The employer identification number (EIN) of FIJI THEATER COMPANY INC is 13-2874863.
Is FIJI THEATER COMPANY INC tax-exempt?
Yes. The IRS lists it as tax-exempt under section 501(c)(3) since 1976.
Are donations to FIJI THEATER COMPANY INC tax-deductible?
Yes. It is listed in IRS Publication 78 (Public charity, 50% deduction limit).
Which annual return does FIJI THEATER COMPANY INC file?
Form 990 or 990-EZ. Based on its last return; a smaller organization may file the 990-N.
When is the next return of FIJI THEATER COMPANY INC due?
The return for tax year 2025 (the year ending June 30, 2026) is due November 16, 2026. Form 8868 extends it by six months; the 990-N cannot be extended.
When did FIJI THEATER COMPANY INC last file with the IRS?
The latest return in the IRS public files is the 990 for the year ended June 2025.
Who is the principal officer of FIJI THEATER COMPANY INC?
The 990 for the year ended June 30, 2025 names Amy Chin.
Who are the officers and directors of FIJI THEATER COMPANY INC?
The 990 for the year ended June 30, 2025 lists 8 people; 3 received compensation from the organization, the highest $76,024 (Sara Zatz, Assoc. Director).
How much revenue does FIJI THEATER COMPANY INC have?
On its 990 for the year ended June 30, 2025 it reported revenue of $1,577,822, expenses of $1,373,250 and total assets of $1,910,034 at year end.

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