2026-08-13T11:17:09+00:00 2025-09-30 135381590 BDO USA 100 SE 2ND ST SUITE 1700 MIAMI FL 33131 990 2024-10-01 471251523 INSTITUTE OF CONTEMPORARY ART MIAMI INC INST 3059015272 61 NE 41ST STREET MIAMI FL 33137 ANDREW GAVIN DIRECTOR OF FINANCE 3059015272 2026-08-13 true JAKE COOK P01240455 3053818000 2026-08-11 2024 2025-03-06 01:10:19Z ALEX J GARTENFELD 61 NE 41ST STREET MIAMI FL 33137 18359739 false X ICAMIAMI.ORG X 2014 FL THE INSTITUTE OF CONTEMPORARY ART, MIAMI (ICA MIAMI), IS DEDICATED TO PROMOTING THE WORK OF CONTEMPORARY ARTISTS, AND TO THE EXCHANGE OF ART AND IDEAS THROUGHOUT THE MIAMI REGION AND INTERNATIONALLY. THROUGH AN ENERGETIC CALENDAR OF EXHIBITIONS AND PROGRAMS, AND ITS COLLECTIONS, ICA MIAMI PROVIDES AN INTERNATIONAL PLATFORM FOR THE WORK OF ESTABLISHED AND EMERGING ARTISTS AND ADVANCES THE PUBLIC APPRECIATION AND UNDERSTANDING OF THE MOST INNOVATIVE AND EXPERIMENTAL ART OF OUR TIME. 42 42 59 42 0 12630300 15306592 85652 257773 129195 161506 1916991 131727 14762138 15857598 0 0 3336261 3866046 0 1562476 9921556 8517351 13257817 12383397 1504321 3474201 59516359 79593146 2589797 19009185 56926562 60583961 X THE INSTITUTE OF CONTEMPORARY ART, MIAMI (ICA MIAMI), IS DEDICATED TO PROMOTING THE WORK OF CONTEMPORARY ARTISTS, AND TO THE EXCHANGE OF ART AND IDEAS THROUGHOUT THE MIAMI REGION AND INTERNATIONALLY. THROUGH AN ENERGETIC CALENDAR OF EXHIBITIONS AND PROGRAMS, AND ITS COLLECTIONS, ICA MIAMI PROVIDES AN INTERNATIONAL PLATFORM FOR THE WORK OF ESTABLISHED AND EMERGING ARTISTS AND ADVANCES THE PUBLIC APPRECIATION AND UNDERSTANDING OF THE MOST INNOVATIVE AND EXPERIMENTAL ART OF OUR TIME. false false 6365936 0 257773 EXHIBITIONS AND COLLECTIONS DURING FISCAL YEAR 2025, ICA MIAMI HOSTED A WIDE RANGE OF EXHIBITIONS FROM DIVERSE INTERNATIONAL ARTISTS. MAJOR EXHIBITIONS DURING FISCAL YEAR 2025 INCLUDED THE FOLLOWING: FROM NOVEMBER 2024 TO MARCH 2025, ICA MIAMI PRESENTED "KEICHI TANAAMI: MEMORY COLLAGE," A SURVEY OF FOUNDATIONAL JAPANESE POP ARTIST, KEICHI TAANAMI, WHICH INCLUDED SIX DECADES OF WORKS. TANAAMI WAS PART OF THE FIRST GENERATION OF POSTWAR JAPANESE ARTISTS WHO HAD TO URGENTLY FIND WAYS TO MEDIATE THE TRAUMA OF NUCLEAR WAR AND THE ARRIVAL OF PSYCHEDELIC CULTURE TO JAPAN IN THE 1960S. HE WORKED ACROSS VARIOUS MEDIA, FROM ANIMATIONS AND COLLAGES TO PAINTINGS AND DIGITAL VIDEOS. FROM NOVEMBER 2024 TO MARCH 2025, ICA MIAMI PRESENTED "CROSSROADS: RUBEM VALENTIM'S 1960S." RUBEM VALENTIN WAS THE FIRST BRAZILIAN ARTIST TO MARRY THE LONG HISTORY OF GEOMETRIC ABSTRACTION IN PAINTING WITH A VISUAL LANGUAGE DERIVED FROM THE AFRO-BRAZILIAN RELIGION OF CANDOMBLE, PRODUCING UNPRECEDENTED NEW FORMS. THE EXHIBITION FOCUS SPECIFICALLY IN THE WORK OF THE 1960S, WHICH WAS THE MOST IMPORTANT AND GROUND-BREAKING DECADE OF VALETIM'S PRODUCTION. FROM DECEMBER 2024 TO MARCH 2025, ICA MIAMI SHOWCASED LAURIE SIMMONS PROJECT "KALEIDOSCOPE HOUSE," IN COLLABORATION WITH MIAMI DESIGN DISTRICT. FROM DECEMBER 2024-MARCH 2025, ICA MIAMI PRESENTED "LUCY BULL: THE GARDEN OF FORKING PATHS." THE EXHIBITION WAS THE FIRST MUSEUM EXHIBITION FOR LUCY BULL, AN AMERICAN ABSTRACT PAINTER. ALONG WITH "LUCY BULL: THE GARDEN OF FORKING PATHS," ICA MIAMI ALSO COMMISSIONED BULL TO MAKE A NEW, 40-FOOT PAINTING FOR THE MUSEUM'S STAIRWELL, WHICH WAS ON DISPLAY BETWEEN DECEMBER 2024 AND OCTOBER 2025. FROM DECEMBER 2024 TO MARCH 2025, ICA MIAMI PRESENTED "MARGUERITTE HUMEAU: \*SK\*/EY-," THE FIRST MUSEUM EXHIBITION FOR PARIS-BORN AND LONDON-BASED SCULPTOR MARGUERITTE HUMEAU. THE EXHBITION PRESENTED A NEW GROUP OF WORKS THAT EXPLORED POSTHUMAN LANDSCAPES, MUTATING SPECIES, AND IRREGULAR MATERIALS. FROM DECEMBER 2024 TO APRIL 2025, ICA MIAMI PRESENTED "DING SHILUN: JANUS," THE FIRST MUSEUM EXHIBITION FOR ARTIST DING SHILUN, WHOSE PAINTINGS EXPLORE, THROUGH MYSTICAL AND GHOSTLY SCENES, COMING-OF-AGE NARRATIVES. IN MARCH 2025, IN COLLABORATION WITH MIAMI DESIGN DISTRICT, ICA PRESENTED "MARTA MINUJIN: DREAMSACPE," A LARGE-SCALE AND INTERACTIVE OUTDOOR INSTALLATION BY HISTORICAL ARGENTINEAN ARTIST, MARTA MINUJIN. FROM APRIL TO NOVEMBER 2025, ICA PRESENTED "MIRIAM SHAPIRO: 1967-1972," WHICH SHOWCASED AN IMPORTANT AND RARELY SHOWN SET OF PAINTINGS BY SHAPIRO, SOME OF THE FIRST WORK ANYWHERE TO USE COMPUTERS IN THEIR PRODUCTION. FROM MAY TO OCTOBER 2025, ICA MIAMI HOSTED "OLGA DE AMARAL," AN EXHIBITION OF PIONEERING COLOMBIAN PIONEER FIBER ARTISTS. IT WAS HER LARGEST RETROSPECTIVE TO DATE THUS FAR, INCLUDING OVER 50 WORKS PRODUCED OVER THE LST SIX DECADES. FROM MAY TO OCTOBER 2025, ICA MIAMI PRESENTED "SANAA GATEJA: LANGUAGE OF WE," AN EXHIBITION OF LARGE-SCALE QUILTS MADE WITH DYED PAPER BEADS BY UGANDAN ARTIST SANAA GATEJA. FROM MAY TO OCTOBER 2025, ICA MIAMI PRESENTED "MILDRED THOMSON: FREQUENCIES," A SURVEY OF THE WORKS OF LATE AFRICAN-AMERICAN ARTIST MILDRED THOMPSON. THOMPSON'S RICHLY STAURATED, LARGE-SCALE PAINTINGS EXPLORE PHENOMENA THAT UNFOLD BEYOND THE THRESHOLDS OF HUAMN SIGHT, FROM COSMIC EVENTS AND MICROSCOPIC REALITIES TO DIFFERENT SOUND FREQUENCIES. IN JUNE 2025, ICA MIAMI PRESENTED "KONSTATINO DREGOS: PRIMA MATERIA," AN EXHIBITION OF MINIMALIST PAINTINGS BY DREGOS, WHICH EMPLOY MATHEMATICAL FORMULAS AS THEIR SUBJECT MATTER. IN JULY 2025, ICA MIAMI PRESENTED "ERIC DOERINGER," AN EXHIBITION OF PAINTINGS WHICH DOERINGER MADE IN THE SPECIFIC STYLE OF OTHER ARTISTS, RAISING QUESTIONS OF AUTHORSHIP, CREATIVITY, AND PROPERTY. IN APRIL 2025, ICA MIAMI PRESENTED "MOVING BEYOND BARS," AN EXHIBITION FEATURING MONUMNETAL WORKS AND PERSONAL WRITINGS CREATED BY WOMEN INCARCERATED AT FLORIDA WOMEN'S PRISON IN OCALA, FLORIDA, AND MEN INCARCERATED AT THE SOUTH DAKOTA STATE PENITERNTIARY, SIOUX FALL, SD, AND MIKE DURFEE STATE PRISON, SPRINGFIELD, SD. IN ADDITION, ICA MIAMI CONTINUED TO ACTIVATE ITS SCULPTURE GARDEN WITH WORKS BY LEADING CONTEMPORARY ARTISTS, INCLUDING PERMANENT COMMISSIONS SUCH AS UNSPECIFIED PROMISE (ALLORA & CALZADILLA), DR. PEPPER (MARK HANDFORTH), EPICURUS (PEDRO REYES), AND REPLICANT STONE (DAMIAN ORTEGA). ICA MIAMI'S PERMANENT COLLECTION CONTINUED TO GROW, ARTICULATING CORNERSTONE MOMENTS IN THE CAREERS OF SIGNIFICANT ARTISTS OF OUR TIME, WITH ACQUISITIONS IN FY2025 EXPANDING THE MUSEUM'S HOLDINGS IN PAINTING, SCULPTURE, AND NEW MEDIA. 1217778 0 0 COMMUNICATIONS THROUGH ITS COMMUNICATIONS PROGRAM, ICA MIAMI COMMUNICATES ITS MISSION AND ACTIVITIES TO THE PUBLIC, INFORMING AUDIENCES ABOUT CONTEMPORARY ART AND ITS IMPORTANCE IN OUR SOCIETY THROUGH MULTIPLE MEDIA. ICA MIAMI CONTINUES TO EMPLOY A COMPREHENSIVE MARKETING AND OUTREACH STRATEGY TO SUPPORT ENGAGEMENT WITH BOTH TOURISTS AND MIAMI RESIDENTS OF ALL AGES AND SOCIOECONOMIC BACKGROUNDS. THE MUSEUM MAINTAINS DEDICATED STAFF FOR MARKETING, COMMUNICATIONS, AND DIGITAL PRODUCTION AND WORKS WITH LEADING PR AGENCIES TO ENSURE SIGNIFICANT AUDIENCE REACH AND PRESS ATTENTION ON THE LOCAL, NATIONAL, AND INTERNATIONAL LEVELS. KEY STRATEGIES IN FY2025 INCLUDED: 1. PUBLISHING FULL-PAGE PRINT ADS IN CULTURED, DESIGN DISTRICT MAGAZINE, AND OTHER ART PUBLICATIONS. 2. IMPLEMENTING DIGITAL CAMPAIGNS WITH LOCAL MEDIA OUTLETS SUCH AS MIAMI HERALD, MIAMI NEW TIMES, TIME OUT MIAMI AND WLRN. 3. RUNNING TARGETED GOOGLE ADWORDS AND DISPLAY ADVERTISING CAMPAIGNS. 4. BROADCASTING RADIO SPOTS PROMOTING ICA MIAMI'S MISSION OF FREE AND OPEN ACCESS. 5. POSTING AND ADVERTISING ACROSS ICA MIAMI'S SOCIAL MEDIA PLATFORMS (WITH CONTINUED GROWTH IN INSTAGRAM, FACEBOOK, AND X/TWITTER FOLLOWERS, REACHING A COMBINED AUDIENCE EXCEEDING 500,000). 6. PRODUCING ORIGINAL VIDEO CONTENT DISTRIBUTED VIA ICA MIAMI'S WEBSITE, YOUTUBE, AND SOCIAL MEDIA CHANNELS. 7. ENHANCING WEBSITE SEO VISIBILITY TO MAXIMIZE ACCESS TO EXHIBITION AND PROGRAM INFORMATION. 8. IMPROVING WEB INFRASTRUCTURE TO TRACK ENGAGEMENT PATHWAYS, INCLUDING TICKET RESERVATIONS AND MEMBERSHIP SALES. 9. SENDING EMAIL COMMUNICATIONS TO OVER 113,000 SUBSCRIBERS WITH INVITATIONS TO EXHIBITIONS, PROGRAMS, AND EVENTS. 10. GENERATING GLOBAL WEBSITE SESSIONS AVERAGING MORE THAN 20,000 MONTHLY. 11. CROSS-PROMOTING WITH CITY AND COMMUNITY ORGANIZATIONS INCLUDING GREATER MIAMI CONVENTION & VISITORS BUREAU, FLORIDA INTERNATIONAL UNIVERSITY AND UNIVERSITY OF MIAMI. 12. ISSUING NATIONAL AND INTERNATIONAL PRESS RELEASES TO MAJOR ART TRADE PUBLICATIONS. 13. HOSTING EXHIBITION OPENINGS AND EVENTS WITH SPONSORS, LIVE PERFORMANCES, AND SOCIAL ACTIVATIONS. 988661 0 0 PUBLIC PROGRAMS DURING FISCAL YEAR 2025, ICA MIAMI CONTINUED TO GENERATE A ROBUST PROGRAM OF PUBLIC PRESENTATIONS, LECTURES, SEMINARS, ARTIST TALKS, LIVE PERFORMANCES, AND PODCASTS. BUILDING ON THE STRUCTURE THAT DIVIDES THE INSTITUTION'S PUBLIC PROGRAMS INTO FOCUSED COMPONENTS, PROGRAMMING WAS DEVELOPED UNDER THE FOLLOWING RUBRICS: ART + RESEARCH CENTER, ICA IDEAS, ICA PERFORMS, AND ICA SPEAKS. * ART + RESEARCH CENTER (A+RC) ICA MIAMI'S A+RC REMAINS THE MUSEUM'S PLATFORM FOR ADVANCED STUDY AND DIALOGUE ON ART AND IDEAS, OFFERING FREE COLLEGE-LEVEL SEMINARS AND PUBLIC LECTURES. IN FY2025, THE A+RC HOSTED MULTIPLE THREE-WEEK SEMINAR CYCLES LED BY PROMINENT ARTISTS, THEORISTS, AND SCHOLARS, ADDRESSING THEMES SUCH AS THE UNCANNY IN THE VISUALS ARTS (OCTOBER 15-31, 2024), THE ARTS OF AFRO-BRAZIL (MAY 12-19, 2025), AND CULTURAL PRODUCTION AND QUESTIONS OF CLIMATE (AUGUST 10-13, 2025). OVER THE COURSE OF THE YEAR, THE A+RC PRESENTED 10 PUBLIC LECTURES AND RELEASED A NEW SEASON OF ITS PODCAST, FEATURING ARTISTS AND SCHOLARS INCLUDING CHARLES GAINES, TONY OUSLER, DEBORAH LEVITT, JEFFERY SCONCE, ROBERTOI CONDURU, LUIS NICOLAS PARES, AND KRIS ROVETTO-BIAGIOLI. THE A+RC SUMMER INTENSIVE CONVENED STUDENTS AND COMMUNITY MEMBERS FOR INTERDISCIPLINARY STUDY WITH VISITING FACULTY FROM LEADING UNIVERSITIES. IT CULMINATED WITH A SYMPOSIUM IN WHICH SCHOLARS JOSHUA SHANNON AND STEPHANIE WAKEFIELD PRESENTED NEW RESEARCH * ICA IDEAS ICA IDEAS PROVIDED IN-DEPTH CONVERSATIONS, SYMPOSIA, AND CRITICAL REFLECTIONS TIED DIRECTLY TO ICA MIAMI'S EXHIBITIONS. HIGHLIGHTS IN FY2025 INCLUDED: A SYMPOSIUM ON THE WORK OF OLGA DE AMARAL, EXPLORING HER DECADES OF ARTMAKING AND THE BRIDGES THAT SHE HAS CREATED BETWEEN CRAFT AND TARDITIONAL PRACTICES AND CONTEMPORARY ART. SCHOLARS AND CURATORS SUSAN ABERTH, ELISSA AUTHER, CRISTINA L. DE LEON, AND MARIE PERENEES PRESENTED NEW PAPERS. AN ARTIST TALK WITH LAURIE SIMMONS REGARDING HER PROJECT "KALEIDOSCOPE HOUSE," ON VIEW AT ICA MIAMI. AN ARTIST TALK WITH MARGUERITE HUMEAU ON HER NEW BODY OF WORKS, EXHIBITED FOR THE FIRST TIME AT ICA MIAMI. A FORMAL LECTURE BY JAPANESE ART HISTORIAN NAMIKO KUNIMOTO ON THE WORK OF KEICHI TANAAMI. AN[GM1.1] INTERDISCIPLINARY ONE-DAY SYMPOSIUM ON ZILIA SANCHEZ PRACTICE IN THE CONTEXT OF POSTWAR LATIN AMERICAN MODERNISM AND GEOMETRIC ABSTRACTION BROADENING PERSPECTIVES ON THE ARTIST'S WORK AND EXPLORING THE VARIOUS ARTISTIC CONTEXTS SHE WORKED IN INCLUDING HAVANA, NEW YORK, MADRID, AND SAN JUAN. SCHOLARS CHRISTINA A. LEON, CECILIA FAJARDO-HILL AND ALYSON CLUCK PARTICIPATED. *ICA SPEAKS ICA SPEAKS HOSTED ARTIST TALKS AND SCHOLARLY REFLECTIONS RELATED TO ICA MIAMI'S PERMANENT COLLECTION AND EXHIBITIONS. FY2025 FEATURED A LECTURE BY ARTIST RICK LOWE . THROUGH THESE INITIATIVES, ICA MIAMI PRESENTED DOZENS OF PUBLIC PROGRAMS DURING FY2025, ENGAGING THOUSANDS OF PARTICIPANTS IN DIALOGUE, LEARNING, AND LIVE PERFORMANCE. THESE PROGRAMS REINFORCE ICA MIAMI'S MISSION TO PROVIDE FREE AND OPEN ACCESS TO CONTEMPORARY ART, FOSTER CRITICAL THOUGHT, AND AMPLIFY DIVERSE VOICES IN MIAMI, NATIONALLY, AND INTERNATIONALLY. 911757 0 0 EDUCATION AND OUTREACH ICA MIAMI CONTINUES TO EXPAND ITS EDUCATIONAL INITIATIVES TO SERVE STUDENTS, FAMILIES, AND COMMUNITY PARTNERS. THE YOUNG ARTISTS INITIATIVE PROVIDED AN INTENSIVE, APPLICATION-BASED PROGRAM FOR 10TH-12TH GRADE STUDENTS, OFFERING DIRECT ENGAGEMENT WITH PRACTICING ARTISTS AND CRITICAL ART HISTORY COURSEWORK. STUDENTS DEVELOPED PORTFOLIOS CULMINATING IN AN EXHIBITION AT ICA MIAMI. ICA MIAMI ALSO OFFERED SUMMER PORTFOLIO PREP FOR MIDDLE SCHOOL STUDENTS APPLYING TO MAGNET AND CHARTER ART PROGRAMS, AND SATURDAY ART CLASSES FOR CHILDREN AGES 8-14. TOGETHER, THESE PROGRAMS SERVED MORE THAN 100 PARTICIPANTS DURING FY2025. OUTREACH PROGRAMS ENGAGED UNDERSERVED CHILDREN AND YOUTH THROUGH PARTNERSHIPS WITH MIAMI-DADE PUBLIC SCHOOLS AND COMMUNITY ORGANIZATIONS. ICA MIAMI CURRICULA FOSTER VISUAL LITERACY AND EMPOWER PARTICIPANTS' SOCIAL AND CULTURAL IDENTITIES. IN FY2025, MORE THAN 1000 STUDENTS WERE SERVED. ICA MIAMI HOSTED FAMILY PROGRAMS INCLUDING FAMILY FEST AND WEEKLY WORKSHOPS DESIGNED TO WELCOME CHILDREN OF ALL ABILITIES. 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IT IS NOT ICA MIAMI'S POLICY TO SELL DONATED WORKS OF ART. DONATIONS NEED NOT BE RECOGNIZED IF THEY ARE ADDED TO COLLECTIONS THAT ARE HELD FOR PUBLIC EXHIBITION, EDUCATION, OR RESEARCH IN FURTHERANCE OF PUBLIC SERVICE RATHER THAN FINANCIAL GAIN; PROTECTED, KEPT UNENCUMBERED, CARED FOR, PRESERVED; AND ARE SUBJECT TO A POLICY THAT REQUIRES THE PROCEEDS FROM SALES OF COLLECTION ITEMS TO BE USED TO ACQUIRE OTHER ITEMS FOR COLLECTIONS. COLLECTION ITEMS CONSIST OF ART OBJECTS THAT ARE HELD FOR EDUCATIONAL, CURATORIAL PURPOSES AND PUBLIC DISPLAY. EACH OF THE ITEMS IS CATALOGED, PRESERVED, AND CARED FOR, AND KEPT UNENCUMBERED, AND ACTIVITIES VERIFYING THEIR EXISTENCE AND ASSESSING THEIR CONDITION ARE PERFORMED CONTINUOUSLY. COLLECTION ITEMS ACQUIRED EITHER THROUGH PURCHASE OR DONATION ARE NOT CAPITALIZED. THE COLLECTIONS, WHICH WERE ACQUIRED THROUGH PURCHASES AND CONTRIBUTIONS SINCE ICA MIAMI'S INCEPTION, ARE NOT RECOGNIZED AS ASSETS ON THE STATEMENTS OF FINANCIAL POSITION. PURCHASES OF COLLECTION ITEMS ARE RECORDED AS DECREASES IN NET ASSETS WITHOUT DONOR RESTRICTIONS IN THE YEAR IN WHICH THE ITEMS ARE ACQUIRED, OR AS NET ASSETS WITH DONOR RESTRICTIONS IF THE ASSETS USED TO PURCHASE THE ITEMS ARE RESTRICTED BY DONORS. CONTRIBUTIONS OF COLLECTION ITEMS ARE NOT RECOGNIZED IN THE STATEMENTS OF ACTIVITIES. IF COLLECTION ITEMS ARE SOLD, THE PROCEEDS FROM THE SALE ARE USED TO PURCHASE ADDITIONAL COLLECTION ITEMS. IT IS ICA MIAMI'S POLICY TO NOT SELL COLLECTION ITEMS AND THERE WERE NO SUCH SALES DURING THE YEARS ENDED SEPTEMBER 30, 2025 AND 2024. SCHEDULE D, PART III, LINE 4 COLLECTIONS OF ART - DESCRIPTION OF COLLECTIONS ICA MIAMI'S PERMANENT COLLECTION ARTICULATES CORNERSTONE MOMENTS IN THE CAREERS OF SOME OF THE MOST SIGNIFICANT ARTISTS OF OUR TIME. WORK IN THE COLLECTION ARE DEFINED BY THEIR ACHIEVEMENT IN ONE OR MORE OF THE FOLLOWING CATEGORIES: MAGNITUDE TO AN ARTIST'S CAREER; IMPACT ON INTERNATIONAL CONTEMPORARY ART; THEMATIC RELATIONSHIP TO THE MIAMI REGION AND ITS DYNAMIC POLITICAL, CULTURAL AND ECONOMIC FORCES. THE PERMANENT COLLECTION CONSISTS OF ITEMS BOTH DONATED TO AND PURCHASED BY ICA MIAMI AND IS HELD FOR PUBLIC DISPLAY. ICA MIAMI IS OPEN TO THE GENERAL PUBLIC AT NO COST. SCHEDULE D, PART V, LINE 4 INTENDED USES OF ENDOWMENT FUNDS THE INTENDED USE OF THE ORGANIZATION'S ENDOWMENT FUND IS TO PROVIDE FUNDING FOR VARIOUS PROGRAMS. SCHEDULE D, PART X, LINE 2 FIN 48 (ASC 740) FOOTNOTE ICA MIAMI IS A NON-PROFIT CORPORATION WHICH IS EXEMPT FROM FEDERAL INCOME TAX UNDER SECTION 501(C)(3) OF THE INTERNAL REVENUE CODE ("CODE") AND FROM STATE INCOME TAXES UNDER SIMILAR PROVISIONS OF THE FLORIDA STATUTES AND, ACCORDINGLY, GENERALLY WOULD NOT INCUR INCOME TAXES. AS A RESULT, THE FINANCIAL STATEMENTS DO NOT REFLECT A PROVISION FOR INCOME TAXES. IN ADDITION, ICA MIAMI HAS BEEN DETERMINED BY THE INTERNAL REVENUE SERVICE NOT TO BE A "PRIVATE FOUNDATION" WITHIN THE MEANING OF SECTION 509(A) OF THE CODE. ICA MIAMI RECOGNIZES AND MEASURES TAX POSITIONS BASED ON THEIR TECHNICAL MERIT AND ASSESSES THE LIKELIHOOD THAT THE POSITIONS WILL BE SUSTAINED UPON EXAMINATION BASED ON THE FACTS, CIRCUMSTANCES AND INFORMATION AVAILABLE AT THE END OF EACH PERIOD. INTEREST AND PENALTIES ON TAX LIABILITIES, IF ANY, WOULD BE RECORDED IN INTEREST EXPENSE AND OTHER NON-INTEREST EXPENSE, RESPECTIVELY. THE U.S. FEDERAL JURISDICTION IS THE MAJOR TAX JURISDICTION WHERE ICA MIAMI FILES INCOME TAX RETURNS. ICA MIAMI IS GENERALLY NO LONGER SUBJECT TO U.S. FEDERAL EXAMINATIONS BY TAX AUTHORITIES FOR ALL YEARS BEFORE 2022. SCHEDULE D, PART XI, LINE 4(B) OTHER REVENUES IN FORM 990 NOT IN AUDITED FINANCIAL STATEMENTS DIRECT EXPENSES FROM FUNDRAISING EVENTS - -484447 SCHEDULE D, PART XII, LINE 2(D) OTHER EXPENSES IN AUDITED FINANCIAL STATEMENTS NOT IN FORM 990 DIRECT EXPENSES FROM FUNDRAISING EVENTS - 484447 EVENING IN THE GARDEN GALA 2112428 2059628 52800 344414 DONOR TRIPS 170698 52500 118198 140033 4 144350 144350 0 0 2427476 2256478 170998 484447 484447 -313449 X X X false false false false false false false false false ALEX GARTENFELD ARTISTIC DIRECTOR 353154 0 75250 0 216 0 27600 0 1579 0 457799 0 0 0 ANTHONY TROISI DIRECTOR OF FINANCE 214841 0 250 0 279 0 13273 0 0 0 228643 0 0 0 COURTNEY CASCI DIR, DEVELOP & EXTRNL AFFAIRS 152279 0 250 0 117 0 9221 0 0 0 161867 0 0 0 7 1564305 MARKET VALUE 0 false true false SCHEDULE M, PART I, LINE 1 THE FILING ORGANIZATION DOES NOT REPORT CONTRIBUTIONS OF ART AND OTHER SIMILAR ITEMS AS REVENUE, AS PERMITTED UNDER GENERALLY ACCEPTED ACCOUNTING PRINCIPLES. SCHEDULE M, PART I, LINE 33 NONCASH CONTRIBUTION AMOUNTS NOT REPORTED ICA MAINTAINS COLLECTIONS OF WORKS OF ART AND DOES NOT VALUE THE PIECES IN ITS INVENTORY OR RECORD REVENUES FOR ANY DONATED PIECES. THE DONATED WORKS OF ART ARE LISTED BY THE NUMBER OF PIECES DONATED. THEY CONSIST OF PAINTINGS, SCULPTURES, PRINTS, AND DVDS. SCHEDULE M, PART I EXPLANATIONS OF REPORTING METHOD FOR NUMBER OF CONTRIBUTIONS SECURITIES - CLOSELY HELD STOCK - THE FILING ORGANIZATION IS REPORTING THE NUMBER OF CONTRIBUTIONS. FORM 990, PART III, LINE 4A-4C DESCRIPTION OF PROGRAM SERVICES (EXPENSES $ 911,757 INCLUDING GRANTS OF $ 0)(REVENUE $ 0) EDUCATION AND OUTREACH ICA MIAMI CONTINUES TO EXPAND ITS EDUCATIONAL INITIATIVES TO SERVE STUDENTS, FAMILIES, AND COMMUNITY PARTNERS. THE YOUNG ARTISTS INITIATIVE PROVIDED AN INTENSIVE, APPLICATION-BASED PROGRAM FOR 10TH-12TH GRADE STUDENTS, OFFERING DIRECT ENGAGEMENT WITH PRACTICING ARTISTS AND CRITICAL ART HISTORY COURSEWORK. STUDENTS DEVELOPED PORTFOLIOS CULMINATING IN AN EXHIBITION AT ICA MIAMI. ICA MIAMI ALSO OFFERED SUMMER PORTFOLIO PREP FOR MIDDLE SCHOOL STUDENTS APPLYING TO MAGNET AND CHARTER ART PROGRAMS, AND SATURDAY ART CLASSES FOR CHILDREN AGES 8-14. TOGETHER, THESE PROGRAMS SERVED MORE THAN 100 PARTICIPANTS DURING FY2025. OUTREACH PROGRAMS ENGAGED UNDERSERVED CHILDREN AND YOUTH THROUGH PARTNERSHIPS WITH MIAMI-DADE PUBLIC SCHOOLS AND COMMUNITY ORGANIZATIONS. ICA MIAMI CURRICULA FOSTER VISUAL LITERACY AND EMPOWER PARTICIPANTS' SOCIAL AND CULTURAL IDENTITIES. IN FY2025, MORE THAN 1000 STUDENTS WERE SERVED. ICA MIAMI HOSTED FAMILY PROGRAMS INCLUDING FAMILY FEST AND WEEKLY WORKSHOPS DESIGNED TO WELCOME CHILDREN OF ALL ABILITIES. THESE ACCESSIBLE PROGRAMS COMBINED STORYTELLING, ART-MAKING, AND MOVEMENT, SERVING OVER 500 FAMILIES DURING FY2025. FORM 990, PART VI, LINE 2 FAMILY/BUSINESS RELATIONSHIPS AMONGST INTERESTED PERSONS IRMA BRAMAN AND DEBI WECHSLER - FAMILY RELATIONSHIP FORM 990, PART VI, LINE 11B REVIEW OF FORM 990 BY GOVERNING BODY A COMPLETE DRAFT OF FORM 990 WAS DISTRIBUTED TO, AND REVIEWED AND APPROVED BY, THE ORGANIZATION'S FINANCE COMMITTEE. FORM 990, PART VI, LINE 12C CONFLICT OF INTEREST POLICY EACH DIRECTOR, PRINCIPAL, OFFICER, KEY EMPLOYEE AND MEMBER OF A COMMITTEE WITH GOVERNING BOARD DELEGATED POWERS SHALL ANNUALLY SIGN A STATEMENT WHICH AFFIRMS THAT SUCH PERSON HAS RECEIVED A COPY OF THE CONFLICT OF INTEREST POLICY, HAS READ AND UNDERSTANDS THE POLICY, HAS AGREED TO COMPLY WITH THE POLICY AND UNDERSTANDS THAT THE ORGANIZATION IS CHARITABLE AND IN ORDER TO MAINTAIN ITS FEDERAL EXEMPTION IT MUST ENGAGE PRIMARILY IN ACTIVITIES WHICH ACCOMPLISH ONE OR MORE OF ITS TAX-EXEMPT PURPOSES. IN ADDITION, THE ORGANIZATION CONDUCTS PERIODIC REVIEWS WHICH INCLUDE WHETHER COMPENSATION ARRANGEMENTS AND BENEFITS ARE REASONABLE AND WHETHER PARTNERSHIPS, JOINT VENTURES, AND ARRANGEMENTS WITH MANAGEMENT ORGANIZATIONS CONFORM TO THE ORGANIZATION'S WRITTEN POLICIES, ARE PROPERLY RECORDED, REFLECT REASONABLE INVESTMENTS OR PAYMENTS FOR GOODS AND SERVICES, FURTHER CHARITABLE PURPOSES AND DO NOT RESULT IN INCREMENT, IMPERMISSIBLE PRIVATE BENEFIT OR IN AN EXCESS BENEFIT TRANSACTION. FORM 990, PART VI, LINE 15A PROCESS TO ESTABLISH COMPENSATION OF TOP MANAGEMENT OFFICIAL THE ORGANIZATION'S ARTISTIC DIRECTOR'S SALARY IS DETERMINED BY THE CO-CHAIRS OF THE BOARD OF TRUSTEES IN CONSULTATION WITH THE EXECUTIVE COMMITTEE. SALARY IS DETERMINED BASED ON THE ORGANIZATION'S BUDGET GUIDELINES AND REVIEW OF THE AMERICAN ALLIANCE OF MUSEUM SALARY SURVEY. FORM 990, PART VI, LINE 15B PROCESS TO ESTABLISH COMPENSATION OF OTHER EMPLOYEES THE COMPENSATION PROCESS FOR OFFICERS IS APPROVED BY THE ARTISTIC DIRECTOR. SALARY IS DETERMINED BASED ON THE ORGANIZATION'S BUDGET GUIDELINES AND REVIEW OF THE AMERICAN ALLIANCE OF MUSEUM SALARY SURVEY. FORM 990, PART VI, LINE 19 REQUIRED DOCUMENTS AVAILABLE TO THE PUBLIC ALL DOCUMENTS ARE MADE AVAILABLE TO THE PUBLIC UPON REQUEST. FORM 990, PART IX, LINE 11G OTHER EXPENSES BAD DEBT - TOTAL EXPENSE: 229507, PROGRAM SERVICE EXPENSE: , MANAGEMENT AND GENERAL EXPENSES: 229507, FUNDRAISING EXPENSES: ; ARTIST EXHIBITIONS - TOTAL EXPENSE: 216755, PROGRAM SERVICE EXPENSE: 216755, MANAGEMENT AND GENERAL EXPENSES: , FUNDRAISING EXPENSES: ; OTHER EXPENSES - TOTAL EXPENSE: 193786, PROGRAM SERVICE EXPENSE: 154454, MANAGEMENT AND GENERAL EXPENSES: 14987, FUNDRAISING EXPENSES: 24345; PRINTING AND PUBLICATIONS - TOTAL EXPENSE: 145727, PROGRAM SERVICE EXPENSE: 144523, MANAGEMENT AND GENERAL EXPENSES: 1204, FUNDRAISING EXPENSES: ; GIFT SHOP EXPENSES - TOTAL EXPENSE: 130191, PROGRAM SERVICE EXPENSE: 106244, MANAGEMENT AND GENERAL EXPENSES: 23947, FUNDRAISING EXPENSES: ; REPAIRS AND MAINTENANCE - TOTAL EXPENSE: 119972, PROGRAM SERVICE EXPENSE: 119972, MANAGEMENT AND GENERAL EXPENSES: , FUNDRAISING EXPENSES: ; RENTALS - EQUIPMENT AND FURNITURE - TOTAL EXPENSE: 110047, PROGRAM SERVICE EXPENSE: 105890, MANAGEMENT AND GENERAL EXPENSES: 4157, FUNDRAISING EXPENSES: ; DUES AND SUBSCRIPTIONS - TOTAL EXPENSE: 103600, PROGRAM SERVICE EXPENSE: 42296, MANAGEMENT AND GENERAL EXPENSES: 40069, FUNDRAISING EXPENSES: 21235; MEALS AND CONSUMABLES - TOTAL EXPENSE: 103101, PROGRAM SERVICE EXPENSE: 52177, MANAGEMENT AND GENERAL EXPENSES: 14989, FUNDRAISING EXPENSES: 35935; ARTIST AND SPEAKER FEES - TOTAL EXPENSE: 85754, PROGRAM SERVICE EXPENSE: 58947, MANAGEMENT AND GENERAL EXPENSES: , FUNDRAISING EXPENSES: 26807; CREDIT CARD, BANK, AND OTHER FEES - TOTAL EXPENSE: 64575, PROGRAM SERVICE EXPENSE: 287, MANAGEMENT AND GENERAL EXPENSES: 49610, FUNDRAISING EXPENSES: 14678; OTHER PRINTING, SIGNAGE, WAYFINDING - TOTAL EXPENSE: 58012, PROGRAM SERVICE EXPENSE: 41842, MANAGEMENT AND GENERAL EXPENSES: 6232, FUNDRAISING EXPENSES: 9938;