2025-04-04T16:11:00-05:00 2024-06-30 113266576 GRASSI & CO CPA'S PC 360 MADISON AVENUE 7TH FLOOR NEW YORK NY 10017 990 2023-07-01 131624098 MUSEUM OF THE CITY OF NEW YORK MUSE 2125341672 1220 FIFTH AVENUE NEW YORK NY 10029 OSMAN KURTULUS CFO 2125341672 2024-03-18 1 0 JAIME RAPPS P01462990 2126616166 2025-04-03 2023 2025-03-06 01:10:19Z OSMAN KURTULUS 1220 FIFTH AVENUE NEW YORK NY 10029 21175717 0 X WWW.MCNY.ORG X 1923 NY THE MUSEUM OF THE CITY OF NEW YORK FOSTERS UNDERSTANDING OF THE DISTINCTIVE NATURE OF URBAN LIFE IN THE WORLD'S MOST INFLUENTIAL METROPOLIS. IT ENGAGES VISITORS BY CELEBRATING, DOCUMENTING, AND INTERPRETING THE CITY'S PAST, PRESENT, AND FUTURE. 45 44 159 110 41874 40874 11484472 5281794 1717752 2070267 2333285 3385533 1868446 1920151 17403955 12657745 0 0 0 0 9174789 9440152 0 0 2001841 7654252 5112832 16829041 14552984 574914 -1895239 68393198 69723468 2707727 2691746 65685471 67031722 X THE MUSEUM OF THE CITY OF NEW YORK FOSTERS UNDERSTANDING OF THE DISTINCTIVE NATURE OF URBAN LIFE IN THE WORLD'S MOST INFLUENTIAL METROPOLIS. IT ENGAGES VISITORS BY CELEBRATING, DOCUMENTING, AND INTERPRETING THE CITY'S PAST, PRESENT, AND FUTURE. 0 0 6148849 988974 EXHIBITION AND PUBLICATIONS: IN FY24, THE MUSEUM SHOWCASED 10, INCLUDING OUR PERMANENT EXHIBITIONS, NEW YORK AS ITS CORE, AND TEMPORARY EXHIBITIONS BRINGING IN CLOSE TO 157,000 VISITORS FROM ALL OVER THE WORLD. THROUGH ITS EXHIBITIONS THE MUSEUM FOSTERS UNDERSTANDING OF THE DISTINCTIVE NATURE OF URBAN LIFE IN THE WORLD'S MOST INFLUENTIAL METROPOLIS. EXHIBITIONS THAT HAVE OPENED OR WILL OPEN IN FY25 INCLUDE ART DECO CITY: NEW YORK POSTCARDS FROM THE LEONARD A. LAUDER COLLECTION; THE STETTHEIMER DOLLHOUSE IN A NEW LIGHT; ABOVE GROUND: ART FROM THE MARTIN WONG GRAFFITI COLLECTION; SOCIAL DANCE; URBAN STOMP. SEE SCHEDULE O FOR CONTINUATION.NEW YORK NOW: HOME A PHOTOGRAPHY TRIENNIAL: 3/10/23-8/27/23 THE MUSEUM OF THE CITY OF NEW YORK IS PLEASED TO ANNOUNCE THE FIRST IN AN ONGOING PHOTOGRAPHY EXHIBITION SERIES. INSPIRED BY THE MUSEUM'S LANDMARK PRESENTATION OF THE SAME NAME IN 2000, THIS SERIES WILL OCCUR EVERY THREE YEARS AND ENGAGE DIFFERENT THEMES AND ISSUES OF THE CONTEMPORARY CITY. THE FIRST INSTALLMENT EXAMINES THE IDEA OF "HOME." AT ITS MOST PRACTICAL, "HOME" REFERS TO THE LITERAL PLACES WE DWELL. YET IT CAN ALSO STAND FOR FAMILY, OR THE COMMUNITIES OF WHICH WE CHOOSE TO BE A PART. THIS VITAL AND COMPLEX CONCEPT ARISES IN OFTEN SURPRISING WAYS IN OUR URBAN CONTEXT, FROM HIGHLY PERSONAL EXPERIENCES TO DEBATES OVER PUBLIC POLICY. THIS EXHIBITION AIMS TO LOOK AT HOW ARTISTS HAVE RESPONDED TO AND INTERPRETED THESE ISSUES.IN RECENT YEARS, THE CITY HAS STRUGGLED TO RECKON NOT ONLY WITH THE ONGOING DYNAMICS OF ECONOMIC AND RACIAL INEQUALITY BUT ALSO WITH MASSIVE CHALLENGES UNLEASHED BY THE COVID-19 CRISIS. THIS EXHIBITION INCLUDES PHOTOGRAPHY AND VIDEO WORK MADE OVER THE PAST SEVERAL YEARS THAT CREATIVELY DOCUMENTS AND INTERPRETS THIS CHANGING CITYSCAPE AND THE DISPARATE RESPONSES AND EXPERIENCES OF NEW YORKERS, STRADDLING THE STORIES OF THE CITY BEFORE, DURING, AND AFTER THE PANDEMIC.THE SELECTED WORK ENCOMPASSES A VARIETY OF PERSPECTIVES AS DIVERSE AS THE CITY ITSELF AND CONSIDER A RANGE OF PICTURE MAKING APPROACHES. FROM THE PERSONAL AND INTIMATE TO THE MONUMENTAL AND COLLECTIVE, THE PHOTOGRAPHS IN THIS EXHIBITION INVITES VIEWERS TO SEE THE CITY THEY THOUGHT THEY KNEW THROUGH FRESH PERSPECTIVES.FOOD IN NEW YORK: BIGGER THAN THE PLATE: 9/9/22-9/20/23 FOOD IS A POWERFUL SOCIAL NETWORK BINDING NEW YORKERS TO EACH OTHER AND WITH COUNTLESS OTHERS ACROSS THE GLOBE. THE CITY'S RAUCOUS RESTAURANT SCENE; ITS UBIQUITOUS STREET FOOD; THE CURRENT ACTIVIST EFFORTS TO SOURCE FOOD LOCALLY; THE WORLD'S LARGEST FOOD MARKET IN HUNTS POINT; AND THE ARTISTS, THINKERS, AND DESIGNERS WHO ARE IMAGINING NEW SUSTAINABLE WAYS TO RELATE TO FOOD, WILL ALL BE PART OF FOOD IN NEW YORK: BIGGER THAN THE PLATE.THE EXHIBITION WILL EXAMINE THE CHALLENGING NODES AND NETWORKS OF THE CITY'S FOOD SYSTEMS. ANCHORED AROUND ISSUES OF SUSTAINABILITY, LABOR JUSTICE, AND EQUITABLE ACCESS TO FOOD, THE SHOW WILL EXPLORE THE WAYS IN WHICH ARTISTS AND DESIGNERS ARE DEVELOPING SOLUTIONS TO THESE GLOBAL AND LOCAL CHALLENGES. FIRST DEVELOPED AT LONDON'S VICTORIA AND ALBERT MUSEUM AND NOW ADAPTED AND UPDATED TO LOOK AT EATING AND FOOD SYSTEMS IN THE BIG APPLE, FOOD IN NEW YORK: BIGGER THAN THE PLATE IS AN INVITATION TO FEAST FOR A MORE EQUITABLE AND EXCITING FUTURE.CITY OF FAITH: RELIGION, ACTIVISM, AND URBAN SPACE: 11/18/22-10/22/23 CITY OF FAITH: RELIGION, ACTIVISM, AND URBAN SPACE LOOKS UNDER THE SURFACE OF NEW YORK'S IMAGE AS A SECULAR CITY AND MAPS THE COMPLEX AND OFTEN SURPRISING RELATIONSHIPS THAT CONNECT RELIGION TO PUBLIC SPACE. THE EXHIBITION FOCUSES OUR ATTENTION ON HOW RELIGION ENGAGES THE CITY AT A PUBLIC LEVEL IN "SECULAR" STREETS AND SIDEWALKS, WATERFRONTS, AND OTHER LIMINAL SPACES. FOCUSING ON SOUTH ASIAN AMERICAN AND OTHER COMMUNITIES WHO HAVE FACED RELIGIOUS PROFILING AND SURVEILLANCE PARTICULARLY AFTER 9/11 THE EXHIBITION CRITICALLY EXAMINES THE NATURE OF SECULARISM IN THE CITY, HOW IT HAS HISTORICALLY FAVORED PROTESTANTISM WHILE RENDERING OTHER COMMUNITIES HYPER-VISIBLE, AND HOW THESE LATTER COMMUNITIES ASSERT THEIR RIGHT TO THE CITY THROUGH TRANSFORMATIVE ART AND COLLECTIVE ACTION. GINGERBREAD NYC 2023: THE GREAT BOROUGH BAKE-OFF: 11/10/23-1/15/24 THE MUSEUM OF THE CITY OF NEW YORK INVITED TOP BAKERIES AND AMATEUR BAKERS FROM ACROSS THE CITY TO ENTER GINGERBREAD NYC: THE GREAT BOROUGH BAKE-OFF OUR SECOND ANNUAL HOLIDAY CELEBRATION OF THE COMMUNITIES IN EACH OF THE FIVE BOROUGHS. SELECT BAKERS CREATED A GINGERBREAD DISPLAY TO REPRESENT THEIR RESPECTIVE NEIGHBORHOODS, INSPIRED BY THE THEME "ICONIC NEW YORK." A COHORT OF PROMINENT NEW YORK CITY-BASED BAKERS, CURATORS, AND RESTAURANT OWNERS JUDGED THE FINAL DESIGNS. JUDGES NAMED AN OVERALL WINNER AND AWARDED PRIZES IN A VARIETY OF CATEGORIES, SUCH AS: BEST BOROUGH (MOST REPRESENTATIVE, SWEETEST, GOOD ENOUGH TO EAT, GRANDEST, AND MORE. PEOPLE, PLACE, AND INFLUENCE: THE COLLECTION AT 100: 10/13/23-4/21/24 IN 1923 THE MUSEUM OF THE CITY OF NEW YORK WAS FOUNDED "IN RESPONSE TO AN ALMOST UNIVERSAL LONGING AMONG OUR PEOPLE, FOR SOME PLACE IN WHICH TO PRESERVE THE ANNALS AND RECORDS OF THEIR OWN HOMETOWN." IN THE INTERVENING 100 YEARS THE MUSEUM HAS GROWN A COLLECTION THAT ENCOMPASSES OVER 750,000 ITEMS: A CATALOG OF OBJECTS AS RICH AND ECLECTIC AS THE CITY ITSELF. AS A CITY MUSEUM, THE FOUNDING MANDATE WAS TO TELL THE STORY OF A PLACE AND ITS PEOPLE. NOT AN ART MUSEUM OR AN ANTIQUARIAN SOCIETY, THE CITY'S MUSEUM WOULD STRIVE TO CAPTURE THE LOOKS AND LIVES OF NEW YORKERS AND THEIR PHYSICAL CITY; A SET OF TOPICS UNDER SCRUTINY AND DEBATE IN THE 1920S, AS FIFTH AVENUE MANSIONS GAVE WAY TO APARTMENT HOUSES AND DECADES OF RECORD IMMIGRATION TRANSFORMED THE DEMOGRAPHICS OF THE CITY. THE COLLECTION AT 100 DELVES INTO THE FOUNDING MISSION FOR THE MUSEUM BY HIGHLIGHTING KEY ASPECTS OF THIS UNIQUE COLLECTION. THROUGH FOUR KEY SECTIONS, THE EXHIBITION CENTERS AROUND THE COLLECTION'S STRENGTHS IN CAPTURING NEW YORK AS A PLACE, A POPULATION, A PLATFORM FOR CREATIVITY, AND A CENTER FOR INFLUENCE. WITH UNEXPECTED JUXTAPOSITIONS OF MEDIUM AND TIME PERIODS, THE OBJECTS ON VIEW SPOTLIGHT SINGULAR MOMENTS IN NEW YORK HISTORY, NOTABLE CREATIVE VOICES AND URBAN ICONS, AND THE EXTRAORDINARY STORIES EMBEDDED WITHIN THE MUSEUM'S COLLECTION. FEATURING OBJECTS RANGING FROM TIFFANY JEWELRY TO A SEAT FROM YANKEE STADIUM; A DUNCAN PHYFE CHAIR AND A PROP FROM CATS; A CHRISTMAS CARD FROM ZELDA FITZGERALD; AND A STICKBALL BAT. THE EXHIBITION IS A JOURNEY THROUGH THE SINGULAR QUALITIES OF THE CITY THAT THE MUSEUM'S FOUNDERS SOUGHT TO CAPTURE THROUGH THE COLLECTION. FOUR SEASONS OF CENTRAL PARK: WATERCOLORS BY FREDERICK BROSEN: 2/9/24-6/16/24 NEW YORKER FREDERICK BROSEN IS WELL KNOWN AS A METICULOUS VISUAL CHRONICLER OF NEW YORK CITY'S STREETS, CAPTURING THROUGH HIS BRUSHWORK THE COMPLEX LAYERS OF THE URBAN LANDSCAPE. FOR THIS INSTALLATION, HE HAS TURNED HIS EYE UPON THE GREAT BUCOLIC HEART OF THE CITY MANHATTAN'S CENTRAL PARK. THROUGH A QUARTET OF CAREFULLY OBSERVED SCENES, HE CHRONICLES A LANDSCAPE THAT IS BOTH CHANGING AND SEEMINGLY TIMELESS. CYCLING THROUGH CENTRAL PARK ACROSS SUMMER, FALL, WINTER, AND SPRING FROM THE WIDEST TO THE MOST INTIMATE OF VANTAGESTHESE FOUR QUIETLY ICONIC PAINTINGS CAPTURE A YEAR IN SOME OF THE MOST HISTORIC PLACES IN THIS VERDANT URBAN MASTERPIECE. 3166159 164116 COLLECTIONS CARE:THE MUSEUM HOLDS APPROXIMATELY 750,000 OBJECTS IN ITS COLLECTION, WITH OVER 190,000 OBJECTS FROM OUR COLLECTIONS, NOW AVAILABLE AS PART OF OUR ONGOING DIGITIZATION PROJECT AND CAN BE VIEWED ON OUR WEBSITE. IN FY24 THE MUSEUM CONTINUES TO DIGITIZE ITS COLLECTION, UPDATING THE COLLECTION DATABASE AND ONLINE PORTAL, PROCESSING AND ADMINISTERING PHOTOGRAPHY REQUESTS, BUILDING AND MANAGING THE SHELBY WHITE & LEON LEVY INSTITUTIONAL ARCHIVE. SEE SCHEDULE O FOR CONTINUATION.THE MUSEUM ACQUIRED OVER 850 WORKS IN FY24, PREDOMINANTLY IN PHOTOGRAPHY BUT INCLUDING NOTEWORTHY SCULPTURE HIGHLIGHTS, FACILITATED OUTGOING LOANS OF 37 WORKS TO ELEVEN INSTITUTIONS ACROSS THE COUNTRY. THE NUMEROUS TASKS PERFORMED BY THE DEPARTMENT OF NINE PEOPLE INCLUDE ATTENDING TO INTERNAL AND EXTERNAL REQUESTS, OVERSEEING NEW ACQUISITIONS (DONATIONS AND PURCHASES), UPDATING THE COLLECTION DATABASE AND ONLINE PORTAL, PROCESSING AND ADMINISTERING PHOTOGRAPHY REQUESTS, BUILDING AND MANAGING THE SHELBY WHITE & LEON LEVY INSTITUTIONAL ARCHIVE, AND OVERSEEING MCNY EXHIBITION INSTALLATIONS AS WELL AS INTERNAL AND EXTERNAL LOAN REQUESTS. THE COLLECTIONS DEPARTMENT SUPPORTS THE COLLECTION COMMITTEE AND PREPARES MATERIALS FOR THEIR REGULAR MEETINGS. IN MARCH, THE DEPARTMENT WORKED ON A GRANT REQUEST TO THE NATIONAL ENDOWMENT OF HUMANITIES FOR DIGITIZING THE LOOK COLLECTION, WHICH WILL HELP MAKE THAT COLLECTION MORE ACCESSIBLE.IN FY24, THE COLLECTION DEPARTMENT OVERSAW THE INSTALLATION AND LOANS OF WORKS OF THE FOLLOWING TEMPORARY EXHIBITIONS AT MCNY: BYZANTINE BEMB: NEW YORK BY MANNY VEGA, PRESERVATION IN PROGRESS, CHANGING FACE OF DEMOCRACY: SHIRLEY CHISHOLM AT 100, AS WELL AS ROTATIONS FOR THE ON-GOING EXHIBITIONS, ACTIVIST NEW YORK AND NEW YORK AT ITS CORE: PORT CITY AND WORLD CITY. THESE EXHIBITIONS INCLUDED FIFTY-FOUR LOAN REQUESTS FROM OTHER MUSEUMS. THE COLLECTIONS DEPARTMENT ALSO MANAGED THE LOAN OF THIRTY-SEVEN WORKS TO ELEVEN INSTITUTIONS ACROSS THE COUNTRY, FOR WHICH THE MUSEUM BROUGHT IN $90,744. THE COLLECTIONS DEPARTMENT CONTINUED ITS SUPPORT OF THE ROBUST ACQUISITION PROGRAM, WHICH IN FY24 INCLUDED 888 WORKS THROUGH DONATIONS AND PURCHASING. RIGHTS & REPRODUCTIONS, A DIVISION OF THE COLLECTIONS DEPARTMENT, NET $73,372 IN FY24. THE DISTRIBUTION OF IMAGES OF THE COLLECTION AND ADDITION OF NEW PHOTOGRAPHY ON THE PORTAL ALSO HELPS TO MAKE THE COLLECTION MORE ACCESSIBLE TO THE WIDER PUBLIC.IN NOVEMBER 2023, THE COLLECTION DEPARTMENT SAW THE DEPARTURE OF THE DIRECTOR OF COLLECTIONS TO PURSUE A NEW OPPORTUNITY IN TORONTO. AS A RESULT, MEMBERS OF THE DEPARTMENT TOOK ON THE ADDITIONAL WORK WHILE THE INSTITUTION SEARCHED FOR A NEW DIRECTOR OF COLLECTIONS. 1421866 308836 EDUCATIONAL PROGRAMS:EDUCATION REMAINS AT THE CORE OF THE MUSEUM'S MISSION. STUDENTS, EDUCATORS, FAMILIES, AND COMMUNITY MEMBERS FROM ACROSS THE FIVE BOROUGHS AND AROUND THE WORLD TAKE PART IN THE SCHWARZ CENTER'S EDUCATIONAL PROGRAMMING EACH YEAR. OUR PROGRAMS FOCUS ON INQUIRY-BASED LEARNING AND HANDS-ON EXPERIENCES TO ENGAGE LEARNERS IN EXAMINING THE CITY'S PAST SO THAT THEY MAY UNDERSTAND THE PRESENT AND ENVISION THEIR ROLE IN SHAPING THE FUTURE.SEE SCHEDULE O FOR CONTINUATION. IN FY24, THE SCHWARZ CENTER CONTINUED ITS' REBUILD AND EXPANSION FROM PROGRAMMATIC REDUCTIONS DURING THE COVID PANDEMIC AND CLOSURES. THE SCHWARZ CENTER CONTINUED TO REBUILD ITS TEACHING TEAM AND STRENGTHEN ITS CORE PROGRAMMING AND OPERATIONS POST-PANDEMIC. IN OCTOBER 2023, THE MUSEUM RE-LAUNCHED A FULL ROSTER OF FIELD TRIPS, WHICH SIGNIFICANTLY INCREASED THE SCHWARZ CENTER'S ATTENDANCE. IN FY2024, THE SCHWARZ CENTER REACHED OVER 32,000 STUDENTS, TEACHERS, AND FAMILIES THROUGH ONSITE AND VIRTUAL PROGRAMMING9,800 PARTICIPATED IN ONSITE PROGRAMS, 2,700 JOINED VIRTUAL PROGRAMS LED BY MUSEUM EDUCATORS FEATURING OUR COLLECTIONS AND EXHIBITIONS, AND NEARLY 20,000 VISITED THE MUSEUM TO EXPLORE OUR GALLERIES ACROSS NEARLY 700 FIELDS TRIPS.EDUCATION REMAINS AT THE CORE OF THE MUSEUM'S MISSION. THE MUSEUM'S EDUCATIONAL PROGRAMS AND MATERIALS COMPLEMENT CLASSROOM LEARNING AND INTENTIONALLY ALIGN WITH COMMON CORE AND NYC PUBLIC SCHOOL SCOPE AND SEQUENCE GUIDELINES BY USING ARTIFACTS AND PRIMARY SOURCES FROM OUR EXHIBITIONS AND COLLECTIONS TO DEVELOP STUDENTS' SKILLS IN HISTORICAL THINKING, ARTIFACT ANALYSIS, AND VISUAL INQUIRY. THOUSANDS OF STUDENTS, EDUCATORS, FAMILIES, AND COMMUNITY MEMBERS FROM ACROSS THE FIVE BOROUGHS AND AROUND THE WORLD TAKE PART IN THE SCHWARZ CENTER'S EDUCATIONAL PROGRAMMING EACH YEAR. OUR PROGRAMS FOCUS ON INQUIRY-BASED LEARNING AND HANDS-ON EXPERIENCES TO ENGAGE LEARNERS IN EXAMINING THE CITY'S PAST SO THAT THEY MAY UNDERSTAND THE PRESENT AND ENVISION THEIR ROLE IN SHAPING THE FUTURE.THE SCHWARZ CENTER OFFERED ON-SITE AND VIRTUAL TRIPS THAT UTILIZE MUSEUM-DEVELOPED CONTENT AND HANDS-ON LEARNING TO EXPLORE TOPICS THAT ARE DISTINCTLY NEW YORK. LED BY MUSEUM EDUCATORS, THESE PROGRAMS ARE 60 TO 90 MINUTES AND ARE DESIGNED FOR INDIVIDUAL SCHOOL GROUPS OF UP TO 35 STUDENTS EACH. ALL PROGRAMS FEATURE IMAGES, TEXT, AND CONTENT FROM CURRENT AND ARCHIVAL EXHIBITIONS, AND IN FY2024 THE CENTER PRIORITIZED CREATING NEW ART-MAKING WORKSHOPS AND OTHER ENGAGEMENTS TO ENSURE EACH FIELD TRIP EXPERIENCE INCLUDES A HANDS-ON ACTIVITY.TEACHERS CAN SELECT FROM A FULL MENU OF FIELD TRIP OPTIONS THAT ENGAGE STUDENTS IN THE MUSEUM'S EXHIBITIONS WHILE SUPPORTING SCHOOL CURRICULUM AND THE DEVELOPMENT OF SKILLS INCLUDING SOCIO-EMOTIONAL LEARNING, HISTORICAL INQUIRY, AND VISUAL ANALYSIS. THIRTEEN ONSITE AND FIVE VIRTUAL FIELD TRIP OPTIONS WERE OFFERED THIS PAST YEAR, WITH FOUR DEVELOPED AROUND OUR CENTENNIAL EXHIBITION PLUS A NEW BILINGUAL FIELD TRIP AND PK-2 HOLIDAY OPTION. THESE INCLUDE FIELD TRIPS CONNECTED TO THE ONGOING EXHIBITIONS NEW YORK AT ITS CORE AND ACTIVIST NEW YORK AND TEMPORARY EXHIBITIONS SUCH AS BYZANTINE BEMB: NEW YORK BY MANNY VEGA AND OUR MULTI-GALLERY CENTENNIAL EXHIBITION, THIS IS NEW YORK: 100 YEARS OF THE CITY IN ART AND POP CULTURE, WHICH OPENED IN MAY 2023. IN FY2024, OVER 19,000 STUDENTS AND TEACHERS FROM 301 SCHOOLS PARTICIPATED IN 692 PK-12 FIELD TRIPS, INCLUDING GUIDED ONSITE (598), GUIDED VIRTUAL (3), AND SELF-GUIDED (91) FIELD TRIPS.TWO MAJOR HIGHLIGHTS FOR FY2024 WERE OUR MULTI-GALLERY CENTENNIAL EXHIBITION, THIS IS NEW YORK: 100 YEARS OF THE CITY IN ART AND POP CULTURE (MAY 2023 - JULY 2024). IN CONNECTION WITH THIS EXHIBITION, THE SCHWARZ CENTER DEVELOPED AND OFFERED FOUR UNIQUE FIELD TRIPS THAT WELCOMED A TOTAL OF 129 GROUPS. THE OTHER WAS THE OPENING OF THE BYZANTINE BEMBE: MANNY VEGA EXHIBITION WHICH PROMOTED THE DEVELOPMENT OF OUR FIRST BILINGUAL TOURS FOR SCHOOL GROUPS. NEW YORK BY MANNY VEGA: ART IN EL BARRIO / ARTE IN EL BARRIO (GRADES K-12) IS CENTERED AROUND ARTIST MANNY VEGA'S MOSAICS AND MURALS, WHICH ADORN STREET WALLS, SUBWAY STATIONS, CULTURAL CENTERS, AND BUSINESS FACADES THROUGHOUT NYC AND IN THE MUSEUM'S OWN NEIGHBORHOOD, EL BARRIO. AS PART OF A NEW INSTITUTIONAL PRIORITY TO DEVELOP BILINGUAL EXHIBITIONS AND EDUCATIONAL PROGRAMMING, THIS FIELD TRIP IS OFFERED IN EITHER SPANISH OR ENGLISH, OR AS A BILINGUAL EXPERIENCE THE FIRST SUCH FIELD TRIP BY THE MUSEUM. IN FY2024, 43 GROUPS PARTICIPATED IN THIS FIELD TRIP WITH A TOTAL OF 1,097 PROGRAM ATTENDEES.IN FY2024, WE CONTINUED OUR SERIES OF VIRTUAL STUDENT WORKSHOPS TO COMPLEMENT THE SCHWARZ CENTER'S WORK ON THE HIDDEN VOICES: UNTOLD STORIES OF NEW YORK CITY HISTORY CURRICULUM GUIDE THAT THE MUSEUM DEVELOPED IN PARTNERSHIP WITH THE NEW YORK CITY DEPARTMENT OF EDUCATION (NYC DOE). THE HIDDEN VOICES OF NEW YORK CITY SERIES REACHED NEARLY 2,733 VIRTUAL PARTICIPANTS ACROSS A TOTAL OF 15 ONLINE SESSIONS. THE MUSEUM OFFERS THESE MONTHLY ONLINE WORKSHOPS FOR FREE FOR TEACHERS AND STUDENTS IN GRADES 3-5. THE WORKSHOP SERIES HIGHLIGHTS AND HONORS THE INDIVIDUAL AND COLLECTIVE EXPERIENCES OF A DIVERSE SWATH OF NEW YORKERS AND FEATURES THE STORIES OF HISTORICAL FIGURES FROM NYC. THE SCHWARZ CENTER SERVES PK-12 EDUCATORS AND ADMINISTRATORS THROUGH LECTURES, WORKSHOPS, WEEK-LONG COURSES, AND COLLABORATIONS WITH THE NYC DEPARTMENT OF EDUCATION. ALL BUT ONE OF OUR PROGRAMS A CREDIT-BEARING COURSE ARE FREE TO PARTICIPANTS. IN FY2024, THE MUSEUM SERVED 858 EDUCATORS THROUGH 29 PROFESSIONAL LEARNING PROGRAMS, WHICH INCLUDED BOTH SINGLE-DAY EVENTS AND MULTI-SESSION PROGRAMS. THE MUSEUM IS AN ACCREDITED PROVIDER OF PROFESSIONAL LEARNING WITH BOTH THE NYC DOE AND THE NEW YORK STATE EDUCATION DEPARTMENT, AND ELIGIBLE PROGRAM PARTICIPANTS RECEIVE CONTINUING EDUCATION CREDITS. THE MUSEUM HAS LONG SERVED AS A STEADFAST RESOURCE FOR OUR CITY'S TEACHERS, AND PROGRAMMING FOR EDUCATORS CONTINUED TO OFFER OPPORTUNITIES FOR ENGAGEMENT WITH THE MUSEUM'S CONTENT, SCHOLARSHIP, AND LEADERSHIP THROUGHOUT THE PAST YEAR.FY2024 SAW THE MUSEUM DEEPEN ITS COMMITMENT TO PROGRAMMING FOR FAMILIES AND COMMUNITY. THE CORE TENANT OF THIS FAMILY & INTERGENERATIONAL PROGRAMMING IS TO SUPPORT NEW YORK CITY YOUTH, FAMILIES, AND COMMUNITY MEMBERS THROUGH SPECIFIC CHANNELS DESIGNED TO CONNECT WITH OUR AUDIENCES IN WAYS THAT ARE EFFECTIVE, EQUITABLE, CREATIVE, AND ENGAGING. THIS YEAR, THE MUSEUM OFFERED 94 INCLUDED-WITH-ADMISSION FAMILY & INTERGENERATIONAL LEARNING PROGRAMS, REACHING 8,224 ATTENDEES. IN ADDITION, 45 OTHER EDUCATION PROGRAMS (FAMILY & INTERGENERATIONAL AND OFFSITE PROGRAMS) SERVED 573 INDIVIDUALS.BEGINNING IN THE SUMMER OF 2023, THE MUSEUM LAUNCHED A NEW SERIES OF FAMILY & COMMUNITY ART-MAKING PROGRAMS: DROP-IN PROGRAMMING ON WEEKENDS AND SCHOOL HOLIDAYS FOR LOCAL CHILDREN, FAMILIES, AND COMMUNITY MEMBERS TO PARTICIPATE IN AN ART-MAKING ACTIVITY, EXPLORE THE MUSEUM'S GALLERIES, AND TAP INTO THEIR OWN SELF-EXPRESSION WHILE FINDING A SENSE OF CONNECTION AND COMMUNITY WITH OTHER PARTICIPANTS. EACH YEAR, THE SCHWARZ CENTER PRODUCES KIDS GUIDES FOR THE GALLERIES, ONLINE LESSON PLANS FOR TEACHERS, AND OTHER EDUCATIONAL RESOURCES. IN FY2024, THE SCHWARZ CENTER COMPLETED THE MULTI-YEAR PROJECT PEOPLE OF NEW AMSTERDAM, WHICH FEATURES THE PROFILES OF SEVEN INDIVIDUALS FROM THE DUTCH COLONIAL PERIOD. INTENDED TO BE USED BY EDUCATORS, BUT FREE TO ACCESS FOR ALL, THESE STORIES PROVIDE INSIGHTS INTO THE HISTORIES OF TRADE, POLITICS, SLAVERY, GENDER ROLES, AND ECOLOGY IN THE REGION. ACCOMPANYING INSIGHTS FROM SCHOLARS PROVIDE ADDITIONAL CONTEXT FOR THE FORCES SHAPING THE LIVES OF THESE INDIVIDUALS AND ADDRESS THE LEGACIES OF THE COLONIAL PERIOD TODAY. THE KIDS GUIDE FOR THE MUSEUM'S THIS IS NEW YORK CENTENNIAL EXHIBITION FEATURED PROMPTS FOR CHILDREN TO CREATE FILL-IN-THE-BLANK STORIES, DRAW THEIR FAVORITE NYC DESTINATION TO VISIT, LEARN ABOUT FEATURED ARTISTS AND ARTWORKS, AND MORE. OVER 4,800 OF THE PRINTED GUIDES WERE DISTRIBUTED WITHIN THE GALLERY AND SHARED WITH VISITING FAMILIES. 656761 954548 656761 954548 11393635 1 1 0 0 0 0 0 1 0 1 1 1 0 0 1 1 1 0 0 0 1 0 0 0 1 0 0 0 0 1 0 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 1 366 0 159 1 1 1 1 CJ 0 0 0 1 1 0 0 0 0 0 0 X 45 44 1 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 0 0 0 NY X OSMAN KURTULUS 2125341672 1220 FIFTH AVENUE NEW YORK NY 10029 STEPHANIE WILCHFORT PRESIDENT & DIRECTORAS OF 9/23 40.00 X X 144254 0 21489 WILLIAM C VRATTOS CHAIR 1.00 X X 0 0 0 JAMES G DINAN VICE CHAIR & CHAIRMAN EMERITUS 1.00 X X 0 0 0 NEWTON PS MERRILL VICE CHAIR & CHAIRMAN EMERITUS 1.00 X X 0 0 0 RONAY MENSCHEL VICE CHAIR 1.00 X X 0 0 0 LESLIE V GODRIDGE TREASURER 1.00 X X 0 0 0 JANE B O'CONNELL ASSISTANT TREASURER 1.00 X X 0 0 0 TRACEY PONTARELLI SECRETARY 1.00 X X 0 0 0 DAVID GUIN COUNSEL 1.00 X X 0 0 0 ELIZABETH BELFER BOARD MEMBER 1.00 X 0 0 0 CYNTHIA FOSTER CURRY BOARD MEMBER 1.00 X 0 0 0 TODD DEGARMO BOARD MEMBER 1.00 X 0 0 0 MIGNON ESPY EDWARDS BOARD MEMBER 1.00 X 0 0 0 ROBERT FINGER BOARD MEMBER 1.00 X 0 0 0 ELBA GALVAN BOARD MEMBER 1.00 X 0 0 0 ROBERT GOLDSTEIN BOARD MEMBER 1.00 X 0 0 0 LORNA GOODMAN BOARD MEMBER 1.00 X 0 0 0 ELIZABETH GRAZIOLO BOARD MEMBER 1.00 X 0 0 0 JOHN HELLER BOARD MEMBER 1.00 X 0 0 0 STEPHANIE HESSLER BOARD MEMBER 1.00 X 0 0 0 JAMES C HORTON BOARD MEMBER 1.00 X 0 0 0 ROBERT A JEFFE BOARD MEMBER 1.00 X 0 0 0 LEAH C JOHNSON BOARD MEMBER 1.00 X 0 0 0 SUZANNE KARR BOARD MEMBER 1.00 X 0 0 0 CAITLIN KELLY BOARD MEMBER 1.00 X 0 0 0 STEPHEN J KETCHUM BOARD MEMBER 1.00 X 0 0 0 STANFORD G LADNER BOARD MEMBER 1.00 X 0 0 0 NAML LEWIS BOARD MEMBER 1.00 X 0 0 0 JENNIFER K MARRUS BOARD MEMBER 1.00 X 0 0 0 GURUDATTA NADKARNI BOARD MEMBER 1.00 X 0 0 0 JOSE PAGAN BOARD MEMBER 1.00 X 0 0 0 KATHRYN PROUNIS BOARD MEMBER 1.00 X 0 0 0 NATHAN ROMANO BOARD MEMBER 1.00 X 0 0 0 ARTHUR ROSNER BOARD MEMBER THROUGH 10/2023 1.00 X 0 0 0 VALERIE ROWE BOARD MEMBER 1.00 X 0 0 0 ROSITA SARNOFF BOARD MEMBER 1.00 X 0 0 0 NEEL SHAH BOARD MEMBER 1.00 X 0 0 0 MITCHELL S STEIR BOARD MEMBER 1.00 X 0 0 0 ANN SILVERMAN BOARD MEMBER 1.00 X 0 0 0 DARYL B UBER BOARD MEMBER 1.00 X 0 0 0 PETER VOLANDES BOARD MEMBER 1.00 X 0 0 0 ALEX WALLAU BOARD MEMBER 1.00 X 0 0 0 MARTHA WALLAU BOARD MEMBER 1.00 X 0 0 0 NICOLE WASHINGTON BOARD MEMBER 1.00 X 0 0 0 MELANIE WRIGHT BOARD MEMBER 1.00 X 0 0 0 LAURA WHITMAN BOARD MEMBER 1.00 X 0 0 0 SARAH HENRY DEPUTY DIRECTOR / CHIEF CURATOR 40.00 X 381085 0 60971 OSMAN KURTULUS CHIEF FINANCIAL OFFICER 40.00 X 217245 0 54813 GERARD GALLAGHER CHIEF OPERATING OFFICER 40.00 X 191274 0 43965 KEITH BUTLER VP OF DEVELOPMENT THROUGH 12/2024 40.00 X 223709 0 30435 SHERYL VICTOR VP OF MARKETING 40.00 X 172293 0 51112 CHERISSE CLEARY DIRECTOR, EVENT SALES 40.00 X 151620 0 12430 HENRY GALINDO DIRECTOR OF FACILITIES 40.00 X 128205 0 47521 JULIUS QUITO IT DIRECTOR 40.00 X 120645 0 9889 JORDI VALLS CONTROLLER 40.00 X 117177 0 21762 1847507 0 354387 12 0 1 0 ELECTRIC SYMPHONY MEDIA PO BOX 21940 NEW YORK NY 10087 ADVERTISING AGENCY 480255 FINAL PUSH CONSTRUCTION INC 1205 MANHATTAN AVENUE BROOKLYN NY 11222 DIGITAL MARKETING 458451 RADICAL MEDIA LLC 435 HUDSON STREET NEW YORK NY 10014 MULTIMEDIA AND DIGITAL CONTENT 416255 CUTTLEFISH STUDIOS INC 2921 W 38TH AVENUE DENVER CO 80211 DIGITAL CONTENT 324786 INTEGRATED SECURITY SERVICES INC 305 MADISON AVENUE NEW YORK NY 10165 SECURITY SERVICES 283994 12 77214 1537724 3666856 30250 5281794 ADMISSIONS 713990 988974 988974 MEMBERSHIP DUES 713990 399684 399684 LICENSING AND OTHER FEES 713990 372773 372773 EDUCATIONAL PROGRAMS 611710 308836 308836 2070267 686398 686398 1073259 536948 536311 536311 536311 8618881 1299823 7219569 0 1399312 1299823 2699135 2699135 1231476 77214 263754 967722 967722 885782 497701 388081 346207 41874 OTHER INCOME 900099 28037 28037 28037 12657745 2416474 41874 4917603 1633346 900644 296289 436413 5671190 4690478 171775 808937 456863 372344 21385 63134 1158434 863346 116682 178406 520319 396691 37228 86400 16722 4564 12158 60697 3095 57602 155917 155917 1156597 908978 71708 175911 321174 319375 1799 523421 445963 26711 50747 220395 185484 11378 23533 649261 596226 22631 30404 632409 530134 62793 39482 283332 249209 15437 18686 DESIGN, SHIPPING AND FA 693125 639183 13387 40555 MISCELLANEOUS 399782 287921 64427 47434 14552984 11393635 1157508 2001841 4885340 7451563 933148 47261 6695715 4207715 200184 148360 34387 34387 33304022 14490817 19374831 18813205 28981274 31546407 5756309 6216971 1532010 1257599 68393198 69723468 692213 939602 231299 264524 1784215 1487620 2707727 2691746 X 35669130 35772561 30016341 31259161 65685471 67031722 68393198 69723468 -1895239 3241490 0 X X 0 1 X 1 0 X 9980093 10067972 10998749 11484472 5281794 47813080 9980093 10067972 10998749 11484472 5281794 47813080 3271067 44542013 878301 1237723 2156430 1506591 1759657 7538702 40434 13848 41874 96156 333130 172936 1009384 995759 2511209 57959147 9607924 0.76850 0.80180 X SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: MISCELLANEOUS - 2019 AMOUNT: $ 333,130. 2020 AMOUNT: $ 172,936. 2023 AMOUNT: $ 28,037. SPECIAL EVENT REVENUE - 2022 AMOUNT: $ 1,009,384. 2023 AMOUNT: $ 967,722. RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 0 31916058 4233441 2289783 33859716 30100491 3305020 1489543 31916058 34836452 2899251 -4099094 3536118 30100491 27211437 3828460 7395196 3598641 34836452 27005039 2500000 1825 2295427 27211437 0.19680 0.78360 0.01960 0 0 28492405 9808968 18683437 64506 64506 0 4743006 4617343 125663 4105 4105 18813205 EQUITY LONG/SHORT HEDGE FUNDS 4428725 F MULTISTRATEGY HEDGE FUNDS 1788246 F 6216971 OPERATING LEASE LIABILITIES 1487620 1487620 X 16947913 3241490 575750 628845 4446085 12501828 155917 155917 12657745 15601662 575750 628845 1204595 14397067 155917 155917 14552984 PART III, LINE 1A: THE MUSEUM'S COLLECTION, WHICH WAS ACQUIRED THROUGH PURCHASES AND CONTRIBUTIONS SINCE ITS INCEPTION, IS NOT RECOGNIZED AS AN ASSET ON THE ACCOMPANYING BALANCE SHEET COLLECTION. ITEMS ARE EXPENSED WHEN ACQUIRED. CONTRIBUTED COLLECTION ITEMS ARE NOT REFLECTED IN THE ACCOMPANYING FINANCIAL STATEMENTS. DETAILED INVENTORY RECORDS, HOWEVER, ARE MAINTAINED FOR COLLECTIONS. THE VALUE OF THE COLLECTION IS NOT READILY DETERMINABLE AND THE MUSEUM DOES NOT INSURE THE COLLECTION FOR THE COST OF ITS REPLACEMENT. PART III, LINE 4: THE MUSEUM HAS VARIOUS COLLECTIONS WHICH IT USES FOR ITS DIFFERENT EXHIBITIONS AND PROGRAMS THROUGHOUT THE YEAR. PART V, LINE 4: THE MUSEUM HAS DONOR-RESTRICTED ENDOWMENT FUNDS ESTABLISHED TO HELP FUND VARIOUS PROJECTS AT THE MUSEUM. PART X, LINE 2: THE MUSEUM HAS DETERMINED THAT THERE ARE NO MATERIAL UNCERTAIN TAX POSITIONS THAT REQUIRE RECOGNITION OR DISCLOSURE IN THE FINANCIAL STATEMENTS. THE MUSEUM IS SUBJECT TO ROUTINE AUDITS BY TAXING JURISDICTIONS; HOWEVER, THERE ARE CURRENTLY NO AUDITS FOR ANY TAX PERIODS IN PROGRESS. THE MUSEUM BELIEVES IT IS NO LONGER SUBJECT TO INCOME TAX EXAMINATIONS FOR YEARS PRIOR TO 2021. PART XI, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES 536,948. LIQUOR SALES EXPENSES 91,897. PART XII, LINE 2D - OTHER ADJUSTMENTS: RENTAL EXPENSES 536,948. LIQUOR SALES EXPENSES 91,897. CENTRAL AMERICA AND THE CARIBBEAN - ANTIGUA & BARBUDA, ARUBA, BAHAMAS, 0 0 INVESTMENTS 6216971 0 0 0 0 0 0 6216971 0 6216971 0 0 1 1 0 0 SPRING GALA 1232292 73938 1158354 4057 175280 8917 40897 LOUIS AUCHINCLOSS PRIZE 65500 3276 62224 10470 3728 15193 1519 1 10898 0 10898 795 2719 179 1308690 77214 1231476 10470 8580 193192 8917 42595 263754 967722 X 0 0 0 0 0 0 0 0 0 SARAH HENRY DEPUTY DIRECTOR / CHIEF CURATOR 381085 0 0 0 0 0 31159 0 29812 0 442056 0 0 0 OSMAN KURTULUS CHIEF FINANCIAL OFFICER 217245 0 0 0 0 0 17789 0 37024 0 272058 0 0 0 KEITH BUTLER VP OF DEVELOPMENT THROUGH 12/2024 223709 0 0 0 0 0 18286 0 12149 0 254144 0 0 0 GERARD GALLAGHER CHIEF OPERATING OFFICER 191274 0 0 0 0 0 15635 0 28330 0 235239 0 0 0 SHERYL VICTOR VP OF MARKETING 172293 0 0 0 0 0 14088 0 37024 0 223405 0 0 0 HENRY GALINDO DIRECTOR OF FACILITIES 128205 0 0 0 0 0 10497 0 37024 0 175726 0 0 0 STEPHANIE WILCHFORT PRESIDENT & DIRECTORAS OF 9/23 144254 0 0 0 0 0 11823 0 9666 0 165743 0 0 0 CHERISSE CLEARY DIRECTOR, EVENT SALES 151620 0 0 0 0 0 12430 0 0 0 164050 0 0 0 X 2 30250 FMV 0 1 0 PART I, COLUMN (B): THE MUSEUM IS REPORTING THE NUMBER OF CONTRIBUTIONS RECEIVED. FORM 990, PART VI, SECTION A, LINE 2 BOARD CHAIR MATTHEW BROWN IS THE BROTHER OF TRUSTEE CHRISTOPHER BROWN AND THE EMPLOYER OF TRUSTEE JUDAH SCHULMAN. FORM 990, PART VI, SECTION B, LINE 11B THE FORM 990 WAS EMAILED TO THE AUDIT AND FINANCE COMMITTEES FOR REVIEW AND APPROVAL. ANY QUESTIONS THAT AROSE WERE ADDRESSED BY MANAGEMENT PRIOR TO APPROVAL. ONCE APPROVED BY THE AUDIT AND FINANCE COMMITTEES, THE 990 WAS EMAILED TO THE REMAINDER OF THE BOARD FOR REVIEW PRIOR TO BEING FILED. FORM 990, PART VI, SECTION B, LINE 12C EACH MEMBER, TRUSTEE, PRINCIPAL OFFICER, AND MEMBER OF A COMMITTEE WITH GOVERNING BOARD DELEGATED POWERS SHALL ANNUALLY SIGN A CONFLICT OF INTEREST FORM. IN CONNECTION WITH ANY ACTUAL OR POSSIBLE CONFLICT OF INTEREST, AN INTERESTED PERSON MUST DISCLOSE THE EXISTENCE OF THE FINANCIAL INTEREST AND BE GIVEN THE OPPORTUNITY TO DISCLOSE ALL MATERIAL FACTS TO THE TRUSTEES AND MEMBERS OF COMMITTEES WITH GOVERNING BOARD DELEGATED POWERS CONSIDERING THE PROPOSED TRANSACTION OR ARRANGEMENT. AFTER DISCLOSURE OF THE FINANCIAL INTEREST AND ALL MATERIAL FACTS, AND AFTER ANY DISCUSSION WITH THE INTERESTED PERSON, HE/SHE SHALL LEAVE THE GOVERNING BOARD OR COMMITTEE MEETING WHILE THE DETERMINATION OF A CONFLICT OF INTEREST IS DISCUSSED AND VOTED UPON. THE REMAINING BOARD OR COMMITTEE MEMBERS SHALL DECIDE IF A CONFLICT OF INTEREST EXISTS. AN INTERESTED PERSON MAY MAKE A PRESENTATION AT THE GOVERNING BOARD OR COMMITTEE MEETING, BUT, AFTER THE PRESENTATION, HE/SHE SHALL LEAVE THE MEETING DURING THE DISCUSSION OF, AND THE VOTE ON, THE TRANSACTION OR ARRANGEMENT INVOLVING THE POSSIBLE CONFLICT OF INTEREST. THE CHAIRMAN OR THE GOVERNING BOARD OR COMMITTEE SHALL, IF APPROPRIATE, APPOINT A DISINTERESTED PERSON OR COMMITTEE TO INVESTIGATE ALTERNATIVES TO THE PROPOSED TRANSACTION OR ARRANGEMENT. AFTER EXERCISING DUE DILIGENCE, THE GOVERNING BOARD OR COMMITTEE SHALL DETERMINE WHETHER MCNY CAN OBTAIN WITH REASONABLE EFFORTS A MORE ADVANTAGEOUS TRANSACTION OR ARRANGEMENT FROM A PERSON OR ENTITY THAT WOULD NOT GIVE RISE TO A CONFLICT OF INTEREST. IF A MORE ADVANTAGEOUS TRANSACTION OR ARRANGEMENT IS NOT REASONABLY POSSIBLE UNDER CIRCUMSTANCES NOT PRODUCING A CONFLICT OF INTEREST, THE GOVERNING BOARD OR COMMITTEE SHALL DETERMINE BY A MAJORITY VOTE OF THE DISINTERESTED TRUSTEES WHETHER THE TRANSACTION OR ARRANGEMENT IS IN MCNY'S BEST INTEREST, FOR ITS OWN BENEFIT, AND WHETHER IT IS FAIR AND REASONABLE IN CONFORMITY WITH THE ABOVE DETERMINATION. IT SHALL MAKE ITS DECISION AS TO WHETHER TO ENTER INTO THE TRANSACTION OR ARRANGEMENT. ANY DECISION BY A COMMITTEE SHALL BE SUBJECT TO REVIEW AND DETERMINATION BY THE GOVERNING BOARD SHOULD IT ELECT TO DO SO. FORM 990, PART VI, SECTION C, LINE 19 THE MUSEUM OF THE CITY OF NEW YORK MAKES ITS GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, AND FINANCIAL STATEMENTS AVAILABLE TO THE GENERAL PUBLIC UPON REQUEST. FORM 990, PART XII, LINE 2C THE PROCESS HAS NOT CHANGED FROM PRIOR YEARS.