2024-08-12T15:59:10-05:00 2023-09-30 BDO USA 225 NE MIZNER BLVD SUITE 685 BOCA RATON FL 33432 990 2022-10-01 471251523 Institute of Contemporary Art Miami Inc % ANTHONY TROISI INST 3059015272 61 NE 41st Street Miami FL 33137 ANTHONY TROISI DIRECTOR OF FINANCE 3059015272 2024-07-23 true Jacob Cook P01240455 5619092100 2022 2024-08-08 14:25:15Z ALEX J GARTENFELD 61 NE 41st Street Miami FL 33137 12727431 false X Icamiami.org X 2014 FL THE INSTITUTE OF CONTEMPORARY ART, MIAMI (ICA MIAMI), IS DEDICATED TO PROMOTING THE WORK OF CONTEMPORARY ARTISTS, AND TO THE EXCHANGE OF ART AND (CONTINUED ON SCHEDULE O) 41 41 79 41 0 0 7868220 10027428 37374 43537 36378 193063 1224776 1802745 9166748 12066773 0 0 0 0 2848667 2934360 0 0 991636 7417330 7250859 10265997 10185219 -1099249 1881554 54965499 56703275 1947149 1706811 53018350 54996464 X THE INSTITUTE OF CONTEMPORARY ART, MIAMI (ICA MIAMI), IS DEDICATED TO PROMOTING THE WORK OF CONTEMPORARY ARTISTS, AND TO THE EXCHANGE OF ART AND IDEAS THROUGHOUT THE MIAMI REGION AND INTERNATIONALLY. 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III, LINE 1A: ICA MIAMI DOES NOT CAPITALIZE DONATED WORKS OF ART OR RECOGNIZE THEM AS REVENUES OR GAINS. IT IS NOT ICA MIAMI'S POLICY TO SELL DONATED WORKS OF ART. DONATIONS NEED NOT BE RECOGNIZED IF THEY ARE ADDED TO COLLECTIONS THAT ARE HELD FOR PUBLIC EXHIBITION, EDUCATION, OR RESEARCH IN FURTHERANCE OF PUBLIC SERVICE RATHER THAN FINANCIAL GAIN; PROTECTED, KEPT UNENCUMBERED, CARED FOR, PRESERVED; AND ARE SUBJECT TO A POLICY THAT REQUIRES THE PROCEEDS FROM SALES OF COLLECTION ITEMS TO BE USED TO ACQUIRE OTHER ITEMS FOR COLLECTIONS. COLLECTION ITEMS CONSIST OF ART OBJECTS THAT ARE HELD FOR EDUCATIONAL, CURATORIAL PURPOSES AND PUBLIC DISPLAY. EACH OF THE ITEMS IS CATALOGED, PRESERVED, AND CARED FOR, AND KEPT UNENCUMBERED, AND ACTIVITIES VERIFYING THEIR EXISTENCE AND ASSESSING THEIR CONDITION ARE PERFORMED CONTINUOUSLY. COLLECTION ITEMS ACQUIRED EITHER THROUGH PURCHASE OR DONATION ARE NOT CAPITALIZED. THE COLLECTIONS, WHICH WERE ACQUIRED THROUGH PURCHASES AND CONTRIBUTIONS SINCE ICA MIAMI'S INCEPTION, ARE NOT RECOGNIZED AS ASSETS ON THE STATEMENTS OF FINANCIAL POSITION. PURCHASES OF COLLECTION ITEMS ARE RECORDED AS DECREASES IN NET ASSETS WITHOUT DONOR RESTRICTIONS IN THE YEAR IN WHICH THE ITEMS ARE ACQUIRED, OR AS NET ASSETS WITH DONOR RESTRICTIONS IF THE ASSETS USED TO PURCHASE THE ITEMS ARE RESTRICTED BY DONORS. CONTRIBUTIONS OF COLLECTION ITEMS ARE NOT RECOGNIZED IN THE STATEMENTS OF ACTIVITIES. IF COLLECTION ITEMS ARE SOLD, THE PROCEEDS FROM THE SALE ARE USED TO PURCHASE ADDITIONAL COLLECTION ITEMS. IT IS ICA MIAMI'S POLICY TO NOT SELL COLLECTION ITEMS AND THERE WERE NO SUCH SALES DURING THE YEARS ENDED SEPTEMBER 30, 2023 AND 2022. SCHEDULE D, PART III, LINE 4: COLLECTIONS AND RELATION TO EXEMPT PURPOSE ICA MIAMI'S PERMANENT COLLECTION ARTICULATES CORNERSTONE MOMENTS IN THE CAREERS OF SOME OF THE MOST SIGNIFICANT ARTISTS OF OUR TIME. WORK IN THE COLLECTION ARE DEFINED BY THEIR ACHIEVEMENT IN ONE OR MORE OF THE FOLLOWING CATEGORIES: MAGNITUDE TO AN ARTIST'S CAREER; IMPACT ON INTERNATIONAL CONTEMPORARY ART; THEMATIC RELATIONSHIP TO THE MIAMI REGION AND ITS DYNAMIC POLITICAL, CULTURAL AND ECONOMIC FORCES. THE PERMANENT COLLECTION CONSISTS OF ITEMS BOTH DONATED TO AND PURCHASED BY ICA MIAMI AND IS HELD FOR PUBLIC DISPLAY. ICA MIAMI IS OPEN TO THE GENERAL PUBLIC AT NO COST. SCHEDULE D, PART V, LINE 4: ICA MIAMI'S ENDOWMENT CONSISTS OF SEVERAL INVESTMENT FUNDS ESTABLISHED FOR A VARIETY OF PURPOSES. SCHEDULE D, PART X, LINE 2: ICA MIAMI IS A NON-PROFIT CORPORATION WHICH IS EXEMPT FROM FEDERAL INCOME TAX UNDER SECTION 501(C)(3) OF THE INTERNAL REVENUE CODE ("CODE") AND FROM STATE INCOME TAXES UNDER SIMILAR PROVISIONS OF THE FLORIDA STATUTES AND, ACCORDINGLY, GENERALLY WOULD NOT INCUR INCOME TAXES. AS A RESULT, THE FINANCIAL STATEMENTS DO NOT REFLECT A PROVISION FOR INCOME TAXES. IN ADDITION, ICA MIAMI HAS BEEN DETERMINED BY THE INTERNAL REVENUE SERVICE NOT TO BE A "PRIVATE FOUNDATION" WITHIN THE MEANING OF SECTION 509(A) OF THE CODE. ICA MIAMI RECOGNIZES AND MEASURES TAX POSITIONS BASED ON THEIR TECHNICAL MERIT AND ASSESSES THE LIKELIHOOD THAT THE POSITIONS WILL BE SUSTAINED UPON EXAMINATION BASED ON THE FACTS, CIRCUMSTANCES AND INFORMATION AVAILABLE AT THE END OF EACH PERIOD. INTEREST AND PENALTIES ON TAX LIABILITIES, IF ANY, WOULD BE RECORDED IN INTEREST EXPENSE AND OTHER NON-INTEREST EXPENSE, RESPECTIVELY. THE U.S. FEDERAL JURISDICTION IS THE MAJOR TAX JURISDICTION WHERE ICA MIAMI FILES INCOME TAX RETURNS. ICA MIAMI IS GENERALLY NO LONGER SUBJECT TO U.S. FEDERAL EXAMINATIONS BY TAX AUTHORITIES FOR ALL YEARS BEFORE 2020. SCHEDULE D, PART XI, LINE 4B - OTHER ADJUSTMENTS: DIRECT EXPENSES FROM FUNDRAISING EVENTS $(660,658). SCHEDULE D, PART XII, LINE 2D - OTHER ADJUSTMENTS: DIRECT EXPENSES FROM FUNDRAISING EVENTS $660,658. 365 GALA 1837174 58400 1778774 552157 DONOR TRIPS 623881 90500 533381 96876 6 157363 6115 151248 11625 2618418 155015 2463403 660658 660658 1802745 X X X false false false false false false false false false ALEX GARTENFELD ARTISTIC DIRECTOR 277059 0 50250 0 0 0 10972 0 0 0 338281 0 0 0 X 0 0 X 1 76511 FMV false true false SCHEDULE M, PART I, LINE 1: THE FILING ORGANIZATION DOES NOT REPORT CONTRIBUTIONS OF ART AND OTHER SIMILAR ITEMS AS REVENUE, AS PERMITTED UNDER GENERALLY ACCEPTED ACCOUNTING PRINCIPLES. SCHEDULE M, PART I, LINE 9: THE FILING ORGANIZATION IS REPORTING THE NUMBER OF CONTRIBUTIONS. SCHEDULE M, PART I, LINE 33: ICA MAINTAINS COLLECTIONS OF WORKS OF ART AND DOES NOT VALUE THE PIECES IN ITS INVENTORY OR RECORD REVENUES FOR ANY DONATED PIECES. THE DONATED WORKS OF ART ARE LISTED BY THE NUMBER OF PIECES DONATED. THEY CONSIST OF PAINTINGS, SCULPTURES, PRINTS, AND DVDS. FORM 990, PART I, LINE 1, DESCRIPTION OF ORGANIZATION MISSION: IDEAS THROUGHOUT THE MIAMI REGION AND INTERNATIONALLY. THROUGH AN ENERGETIC CALENDAR OF EXHIBITIONS AND PROGRAMS, AND ITS COLLECTIONS, ICA MIAMI PROVIDES AN INTERNATIONAL PLATFORM FOR THE WORK OF ESTABLISHED AND EMERGING ARTISTS AND ADVANCES THE PUBLIC APPRECIATION AND UNDERSTANDING OF THE MOST INNOVATIVE AND EXPERIMENTAL ART OF OUR TIME. FORM 990, PART III, LINE 1, DESCRIPTION OF ORGANIZATION MISSION: EXHIBITIONS AND PROGRAMS, AND ITS COLLECTIONS, ICA MIAMI PROVIDES AN INTERNATIONAL PLATFORM FOR THE WORK OF ESTABLISHED AND EMERGING ARTISTS AND ADVANCES THE PUBLIC APPRECIATION AND UNDERSTANDING OF THE MOST INNOVATIVE AND EXPERIMENTAL ART OF OUR TIME. FORM 990, PART III, LINE 4A - FIRST ACCOMPLISHMENT EXHIBITIONS AND COLLECTIONS During fiscal year 2023, ICA MIAMI HOSTED A WIDE RANGE OF EXHIBITIONS FROM DIVERSE INTERNATIONAL ARTISTS. MAJOR EXHIBITIONS DURING FISCAL YEAR 2023 INCLUDED THE FOLLOWING: From November 28, 2022 to April 20, 2023, ICA Miami presented "Herv Tlmaque: 1959-1964," an exhibition that presented a dozen paintings from the first five years of this important painter of the postwar period. Born in Haiti, Tlmaque worked first in New York, later in Paris, where he created works that span grotesque figuration, Pop art and assemblage. From November 28, 2022 to May 5, 2023, ICA Miami presented "Nina Chanel Abney: Big Butch Energy" featuring a new installation by the artist. American artist Nina Chanel Abney uses dynamic color and form to draw viewers into complex narratives. Through stylized, cubistic, and highly charged painterly symbols, the artist references radical traditions of graphic design and street art to communicate urgent political and cultural realities with immediacy to the largest possible audience. The exhibition at ICA focused on cinematic and media representations of Greek student life to trouble norms of racist systems and sexual desire in the United States. From November 28, 2022 to October 15, 2023, ICA Miami presented "Nina Chanel Abney: Cafeteria," a monumental wallpaper installation for ICA Miami's main stairwell. ICA Miami commissioned Chicago-born artist Nina Chanel Abney for this site-specific work. Concurrent with the artist's exhibition "Big Butch Energy" at ICA Miami, the work renders a scene of a school cafeteria with abstracted figures and still-life elements, including sneakers and basketballs, food items, and price tags. With this work, Abney has reclaimed traditionally male-coded styles of portraiture and symbolism. From November 28, 2022 to March 19, 2023, ICA Miami presented "Michel Majerus: Progressive Aesthetics." Born in Luxemburg and living and working in Germany, Michel Majerus worked mostly in the medium of painting until his untimely death at the age of 35 in 2002. The survey at ICA Miami, the first solo exhibition in an American museum for the artist, explores the late artist's prescient work by taking up his rich and varied interpretations of capitalism and cultural imperialism as they relate to art in American culture. Created at the threshold of the twenty-first century, Majerus's works expound on themes of transformation and are characterized by a fascination with speed, openness, and transmission. The artist's works explore his passion for technology, youth culture, and art history-all united by his obsession with the power of art and institutions. From November 28, 2022 to March 19, 2023, ICA Miami presented a solo exhibition for Jiang Cheng, the first museum exhibition for the young Chinese painter. The exhibition included a selection of new and recent paintings that build on the artist's exploration of the psychological force of portraiture. Preoccupied with the expressive powers of the human face, Jiang's commanding, beautiful, and haunting works convey multiple identities and meanings, like psychological ciphers. From December 2 to December 20, 2022 ICA Miami presented CryptoPunk #305 in dialogue with a work by famed American artist Andy Warhol. The CryptoPunks are a seminal digital art project that helped lay the foundation for the nascent cultural and technological movement known as Web3. Combining aspects of generative coding, pixel art, cryptocurrency and social media, the CryptoPunks have become icons of online identity for some of the most talented artists, technologists and thought leaders currently building the future internet. From April 6 to October 8, 2023, ICA Miami presented the exhibition "Denzil Forrester: We Culture." The exhibition brought together twenty paintings and a dozen drawings from the Grenada-born artist's first seven years of production, 1978 to 1985. One of the preeminent British and Caribbean painters of the last few decades, Forrester has become an important influence on a generation of younger artists. Growing up in London, Forrester witnessed the expanding presence of Rastafarian culture in England firsthand, as dub reggae music took root during the late 1960s and 1970s. This exhibition includes paintings that portray the clubs that Forrester frequented and their unique social scene. Other paintings in the exhibition reflect the social inequities and a fraught relationship with state institutions in the UK. From April 22 to October 15, 2023, ICA Miami presented "Avery Singer: Unity Bachelor" comprising of a suite of new paintings and debuting a new body of work. A leading artist of her generation, American artist Avery Singer uses innovative tools to create iconic, complex paintings that interpret contemporary social realities and technologies. The artist's large-scale paintings portray worlds that emerge from digital renderings and take shape through manual and digital airbrush techniques, liquid and solid masking, and complex layering processes. Singer's work has often engaged modernist and avant-garde movements to cite the radical potential for painting. From May 5 to November 26, 2023, ICA Miami presented "Hudinilson Jr.: Tension Zone." Late artist Hudinilson Jr. is one of the most significant Brazilian artists of his generation. The first exhibition of his work in a US museum, "Hudinilson Jr.: Tension Zone" is an introductory survey of a figure who is increasingly becoming an important reference point for younger artists. Hudinilson Jr. began to employ photocopiers as his preferred tool in 1977-78, exploring xerography's expressive, conceptual, and performative potentials. Coming of age during the most repressive time of the military dictatorship in Brazil, Hudinilson Jr. constantly placed himself at social and artistic margins and made his life indistinguishable from his artistic practice in ways that still find resonance today participating in experimental collectives, workshops, public interventions, and exhibitions. From May 5 to November 26, 2023, ICA Miami presented "Agla Bassens: Emptiful," the debut solo museum presentation for the Brooklyn-based painter. With a practice rooted in observation and critical analysis, Agla Bassens creates alluring and poignant depictions of everyday life. In these recent works, Bassens draws from her experience of becoming a new parent, using the opportunity to take on the duality of life's passage-love and grief, fulfillment and apprehension. From May 5 to November 12, 2023, ICA Miami presented "Claire Tabouret: Au Bois d'Amour" featuring new works by the French painter. Tabouret's practice examines complex representations of identity and sexuality, the nuances of human intimacy, and the nostalgic passing of time. Experimenting with format and technique, the exhibition showcased several of the artist's "Fluff" paintings on plush fabric, a set of monoprints, and a unique, artist-designed rug produced by storied rugmaker Odabashian in Miami. Through "Au Bois d'Amour," Tabouret engages a modernist tradition challenging the boundaries of art and decoration. THE FOLLOWING SCULPTURES WERE ON VIEW IN ICA MIAMI'S SCULPTURE GARDEN DURING FISCAL YEAR 2023: UNSPECIFIED PROMISE BY ARTIST DUO ALLORA & CALZADILLA HAS BEEN ON VIEW SINCE DECEMBER 1, 2017. THE SCULPTURE IS A CONTEMPORARY INTERPRETATION OF THE GRANITE MONUMENT THAT REFLECTS ON THE POLITICAL AND TECHNOLOGICAL ISSUES OF OUR TIME. DR. PEPPER BY MARK HANDFORTH HAS BEEN ON VIEW SINCE DECEMBER 1, 2017. THE WORK MARKED A MAJOR PUBLIC COMMISSION FOR THIS LEADING MIAMI-BASED ARTIST. EPICURUS BY CONCEPTUAL ARTIST PEDRO REYES HAS BEEN ON VIEW SINCE MAY 7, 2019. REYES IS AN ARTIST WHO PLAYFULLY INVESTIGATES FORM AND HISTORY, PEDRO REYES HAS RECENTLY CREATED A SERIES OF MONUMENTAL CARVED SCULPTURES IN VOLCANIC ROCK DEDICATED TO CANONIZING GREAT PHILOSOPHERS AND INTELLECTUALS. REPLICANT STONE BY DAMIN ORTEGA, A NEW COMMISSION WAS PRESENTED AS THE INAUGURAL RECIPIENT OF THE EZRATTI FAMILY PRIZE FOR SCULPTURE. ICA MIAMI'S PERMANENT COLLECTION CONTINUED TO ARTICULATE CORNERSTONE MOMENTS IN THE CAREERS OF SOME OF THE MOST SIGNIFICANT ARTISTS OF OUR TIME. FISCAL YEAR 2023 SAW SIGNIFICANT ADDITIONS TO THE COLLECTIONS FROM A DIVERSE AND WIDE-RANGING GROUP OF ARTISTS. FORM 990, PART III, LINE 4B - SECOND ACCOMPLISHMENT COMMUNICATIONS THROUGH ITS COMMUNICATIONS PROGRAM, ICA MIAMI COMMUNICATES ITS MISSION AND ACTIVITIES TO THE PUBLIC. THE COMMUNICATIONS PROGRAM ALSO INFORMS THE PUBLIC ABOUT CONTEMPORARY ART AND ITS IMPORTANCE IN OUR SOCIETY THROUGH VARIOUS FORMS OF MEDIA. ICA MIAMI HAS A COMPREHENSIVE MARKETING AND OUTREACH STRATEGY TO SUPPORT ENGAGEMENT WITH BOTH TOURISTS AND MIAMI RESIDENTS OF ALL AGES AND SOCIOECONOMIC BACKGROUNDS. THE MUSEUM EMPLOYS TWO FULL TIME STAFF AND TWO CONSULTANTS DEDICATED TO MARKETING, COMMUNICATIONS, AND DIGITAL PRODUCTION AND WORKSWITH TWO PUBLIC RELATIONS FIRMS - THE PROMINENT INTERNATIONAL AGENCY RESNICOW AND ASSOCIATES AS WELL AS A LOCAL FIRM - TO ENSURE SIGNIFICANT AUDIENCE REACH AND PRESS ATTENTION ON THE LOCAL, NATIONAL, AND INTERNATIONAL LEVELS. KEY MARKETING AND PROMOTION STRATEGIES INCLUDE: 1. STRATEGICALLY PUBLISHING ANNUAL FULL-PAGE PRINT ADS IN PROMINENT ART AND CULTURED PUBLICATIONS SUCH AS CULTURED AND DESIGN DISTRICT MAGAZINE AMONG OTHERS. 2. IMPLEMENTING A SERIES OF PROGRAMMATIC DIGITAL CAMPAIGNS WITH PROMINENT LOCAL DAILY PUBLICATIONS: MIAMI HERALD, MIAMI NEW TIMES, AND TIME OUT MIAMI. 3. THOROUGHLY RESEARCHED CPA/PPC SEARCH AND RESPONSIVE DISPLAY ADVERTISING CAMPAIGNS VIA GOOGLE ADWORDS. 4. RADIO ADVERTISING-LONGFORM (90 SEC.), SHORT (15 SEC.), AND BUMPER (3-6 SEC.)-THAT BROADCASTS THE MUSEUM'S DIGITAL OUTPUT AND MISSION TO PROVIDE FREE AND OPEN ACCESS TO CONTEMPORARY ART TO A GLOBAL ARTS COMMUNITY. 5. POSTING INFORMATION ON ICA'S SOCIAL MEDIA PLATFORMS-FACEBOOK (47K FOLLOWERS), INSTAGRAM (61K FOLLOWERS), AND TWITTER (16.7K FOLLOWERS)-AND USING THESE PLATFORMS' PROGRAMMATIC ADVERTISING ENGINES TO ENGAGE TARGETED ONLINE AUDIENCES EXCEEDING 500,000, INCLUDING YOUTH AND FOREIGN VISITORS, AMONG OTHERS. 6. ORIGINAL VIDEO CONTENT DISTRIBUTED ACROSS ICA MIAMI'S MULTIPLE DIGITAL CHANNELS, INCLUDING ICA MIAMI'S DEDICATED VIDEO CHANNEL ON WWW.ICAMIAMI.ORG, YOUTUBE, AND ACROSS THE MUSEUM'S SOCIAL MEDIA PLATFORMS. 7. IMPROVING ICA MIAMI'S LOCAL SEO (SEARCH ENGINE OPTIMIZATION) VISIBILITY TO ENSURE INTERNET SEARCH QUERIES PRODUCE USEFUL INFORMATION PERTAINING TO THE MUSEUM AND ITS PUBLIC PROGRAMS. 8. IMPROVING ICA MIAMI'S WEB INFRASTRUCTURE TO BETTER UNDERSTAND AUDIENCES' PATHWAYS TO CONVERSATION (I.E., TICKET RESERVATIONS, MEMBERSHIP SALES, ENGAGEMENT ON VARIOUS LANDING PAGES, ETC.). 9. SENDING EMAIL INVITATIONS TO APPROXIMATELY 40,000 PEOPLE FOR THE EXHIBITION, RELATED PROGRAMS AND EVENTS. 10. INCLUDING INFORMATION ABOUT EXHIBITIONS AND PROGRAMS ON ICA MIAMI'S WEBSITE (MORE THAN 17,000 GLOBAL SESSIONS MONTHLY). 11. LISTING EVENT INFORMATION ON VARIOUS SOCIAL AND ONLINE EVENT AGGREGATORS, SUCH AS SOCIALMIAMI.COM, TROPICULT.COM, CULTUREOWL.COM, MIAMI.COM, MIAMINEWTIMES.COM, THENEWTROPIC.COM, EVENTBRITE.COM, AND OTHERS. 12. MAILING AND EMAILING PRESS RELEASES TO NATIONAL AND INTERNATIONAL MEDIA, INCLUDING MAJOR ART TRADE PUBLICATIONS. 13. HOSTING EXHIBITION OPENINGS FEATURING VARIOUS ACTIVATED SPONSORS, FEATURING LIVE PERFORMANCES FROM CUTTING-EDGE ARTISTS IN A FULLY INTERACTIVE SOCIAL ATMOSPHERE. 14. MAILING EXHIBITION RELATED MATERIALS TO OVER 900 ICA MIAMI MEMBERS. 15. FORMING MEDIA PARTNERSHIPS WITH PUBLICATIONS SUCH AS W AND CULTURED MAGAZINE, WHICH INCLUDE FULL PAGE ADS IN THE MAGAZINE, SIGNIFICANT ONLINE EDITORIAL HIGHLIGHTING THE EXHIBITION, AND SPOTLIGHT EDITORIAL IN THE SPRING PRINT ISSUE. 16. CROSS-PROMOTIONAL OUTREACH WITH CITY AND COMMUNITY ORGANIZATIONS IN MIAMI SUCH AS GREATER MIAMI CONVENTION CENTER AND VISITORS BUREAU, FLORIDA INTERNATIONAL UNIVERSITY, AND PRISM CREATIVE, AMONG OTHERS. FORM 990, PART III, LINE 4C - THIRD ACCOMPLISHMENT PUBLIC PROGRAMS DURING FISCAL YEAR 2023, ICA MIAMI GENERATED A ROBUST PROGRAM OF PUBLIC PRESENTATIONS, LECTURES, SEMINARS, ARTISTS' TALKS, EVENTS, AND PODCASTS. BUILDING ON THE STRUCTURE THAT DIVIDES THE INSTITUTION'S PUBLIC PROGRAMS INTO FOCUSED COMPONENTS, PROGRAMS AND EVENTS WERE DEVELOPED UNDER THE FOLLOWING RUBRICS: KNIGHT FOUNDATION ART + RESEARCH CENTER, ICA IDEAS, ICA PERFORMS, AND ICA SPEAKS. THROUGH THE KNIGHT FOUNDATION ART + RESEARCH CENTER, THE MUSEUM OFFERS FREE COLLEGE-LEVEL SEMINAR CLASSES, OPEN TO YOUNG ADULTS AND LIFELONG LEARNERS, COVERING A WIDE RANGE OF THEMES FROM CONTEMPORARY ART AND RECENT ART HISTORY. IT ALSO HOSTS A NUMBER OF FREE, PUBLIC LECTURES-9 IN TOTAL DURING FISCAL YEAR 2023. DURING FISCAL YEAR 2023, ART + RESEARCH CENTER ALSO HOSTED INTENSIVE 3 WEEK-LONG SEMINARS IN FALL SEMESTER, WHICH FOCUSED ON ECOLOGIES OF WAR. LEADING PROFESSORS, THEORISTS AND ARTISTS, INCLUDING NEDA ATANASOSKI, STEVEN GOODMAN, EXPLORED HOW ART PRODUCTION ADDRESSED SPACES CONSTANTLY TOUCHED BY WAR AND MILITARY STRATEGIES. IT ALSO HOSTED A 3 WEEK-LONG SEMINARS IN SPRING SEMESTER, WHICH FOCUSED ON THE ARTS AND HISTORY OF HAITI AND ITS DIASPORA. LEADING PROFESSORS, THEORISTS & ARTISTS, INCLUDING EDUARD DUVAL-CARRIE, KAIAMA L. GLOVER AND ANTHONY BOGUES, ADDRESS THE RELATIONSHIP BETWEEN HAITIAN HISTORY AND THE PRODUCTION OF CONTEMPORARY ART, INCLUDING ITS CONTINUATION IN MIAMI NEIGHBORHOODS LIKE LITTLE HAITI. ICA MIAMI ALSO CONVENED ITS ANNUAL SUMMER INTENSIVE, WHICH HOSTED FOUR SEMINARS THAT LOOKED AT FLORIDA'S SWAMP ECOLOGY IN RELATION TO CONTEMPORARY CULTURALPRODUCTION. VISITING FACULTY INCLUDEDZACHARY CAPLE, JESSICA CATTELAN, AND LAURA OGDEN. FOR ITS PRESTIGIOUS ANNUAL "KEYNOTE LECTURE," ART + RESEARCH CENTER INVITED POET JOY HARJO TO SPEAK. THE ART + RESEARCH CENTER RELEASE TWO NEW SEASON OF ITS PODCAST DURING FISCAL YEAR 2023. IT PRODUCED EIGHT EPISODES, IN WHICH A NUMBER OF SCHOLARS AND ARTISTS PARTICIPATED, INCLUDING ARTISTS MARIA MAGDALEN CAMPOS PONS, JOSE BEDIA, EDUARD DUVALL-CARRIES, ADLER GURRIER, KRISTA FRANKLIN, LUCY BULL AND OTHERS; ART HISTORIANS JIHANNA GROSSE, RICHARD POWELL, AND ERICA JAMES; ANTHROPOLOGIST STEFANIA PANDOLFO; AND NOVELIST EDWIDGE DANTICAT. ICA SPEAKS IS DEDICATED TO DEVELOPING NEW KNOWLEDGE AROUND THE ARTWORKS THAT ARE PART OF ICA MIAMI'S PERMANENT COLLECTION. FOR THIS PROGRAM, WE INVITED DIFFERENT ARTISTS THROUGHOUT THE YEAR, INCLUDING AVERY SINGER AND CLAIRE TABOURET. ICA IDEAS IS DEDICATED TO DEVELOPING NEW KNOWLEDGE AROUND ICA'S EXHIBITIONS AND CONTEMPORARY TOPICS. ON DECEMBER 1ST, ICA HOSTED A CONVERSATION BETWEEN JUDY HICAGO AND NADYA TOLONNIKOVA. ON FEBRUARY 11, MARA HOBERMAN GAVE A TALK DEDICATED TO THE WORK OF MICHEL MAJERUS. ON MARCH 13TH, ICA HOSTED A CONVERSATION BETWEEN PAINTERS LAURA OWENS AND KYLE THURMAN ON THE WORK OF MICHEL MAJERUS. FORM 990, PART III, LINE 4D, OTHER PROGRAM SERVICES: EDUCATION AND OUTREACH ICA MIAMI'S YOUNG ARTISTS INITIATIVE IS AN APPLICATION-BASED ARTS PROGRAM DESIGNED FOR YOUNG ARTISTS (10TH-12TH GRADE) WHO ARE ENCOURAGED TO LOOK CRITICALLY AT CONTEMPORARY ART PRACTICES, WORK DIRECTLY WITH LEADING ARTISTS, AND FURTHER DEVELOP THEIR OWN PORTFOLIOS. ICA MIAMI'S YOUNG ARTISTS INITIATIVE ENGAGES STUDENTS IN AN INTENSIVE, 18-WEEK PROGRAM OFFERED IN TWO SESSIONS THAT RELATES ART HISTORY TO CONTEMPORARY ART PRACTICE FOR HIGH SCHOOL STUDENTS WITH A FOCUS ON APPLICABLE SKILLS THAT PREPARE SELF-SELECTING STUDENTS FOR CAREERS IN CONTEMPORARY ART. DURING FISCAL YEAR 2023, APPROXIMATELY 30 STUDENTS PARTICIPATED IN THE PROGRAM THAT CONCLUDED WITH AN EXHIBITION IN OUR GALLERIES. OVER THE SUMMER ICA MIAMI OFFERED SUMMER PORTFOLIO PREP DESIGNED TO PREPARE INCOMING 7TH AND 8TH GRADE STUDENTS WHO INTEND TO APPLY TO MAGNET AND CHARTER ARTS SCHOOLS. IN ADDITION, WE ARE OFFERING SATURDAY ART CLASSES FOR CHILDREN 8-10 YEARS OLD AND 11-14 YEARS OLD. DURING FISCAL YEAR 2023 WE SERVED OVER 100 PARTICIPANTS IN OUR SATURDAY PROGRAM AND SUMMER PROGRAM. ICA MIAMI'S OUTREACH PROGRAMS PRESENT THE DIVERSE WORKS OF CONTEMPORARY ARTISTS TO UNDER RESOURCED CHILDREN AND YOUTH IN THE MIAMI REGION. THROUGH A SERIES OF PARTNERSHIPS WITH MIAMI DADE PUBLIC SCHOOLS AND LOCAL COMMUNITY ORGANIZATIONS, OUR CURRICULA AIM IS TO IMPROVE VISUAL LITERACY, WHILE EMPOWERING THE SOCIAL, CULTURAL AND GENDER-SPECIFIC IDENTITIES OF PARTICIPANTS. DURING FISCAL YEAR 2023, ICA MIAMI OFFERED PROGRAMMING TO OUR COMMUNITY AND SCHOOL PARTNERS SERVING OVER 300 STUDENTS. ICA MIAMI ALSO HOSTED WEEKLY FAMILY SUNDAY WORKSHOPS DEVELOPED TO PROVIDE PROGRAMMING THAT IS ACCESSIBLE TO CHILDREN OF ALL ABILITIES. THESE WORKSHOPS WELCOME FAMILIES WITH CHILDREN WITH DISABILITIES AND ARE OPEN TO ALL CHILDREN. WORKSHOPS INCLUDE STORYTELLING, MOVEMENT AND YOGA, AND ART MAKING. OVER THE COURSE OF THE YEAR, WE SERVED OVER 300 FAMILIES. FORM 990, PART VI, SECTION A, LINE 2: THE TRUSTEES IRMA BRAMAN AND DEBI WECHSLER HAVE A FAMILY RELATIONSHIP. FORM 990, PART VI, SECTION B, LINE 11B: A COMPLETE DRAFT OF FORM 990 WAS DISTRIBUTED TO, AND REVIEWED AND APPROVED BY, THE ORGANIZATION'S FINANCE COMMITTEE. FORM 990, PART VI, SECTION B, LINE 12C: ENFORCEMENT OF CONFLICTS OF INTEREST EACH DIRECTOR, PRINCIPAL, OFFICER, KEY EMPLOYEE AND MEMBER OF A COMMITTEE INC. WITH GOVERNING BOARD DELEGATED POWERS SHALL ANNUALLY SIGN A STATEMENT WHICH AFFIRMS THAT SUCH PERSON HAS RECEIVED A COPY OF THE CONFLICT OF INTEREST POLICY, HAS READ AND UNDERSTANDS THE POLICY, HAS AGREED TO COMPLY WITH THE POLICY AND UNDERSTANDS THAT THE ORGANIZATION IS CHARITABLE AND IN ORDER TO MAINTAIN ITS FEDERAL EXEMPTION IT MUST ENGAGE PRIMARILY IN ACTIVITIES WHICH ACCOMPLISH ONE OR MORE OF ITS TAX-EXEMPT PURPOSES. IN ADDITION, THE ORGANIZATION CONDUCTS PERIODIC REVIEWS WHICH INCLUDE WHETHER COMPENSATION ARRANGEMENTS AND BENEFITS ARE REASONABLE AND WHETHER PARTNERSHIPS, JOINT VENTURES, AND ARRANGEMENTS WITH MANAGEMENT ORGANIZATIONS CONFORM TO THE ORGANIZATION'S WRITTEN POLICIES, ARE PROPERLY RECORDED, REFLECT REASONABLE INVESTMENTS OR PAYMENTS FOR GOODS AND SERVICES, FURTHER CHARITABLE PURPOSES AND DO NOT RESULT IN INCREMENT, IMPERMISSIBLE PRIVATE BENEFIT OR IN AN EXCESS BENEFIT TRANSACTION. FORM 990, PART VI, SECTION B, LINE 15A: COMPENSATION PROCESS FOR TOP OFFICIAL THE ORGANIZATION'S ARTISTIC DIRECTOR'S SALARY IS DETERMINED BY THE CO-CHAIRS OF THE BOARD OF TRUSTEES IN CONSULTATION WITH THE EXECUTIVE COMMITTEE. SALARY IS DETERMINED BASED ON THE ORGANIZATION'S BUDGET GUIDELINES AND REVIEW OF THE AMERICAN ALLIANCE OF MUSEUM SALARY SURVEY. FORM 990, PART VI, SECTION B, LINE 15B: COMPENSATION PROCESS FOR OFFICERS THE COMPENSATION PROCESS FOR OFFICERS IS APPROVED BY THE ARTISTIC DIRECTOR IN CONSULTATION WITH THE DEPUTY DIRECTOR. SALARY IS DETERMINED BASED ON THE ORGANIZATION'S BUDGET GUIDELINES AND REVIEW OF THE AMERICAN ALLIANCE OF MUSEUM SALARY SURVEY. FORM 990, PART VI, SECTION C, LINE 19: GOVERNING DOCUMENT DISCLOSURE EXPLANATION GOVERNING DOCUMENTS ARE MADE AVAILABLE TO THE PUBLIC UPON REQUEST. FORM 990, PART XII, LINE 2C: THE ORGANIZATION HAS NOT CHANGED ITS OVERSIGHT PROCESS OR SELECTION PROCESS DURING THE TAX YEAR.