2024-05-15T09:11:43-05:00 2023-06-30 390859910 BAKER TILLY US LLP 1500 RXR PLAZA WEST TOWER UNIONDALE NY 11556 990 2022-07-01 111667767 THE LONG ISLAND MUSEUM OF AMERICAN ART HISTORY & CARRIAGES LONG 6317510066 1200 ROUTE 25A STONY BROOK NY 11790 SARAH ABRUZZI CO-EXECUTIVE DIRECTOR 6317510066 2024-05-14 1 SARAH ABRUZZI XXX-XX-XXXX 1 ELLEN M LABITA CPA P00140777 6317527400 2 AAL1 IAL1 2022 2023-04-26 12:10:37Z SARAH ABRUZZI 1200 ROUTE 25A STONY BROOK NY 11790 4427834 0 X WWW.LONGISLANDMUSEUM.ORG X 1942 NY TO PRESERVE COLLECTIONS OF 19TH CENTURY LONG ISLAND AND AMERICAN ART, HISTORY AND HORSE-DRAWN TRANSPORTATION HISTORY AND OFFER INTERPRETATION OF THESE COLLECTIONS AND RELATED HISTORICAL TOPICS THROUGH PUBLIC EDUCATIONAL PROGRAMS. 11 11 43 78 0 0 784832 504479 46115 62654 1786878 1712755 16251 130617 2634076 2410505 0 0 0 0 1708776 1939879 0 0 496561 1236066 1248430 2944842 3188309 -310766 -777804 21216753 21415205 409486 428019 20807267 20987186 X THE LONG ISLAND MUSEUM IS DEDICATED TO INSPIRING PEOPLE OF ALL AGES WITH AN UNDERSTANDING AND ENJOYMENT OF AMERICAN ART, HISTORY AND CARRIAGES AS EXPRESSED THROUGH THE HERITAGE OF LONG ISLAND AND ITS DIVERSE COMMUNITIES. 0 0 1352468 CHANGING EXHIBITIONS JULY 1, 2022 - JUNE 30, 2023TWO CENTURIES OF LONG ISLAND WOMEN ARTISTS MARCH 3 SEPTEMBER 5, 2022: TWO CENTURIES OF LONG ISLAND WOMEN ARTISTS, 1800-2000 PROVIDED A SURVEY OF THE HISTORY OF WOMEN ARTISTS ON LONG ISLAND, REVEALING A VITAL AND PREVIOUSLY UNDER-EXAMINED SIGNIFICANT PART OF THIS REGION'S CULTURAL AND ARTISTIC LEGACY. THE STORY OF LONG ISLAND'S ART HISTORY HAS OFTEN BEEN TOLD FROM A MALE-ORIENTED POINT OF VIEW. HOWEVER, WOMEN HAVE ALWAYS WORKED AT THEIR EASELS ALONGSIDE MEN, IN BOTH MAJOR AND MINOR ROLES, ACROSS THIS REGION. FOR MANY WOMEN ARTISTS, LIMITED ACCESS TO ACADEMIES AND EXHIBITIONS PREVENTED THEM FROM ACHIEVING THE SAME PROFESSIONAL AND CRITICAL SUCCESS AS THEIR MALE COLLEAGUES. BUT FOR OTHERS, WHO OVERCAME THE BARRIERS AND PREJUDICES AGAINST THEIR SEX TO ESTABLISH THEMSELVES AS SERIOUS ARTISTS, THEIR NAMES HAVE OFTEN BEEN EXCLUDED FROM THE PREDOMINANT DISCOURSE.DISPARITIES CONNECT TO A CONTINUING GENDER INEQUALITY IN THE ART WORLD WHICH PLAYS OUT IN THE PRESENT DAY WITHIN OUR REGION. BY FOCUSING AN EXHIBITION ENTIRELY ON WOMEN'S CONTRIBUTIONS TO ART HISTORY IN THIS REGION, FROM BROOKLYN TO MONTAUK, OVER 200 YEARS, THIS PROJECT PROVIDED AN ENORMOUS OPPORTUNITY TO PROVIDE A NEW FULLER, RICHER ACCOUNTING OF WOMEN'S PROLIFIC AND EVER-CHANGING IMPACTS.DRAWN FROM LIM'S OWN COLLECTION, PRIVATE COLLECTIONS, AND THE COLLECTIONS OF MUSEUMS THAT INCLUDE THE PARRISH MUSEUM OF ART, THE HECKSCHER MUSEUM OF ART, AND GUILD HALL, THIS EXHIBITION PRESENTED OVER 80 WORKS FROM CLOSE TO 70 DIFFERENT ARTISTS, BOTH CELEBRATED AND RELATIVELY UNKNOWN AND FORGOTTEN, FROM DIFFERENT ERAS AND A DIVERSE SET OF BACKGROUNDS, STYLISTIC APPROACHES, AND MATERIALS. ARTISTS INCLUDED FEATURED BOTH WELL-KNOWN NAMES TO THE ART WORLD WHO WORKED FROM LONG ISLAND - SUCH AS HELEN TORR, EDITH MITCHILL PRELLWITZ, LEE KRASNER, ELAINE DE KOONING, GRACE HARTIGAN, AND HOWARDENA PINDELL - AND ARTISTS WHO HAD A LOWER PROFILE DURING THEIR LIVES BUT ARE GAINING RENEWED APPRECIATION TODAY.ON LONG ISLAND, WOMEN MADE IMPORTANT IMPACTS TO EACH MOVEMENT OF MODERNIST ART, FROM IMPRESSIONISM TO ABSTRACT EXPRESSIONISM AND BEYOND. THIS PROJECT TOOK A DEEP DIVE INTO EACH GENERATION OF OUR REGION'S ART HISTORY.ATOMS TO COSMOS: STORY OF THE BROOKHAVEN NATIONAL LAB - APRIL 21 OCTOBER 16, 2022: THIS AMBITIOUS EXHIBITION ORGANIZED IN PARTNERSHIP WITH BROOKHAVEN NATIONAL LABORATORY, INVITED THE LONG ISLAND COMMUNITY TO EXPLORE THE SOCIAL, SCIENTIFIC AND TECHNOLOGICAL HISTORY OF ONE OF LONG ISLAND'S MOST IMPORTANT AND INTERNATIONALLY-INFLUENTIAL MODERN INSTITUTIONS SINCE 1947. FROM ITS 5,300-ACRE SITE IN THE LONG ISLAND PINE BARRENS IN UPTON (JUST 18 MILES AWAY FROM THIS MUSEUM), BROOKHAVEN NATIONAL LABORATORY HAS OPERATED AS A UNITED STATES DEPARTMENT OF ENERGY NATIONAL LABORATORY AT THE FOREFRONT OF CRUCIAL SCIENTIFIC RESEARCH AND DEVELOPMENT. A TOTAL OF SEVEN NOBEL PRIZES HAVE BEEN AWARDED FOR WORK CONDUCTED AT BNL. AS ONE OF SUFFOLK COUNTY'S LEADING EMPLOYERS AND A VITAL ECONOMIC AND CULTURAL CENTER WITH A LONG, COMPLEX, OFTEN MISUNDERSTOOD, AND SOMETIMES CONTROVERSIAL PAST, BNL'S STORY HAD ENORMOUS AUDIENCE APPEAL. A CLOSING SUBSTANTIAL SECTION/CHAPTER OF THE EXHIBITION EXPLORED HOW SCIENCE CURRENTLY BEING EXPLORED AT BNL WILL HAVE SIGNIFICANT IMPLICATIONS FOR THE WORLD IN THE FUTURE. IN PARTNERSHIP WITH THE LAB, LIM TOLD THE IMPORTANT BNL STORY TO OUR MUSEUM VISITORS THROUGH A COMBINATION OF ARTIFACTS, HISTORIC PHOTOGRAPHS, FILM, AND INTERACTIVE COMPONENTS.LAND BY HAND: EDWARD LANGE'S LONG ISLAND, 1871-1889 - SEPTEMBER 18 DECEMBER 30, 2022: CURATED BY JONATHAN OLLY. ARTIST EDWARD LANGE (1846-1912) EMIGRATED WITH HIS FAMILY FROM GERMANY TO NEW YORK IN THE 1860S. BY 1870 THE SELF-TAUGHT PAINTER MOVED OUT TO ELWOOD, LONG ISLAND, WHERE HE BEGAN TO RENDER THE REGION'S TOWNS, LANDSCAPES, AND INDUSTRIES WITH PRECISION AND HISTORICAL ACCURACY DURING THE 1870S AND 1880S. UNTIL MOVING TO WASHINGTON STATE IN 1889, LANGE PRODUCED MANY DOZENS - PERHAPS HUNDREDS - OF WORKS OF ART ON LONG ISLAND. THIS EXHIBITION, SPANNED THE FIVE DECADES OF HIS WORK FROM 1871 TO 1912, AND PROVIDED AUDIENCES WITH AN UNPRECEDENTED LOOK AT COMMUNITIES FROM NEW YORK CITY TO SAG HARBOR AS THEY WERE TRANSFORMED BY GROWING POPULATIONS, TRANSPORTATIONS, AND NEW BUSINESSES AND TECHNOLOGIES. MOST OF THE ARCHITECTURE, CULTURAL LANDSCAPES, INDUSTRIES, AND MODES OF TRANSPORTATION THAT LANGE DOCUMENTED ARE NOW GONE, BUT THROUGH HIS ART WE ARE OFFERED A RARE AND EXCITING WINDOW BACK TO A VERY DIFFERENT TIME. THIS PROJECT WAS A COLLABORATION WITH PRESERVATION LONG ISLAND, WHICH PUBLISHED A BOOK ABOUT LANGE IN 2023.FACE VALUE: AMERICAN PORTRAITURE - SEPTEMBER 22 - DECEMBER 18, 2022 - CURATED BY JOSHUA RUFF: PORTRAITURE IS ONE OF OUR CULTURE'S OLDEST, MOST IMPORTANT, AND INTRIGUINGLY FLEXIBLE ART FORMS. OVER THE PAST TWO CENTURIES, AMERICAN PORTRAITURE HAS ALSO FUNDAMENTALLY SHIFTED INTO SOMETHING FAR MORE DYNAMIC AND DEMOCRATIC THAN HOW IT MIGHT BE DESCRIBED AT ITS ORIGINS. THE INVENTION AND UBIQUITY OF PHOTOGRAPHY CHANGED IT, MODERNISM CHANGED IT, AND PUBLIC TASTE AND PERCEPTIONS RE-SHAPED IT IMMEASURABLY. BUT THE ARTISTIC DISCIPLINE OF DEPICTING A FACE OR A POSE WITH AUTHENTICITY IS STILL A FUNDAMENTAL TASK ESSENTIAL TO THE ART WORLD. THIS SMALL EXHIBITION INCLUDED WORK PRIMARILY DRAWN FROM LIM'S COLLECTION, WITH BEAUTIFUL AND IMPORTANT PAINTINGS WERE ALSO LOANED FROM SEVERAL PRIVATE COLLECTIONS. COVERING A WIDE TIME RANGE FROM THE MID-19TH CENTURY TO THE LATE 20TH CENTURY, ARTISTS IN FACE VALUE INCLUDED WILLIAM SIDNEY MOUNT, GEORGE CONSTANT, JANE WILSON, LUMEN MARTIN WINTER, STOKELY WEBSTER, ELAINE DE KOONING, AND ALICE NEEL.CREATIVE HAVEN: BLACK ARTISTS OF SAG HARBOR - FEBRUARY 17 - AUGUST 27, 2023: A COMMUNITY WITH RICH AFRICAN AND NATIVE AMERICAN HISTORIES, SAG HARBOR BECAME HOME TO AN OUTSTANDING, EMERGENT, AND WELL-CONNECTED COMMUNITY OF BLACK ARTISTS BY THE EARLY 1960S. DRAWN TO THE AREA BY ITS HISTORIC FOUNDATIONS AS A HOME TO WHALERS IN THE 18TH AND 19TH CENTURIES AND BLACK SUMMER RESIDENTS IN THE 20TH CENTURY, ARTISTS BROUGHT A MODERN SENSIBILITY AND CAMARADERIE TO THEIR WORK AND EXPERIENCES ROOTED IN THIS COMMUNITY. THIS EXHIBITION FEATURED THE WORK OF A TOTAL OF 12 ARTISTS, INCLUDING FRANK WIMBERLEY (B. 1926), AN OUTSTANDING ABSTRACT PAINTER WHO VACATIONED IN SAG HARBOR BEGINNING IN 1960 AND BUILT A HOME THERE IN 1965; ABSTRACT EXPRESSIONIST AND COLLAGIST AL LOVING (1935-2005); THE TALENTED COUPLE REYNOLD RUFFINS (1930-2021), A FAMED ILLUSTRATOR WHO WAS ALSO A PAINTER OF ENERGETIC ACRYLIC COMPOSITIONS, AND HIS WIFE, JOAN RUFFINS (1932-2013), AN IMPRESSIONIST ARTIST WHO TRAINED AT COOPER UNION IN THE 1950S; AND NANETTE CARTER (B. 1954), AN ABSTRACT COLLAGIST WHO WAS PROFOUNDLY IMPACTED BY HER FORMATIVE EXPERIENCES WITH ARTISTS SUCH AS WIMBERLEY AND LOVING. A RICH EXPLORATION OF CREATIVE WORK AND CONNECTIONS BETWEEN ARTISTS, THE EXHIBITION FEATURED 12 ARTISTS IN ALL, INCLUDING WORK BY CLAUDE LAWRENCE (B. 1944), HARLAN JACKSON (1918-1993), AND MICHAEL BUTLER (B. 1955), WHO WAS ALSO SERVING AS A GUEST CO-CURATOR OF THIS EXHIBITION.ROMARE BEARDEN: ARTIST AS ACTIVIST & VISIONARY - FEBRUARY 17 - MAY 29, 2023: THIS EXHIBITION OF NEARLY 50 PAINTINGS, SCREENPRINTS, AND COLLAGES EXPLORED THE WORK OF ONE OF THE 20TH CENTURY'S MOST IMPORTANT VISUAL ARTISTS. BORN ON SEPTEMBER 2, 1911, IN CHARLOTTE, NORTH CAROLINA, ROMARE HOWARD BEARDEN STUDIED AT LINCOLN UNIVERSITY, BOSTON UNIVERSITY, COLUMBIA UNIVERSITY, AND NYU, FROM WHICH HE GRADUATED IN 1935. AFTER COLLEGE, BEARDEN IMMEDIATELY JOINED THE HARLEM ARTISTS GUILD. BECOMING A CASE-WORKER WITH THE NYC DEPARTMENT OF SOCIAL SERVICES IN 1938, BEARDEN'S CAREER AS AN ARTIST TOOK RISE IN THE 1940S, WITH EXHIBITIONS IN HARLEM AND WASHINGTON, DC. HE CONTINUED HIS ARTS EDUCATION AT THE SORBONNE IN PARIS, IN 1950. COMMITTED TO SUPPORT OF EMERGING BLACK PAINTERS AND TO THE CAUSE OF CIVIL RIGHTS, BEARDEN FOUNDED THE "SPIRAL GROUP" IN 1962, WITH OTHER BLACK ARTISTS CHARLES ALSTON, NORMAN LEWIS, AND OTHERS. BEARDEN'S WORK IS IN MANY SIGNIFICANT MUSEUM COLLECTIONS AROUND THE UNITED STATES, INCLUDING THE METROPOLITAN MUSEUM OF ART, THE WHITNEY MUSEUM OF AMERICAN ART, THE MUSEUM OF FINE ARTS, BOSTON, AND THE STUDIO MUSEUM IN HARLEM. AWARDED THE NATIONAL MEDAL OF ARTS IN 1987, HE DIED IN NEW YORK CITY THE NEXT YEAR, ON MARCH 12, 1988. THE EXHIBITION WAS ORGANIZED BY THE ROMARE BEARDEN FOUNDATION, NEW YORK. EXHIBITION TOUR MANAGEMENT WAS HANDLED BY LANDAU TRAVELING EXHIBITIONS, LOS ANGELES, CA. 524187 35089 EDUCATION PROGRAMS ARE DEVELOPED AND TAUGHT BY A STAFF OF MUSEUM EDUCATORS, WORKING IN CLOSE COLLABORATION WITH TEACHERS AND SCHOOL ADMINISTRATORS TO ENSURE THAT THE PROGRAMS SUPPORT NEW YORK STATE AND NATIONAL LEARNING STANDARDS IN SOCIAL STUDIES, ART AND LANGUAGE ARTS. DURING 2022/2023, STUDENTS FROM 38 SCHOOLS REPRESENTING 23 PUBLIC SCHOOL DISTRICTS AND 8 PRIVATE SCHOOLS THROUGHOUT SUFFOLK AND NASSAU COUNTIES WERE SERVED. THE MUSEUM'S APPROACH IS TO TEACH LEARNING THROUGH OBJECTS; TRAINING STUDENTS IN THE PROCESSES OF INQUIRY AND THINKING RATHER THAN IN THE ACCUMULATION OF PARTICULAR SKILLS. STUDENTS EXAMINE DOCUMENTS, ARTWORK, VEHICLES, COSTUMES AND RELATED OBJECTS TO LEARN ABOUT THE TIME IN WHICH THEY WERE CREATED AND THE PEOPLE WHO MADE AND USED THEM. THE FOLLOWING ARE EXAMPLES OF CLASSES FROM THE SCHOOL PROGRAM. ALL CLASSES ARE BASED ON REAL OBJECTS FROM THE MUSEUM'S COLLECTIONS.- SCHOOL DAYS LETS STUDENTS EXPERIENCE A 19TH CENTURY SCHOOL DAY IN THE MUSEUM'S NASSAKEAG ONE ROOM SCHOOLHOUSE. THIS 'TIME TRAVEL' PROGRAM IS A STUDENT FAVORITE DUE TO THE OPPORTUNITY TO REENACT A TYPICAL 1800S SCHOOL DAY.- WAGONS WEST ENABLES STUDENTS IN GRADES 4-6 TO FOLLOW A FICTIONAL FAMILY AS THEY PREPARE TO PACK THEIR WAGON, AND LEAVE FOR A JOURNEY WEST ON THE OREGON TRAIL. THEY WILL VISIT AUTHENTIC VEHICLES, LEARN ABOUT OVERLAND TRAVEL, AND MEET A BLACKSMITH TO LEARN ABOUT WAGONS, WHEELS, AND EVERYTHING NEEDED FOR THE SIX MONTH JOURNEY TRAVELING WEST.- VEHICLES FOR CHANGE: ELIZABETH JENNINGS AND THE FIGHT FOR EQUALITY ON NYC'S STREETCARS, ALLOWS STUDENTS TO LEARN ABOUT 19TH CENTURY STREETCARS, CARRIAGES, AND WAGONS. THE PROGRAM FOCUSES ON THE TRANSPORTATION SEGREGATION OF THE TIME, AND ELIZABETH'S EFFORTS AND SUCCESS IN ENDING THIS INJUSTICE.- MEET THE MUSEUM PROVIDES OUR YOUNGEST VISITORS IN GRADES PRE-K-2 AN INTRODUCTION TO THE MUSEUM THROUGH ROLE-PLAY, ART PROJECTS AND STORIES AS THEY EXPLORE OUR CARRIAGES AND PAINTINGS.- STREETS OF NEW YORK ALLOWS PARTICIPANTS THE OPPORTUNITY TO DISCOVER THE TOOLS AND ORIGINAL VEHICLES THAT HELPED SHAPE THE LIVES OF 19TH-CENTURY NEW YORKERS. THROUGH THE USE OF PROPS, HANDS-ON ACTIVITIES AND GUIDED DISCUSSION IN THE CARRIAGE MUSEUM GALLERIES, STUDENTS WILL NOTE DIFFERENCES AND SIMILARITIES TO OUR 21ST-CENTURY WORLD. 237649 27565 THE MUSEUM'S EDUCATION AND PUBLIC PROGRAM SERVES A REGIONAL/LOCAL AUDIENCE, WITH SPECIAL EMPHASIS ON SUFFOLK AND NASSAU COUNTIES. THE MUSEUM'S EDUCATION PROGRAM IS A CORE SERVICE TO THE COMMUNITY. DURING 2022/2023, 2,767 SCHOOLCHILDREN FROM SUFFOLK AND NASSAU COUNTIES PARTICIPATED IN A VARIETY OF PROGRAMS. THE SCHOOL PROGRAM PROVIDES HANDS-ON, FACE-TO-FACE ENCOUNTERS WITH ART AND HISTORIC ARTIFACTS, ENGAGING YOUNG PEOPLE IN A WAY NOT AVAILABLE IN THE CLASSROOM SETTING. PLEASE NOTE: DUE TO THE CONTINUED EFFORTS TO PUSH IN-PERSON PROGRAMS, THERE WERE ALMOST NO VIRTUAL SCHOOL TOURS THIS YEAR. THIS ACCOUNTS FOR THE LOWER OVERALL ATTENDANCE. 600 PEOPLE WERE ABLE TO ENJOY OUR IN-PERSON HALLOWEEN FAMILY FUN EVENT IN OCTOBER 2022. 93125 5191 MUSEUM GIFT AND BOOK SHOP WHICH SELLS BOOKS, AND EXHIBIT AND COLLECTION RELATED ITEMS ABOUT AMERICAN ART, HISTORY AND CARRIAGES. 93125 5191 2207429 1 1 0 0 0 0 0 1 0 1 1 0 0 1 0 1 1 0 0 0 0 0 0 0 1 0 0 0 0 1 0 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 1 19 0 43 1 0 0 0 0 0 1 1 0 0 0 0 0 0 X 11 11 0 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 X LAURIE CURIALE 6317510066 1200 ROUTE 25A STONY BROOK NY 11790 THOMAS M SULLIVAN CHAIRMAN 1.00 0.00 X X 0 0 0 BARBARA H GOTTFRIED SECRETARY 1.00 0.00 X X 0 0 0 THERESA KELLY TREASURER 1.00 0.00 X X 0 0 0 DAVID M BAGATTA ESQ TRUSTEE 1.00 0.00 X 0 0 0 MARK M CHAMBERS PHD TRUSTEE 1.00 0.00 X 0 0 0 PETER A FERENTINOS TRUSTEE 1.00 0.00 X 0 0 0 RAFFAELA FERRO TRUSTEE 1.00 0.00 X 0 0 0 CATHLEEN HANSEN TRUSTEE 1.00 0.00 X 0 0 0 ELIZABETH KAHN KAPLAN TRUSTEE 1.00 0.00 X 0 0 0 RON HOFFMAN TRUSTEE 1.00 0.00 X 0 0 0 DOUGLAS REINA TRUSTEE 1.00 0.00 X 0 0 0 ELIZABETH M ATWOOD TRUSTEE TO 07/22 1.00 0.00 X 0 0 0 NEIL WATSON EXECUTIVE DIRECTOR TO 10/7/22 35.00 0.00 X 158193 0 12509 SARAH ABRUZZI CO-EXECUTIVE DIRECTOR 35.00 0.00 X 119301 0 3655 JOSHUA RUFF CO-EXECUTIVE DIRECTOR 35.00 0.00 X 91604 0 2824 LAURIE CURIALE DIRECTOR OF FINANCE 35.00 0.00 X 78100 0 11686 447198 0 30674 2 0 1 0 0 34982 199640 74500 195357 30005 504479 EDUCATIONAL PROGRAMS 611600 35089 35089 ADMISSIONS 611600 27565 27565 62654 1619954 1619954 1100 1100 900 0 900 900 900 2009460 1916659 92801 92801 92801 80437 199640 83546 -3109 -3109 22315 17124 5191 5191 INSURANCE PROCEEDS 900099 66852 66852 DEACCESSIONS 900099 54610 54610 MISCELLANEOUS INCOME 900099 5073 5073 126535 2410505 67845 0 1838181 422237 212999 126263 82975 1259130 828231 158643 272256 33773 18606 7166 8001 92304 62915 7038 22351 132435 85582 18886 27967 127843 119750 1500 6593 833 833 55945 55945 29679 29679 5476 5476 187451 122680 47276 17495 226647 203931 7863 14853 9749 4729 4326 694 191705 182460 3211 6034 123576 106164 15099 2313 REPAIRS AND MAINTENANCE 161022 137565 21193 2264 EXHIBIT & OTHER RENTALS 58750 58750 GIFTS IN KIND 30005 30005 MISCELLANEOUS 25028 17395 7371 262 14721 10517 1706 2498 3188309 2207429 484319 496561 236646 310056 81621 226274 333372 249394 15878 23367 78686 97013 13629080 11677363 1972888 1951717 5450487 5081369 504644 343399 12542531 13132616 21216753 21415205 343857 323152 65629 104867 409486 428019 X 5363157 5004713 15444110 15982473 20807267 20987186 21216753 21415205 X -777804 367638 590085 X 0 1 X 1 0 X 1189702 396492 697276 784832 504479 3572781 1189702 396492 697276 784832 504479 3572781 248323 3324458 1276951 1313608 1612070 1766534 1621954 7591117 157529 72324 13324 4265 206972 454414 11618312 375399 0.28610 0.30860 X THE ORGANIZATION MEETS THE FACTS AND CIRCUMSTANCES TEST IN TEMPORARY REGULATIONS SECTION 1.170A-9T(F)(3) THROUGH THE FOLLOWING SUPPORT. 1) THE ORGANIZATION MAINTAINS A CONTINUOUS AND BONA FIDE PROGRAM FOR SOLICITATION FROM THE GENERAL PUBLIC THROUGH MEMBERSHIP DUES, CONTRIBUTIONS, ADMISSIONS AND EDUCATIONAL PROGRAMS.2) THE ORGANIZATION RECEIVES SUPPORT THROUGH MEMBERSHIP DUES, CONTRIBUTIONS, ADMISSIONS AND EDUCATIONAL PROGRAMS WHICH IS OPEN TO THE GENERAL PUBLIC. SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: DEACCESSIONS - 2018 AMOUNT: $ 23,790. 2019 AMOUNT: $ 3,355. 2020 AMOUNT: $ 9,336. 2021 AMOUNT: $ 1,463. 2022 AMOUNT: $ 54,610. GAMING INCOME - 2018 AMOUNT: $ 21,527. 2019 AMOUNT: $ 3,350. FUNDRASING INCOME - 2018 AMOUNT: $ 109,821. 2019 AMOUNT: $ 63,456. 2022 AMOUNT: $ 80,437. MISCELLANEOUS - 2018 AMOUNT: $ 2,391. 2019 AMOUNT: $ 2,163. 2020 AMOUNT: $ 3,988. 2021 AMOUNT: $ 2,802. 2022 AMOUNT: $ 5,073. INSURANCE PROCEEDS - 2022 AMOUNT: $ 66,852. RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 0 1808810 -189597 -189597 1808810 2387690 -455318 123562 1808810 2387690 54719 54719 2387690 2387690 94138 94138 2387690 2387690 106901 106901 2387690 0.00000 1.00000 0.00000 0 0 12752229 11093118 1659111 133688 87272 46416 743163 496973 246190 1951717 BENEFICIAL INTEREST IN PERPETUAL TRUST 12503730 HISTORICAL STRUCTURES 628886 13132616 X 3301063 367638 560406 928044 2373019 37486 37486 2410505 3121144 -37486 -37486 3158630 29679 29679 3188309 PART III, LINE 4: THE LONG ISLAND MUSEUM'S INTERNATIONALLY-KNOWN COLLECTIONS, OVER 50,000 IN NUMBER, INCLUDE AMERICAN ART AND HISTORICAL ARTIFACTS (WITH A LONG ISLAND EMPHASIS). WE HAVE THE FINEST COLLECTION OF HORSE-DRAWN CARRIAGES IN THE UNITED STATES, OF 185 VEHICLES AND OVER 25,000 RELATED ARTIFACTS, INCLUDING THE CONTENTS OF A FULLY EQUIPPED 19TH-CENTURY AMERICAN CARRIAGE MANUFACTORY. THE ART COLLECTION INCLUDES A MAJORITY OF WORKS BY WILLIAM SIDNEY MOUNT, 19TH-CENTURY AMERICA'S PREMIER GENRE ARTIST, AS WELL AS PAINTINGS BY OTHER 19TH AND 20TH-CENTURY LONG ISLAND ARTISTS, A TOTAL OF 600 PAINTINGS, 2,200 WORKS ON PAPER, AND 40 SCULPTURAL WORKS. THE HISTORY COLLECTION IS STRONGEST IN 19TH AND 20TH -CENTURY MATERIAL CULTURE, EMPHASIZING LONG ISLAND. IT INCLUDES 10,000 COSTUMES AND TEXTILES FROM THE 18TH CENTURY TO PRESENT; 2,500 HOUSEHOLD ARTIFACTS, INCLUDING POSTWAR SUBURBAN OBJECTS; 1,200 DECORATIVE AND APPLIED ARTS; AND A COLLECTION OF 210 WILDFOWL DECOYS BY LONG ISLAND CRAFTSMEN. THROUGH EXHIBITIONS, BOTH TEMPORARY AND PERMANENT, AND THE PROGRAMS CONNECTED WITH THEM, FOR BOTH ADULTS AND CHILDREN, THE COLLECTIONS SUPPORT OUR EXEMPT PURPOSE OF INSPIRING PEOPLE OF ALL AGES WITH AN UNDERSTANDING AND ENJOYMENT OF AMERICAN ART, HISTORY, AND CARRIAGES, AS EXPRESSED THROUGH THE HERITAGE OF LONG ISLAND AND ITS DIVERSE COMMUNITIES. PART V, LINE 4: TO PROVIDE A PREDICTABLE STREAM OF FUNDING TO PROGRAMS WHILE SEEKING TO MAINTAIN THE PURCHASING POWER OF THE ENDOWMENT ASSETS. PART X, LINE 2: MANAGEMENT EVALUATED THE MUSEUM'S TAX POSITIONS AND CONCLUDED THAT THE MUSEUM HAD TAKEN NO UNCERTAIN TAX POSITIONS THAT REQUIRE ADJUSTMENT TO THE FINANCIAL STATEMENTS TO COMPLY WITH THE PROVISIONS OF FASB ASC NO. 740, INCOME TAXES. PART XI, LINE 2D - OTHER ADJUSTMENTS: INVESTMENT FEES -29,679. CHANGE IN VALUE OF PERPETUAL TRUST 590,085. PART XI, LINE 4B - OTHER ADJUSTMENTS: COST OF GOODS SOLD ON SALE OF MERCHANDISE -17,124. DEACCESSIONS 54,610. PART XII, LINE 2D - OTHER ADJUSTMENTS: COST OF GOODS SOLD ON SALE OF MERCHANDISE 17,124. DEACCESSIONS -54,610. PART XII, LINE 4B - OTHER ADJUSTMENTS: INVESTMENT FEES 29,679. 2022 WINTER GALA 133970 91578 42392 25108 2100 14798 JULY 2022 GOLF TOURNAMENT 93835 62030 31805 19000 8492 1 52272 46032 6240 1270 3500 6238 280077 199640 80437 19000 26378 5600 29528 80506 -69 X 0 0 X 0 0 0 0 0 0 0 0 0 NEIL WATSON EXECUTIVE DIRECTOR TO 10/7/22 158193 0 0 0 0 0 4746 0 7763 0 170702 0 0 0 PART I, LINE 1A THE EXECUTIVE DIRECTOR (ED) RESIDES IN THE HOUSE PROVIDED BY THE MUSEUM. THIS IS STATED IN THE HOUSING SECTION OF THE EMPLOYMENT CONTRACT WHEN THE ED IS HIRED. THIS ARRANGEMENT IS SOLELY FOR THE BENEFIT OF THE MUSEUM. THE AGREEMENT STATES THAT THE RIGHT TO USE THE HOUSE IS CO-TERMINUS WITH THE EMPLOYMENT RELATIONSHIP WITH THE MUSEUM. THE CONTRACT STATES THAT ALL REASONABLE AND NECESSARY REPAIRS, ETC., WILL BE AT THE MUSEUM'S EXPENSE. THE ONLY COST TO THE EXECUTIVE DIRECTOR WILL BE UTILITIES. THIS ARRANGEMENT IS MADE BY THE BOARD OF DIRECTORS PRIOR TO THE SIGNING OF THE CONTRACT. X RAFFLE/AUCTION ITEMS 56 25800 FMV X POSTCARDS 46 3450 FMV X WINE 2 755 FMV 0 0 0 0 PART I, COLUMN (B): THE NUMBER IN COLUMN B REPRESENTS THE AMOUNT OF CONTRIBUTORS. FORM 990, PART III, QUESTION 4A CONTINUED PICTURING AMERICA'S PASTIME: A SNAPSHOT OF THE PHOTOGRAPH COLLECTION AT THE NATIONAL BASEBALL HALL OF FAME - MAY 18 - OCTOBER 15, 2023: "THE GREATEST OF ALL, THE GAME WHICH SEEMS TO BREATHE THE RESTLESS SPIRIT OF AMERICAN LIFE, THAT CALLS FOR QUICK ACTION AND QUICKER THINKING, THAT SEEMS CHARACTERISTIC OF A GREAT NATION ITSELF, IS BASEBALL." - PHOTOGRAPHER CHARLES M. CONLON, 1913. SINCE THE 19TH CENTURY, BASEBALL AND PHOTOGRAPHY HAVE GROWN UP TOGETHER. FROM THE GRANDEUR OF THE EARLY GAME TO THE VIBRANCY OF TODAY'S SPORT, EVERY FACET OF OUR NATIONAL PASTIME HAS BEEN CAPTURED IN SEPIA, COLOR AND BLACK-AND-WHITE. THE NATIONAL BASEBALL HALL OF FAME AND MUSEUM'S COLLECTION OF OVER A QUARTER MILLION IMAGES IS THE WORLD'S PREMIERE REPOSITORY OF BASEBALL PHOTOGRAPHS, SPANNING SOME 150 YEARS OF THE SPORT'S HISTORY. PICTURING AMERICA'S PASTIME, AN EXHIBIT AT THE HALL OF FAME, FEATURES A SELECTION OF THESE TIMELESS PHOTOGRAPHS, EACH ACCOMPANIED BY THE WORDS OF THOSE WHO WERE THERE AND THOSE WHO ECHOED THE SENTIMENTS OF PHOTOGRAPHER CHARLES CONLON. PICTURING AMERICA'S PASTIME WAS MADE POSSIBLE BY A GENEROUS GRANT FROM THE HARRY M. STEVENS FAMILY FOUNDATION. HOME FIELDS: BASEBALL STADIUM OF LONG ISLAND AND NEW YORK CITY - MAY 18 - OCTOBER 15, 2023: UTILIZING OBJECTS AND PHOTOGRAPHS FROM REGIONAL PRIVATE COLLECTIONS, HOME FIELDS EXPLORED THE HISTORY OF AREA BASEBALL STADIUMS THAT INCLUDE THE OLD POLO GROUNDS, EBBETS FIELD, SHEA STADIUM, AND THE OLD YANKEE STADIUM, AS WELL AS NEW AND CURRENT VENUES. AS THE REGION'S TRANSPORTATION AND RECREATIONAL INFRASTRUCTURE CHANGED IN THE POST-WORLD WAR II YEARS, STADIUMS AND BALLPARKS TRANSITIONED WITH THE TIMES AND HAVE, OF COURSE, BEEN THE SOURCE OF MANY ICONIC AND MEMORABLE HISTORIC SPORTING EVENTS. EBB AND FLOW: PICTURING THE POWER OF WATER - JUNE 15-AUGUST 27, 2023: "AS I EBB'D WITH THE OCEAN OF LIFE, AS I WENDED THE SHORES I KNOW, AS I WALK'D WHERE THE RIPPLES CONTINUALLY WASH YOU PAUMANOK" - WALT WHITMAN WATER IS A FORCE OF POWER, BOTH LIFE-GIVING AND DESTRUCTIVE. HUMANS HAVE LONG HARNESSED THIS POWER FOR TRANSPORTATION, EXPLORATION, INDUSTRY, AND COMMERCE. AS LONG ISLANDERS, ENVELOPED BY THE LONG ISLAND SOUND TO THE NORTH, ATLANTIC OCEAN TO THE SOUTH, AND NUMEROUS BAYS, INLETS, RIVERS, AND LAKES INTERWOVEN THROUGHOUT OUR ISLAND, WE ARE ALSO AWARE OF THE TRANQUILITY AND SERENITY OF WATER. THE BEAUTIFUL REFLECTIVE QUALITIES AND THE RHYTHMIC EBB AND FLOW OF THE TIDES ARE BOTH MEDITATIVE AND THOUGHT PROVOKING. YET WE ARE ALSO FAMILIAR WITH THE DESTRUCTIVE POWER OF NATURE, WITH STORMS AND FLOODING A CONSTANT AND UNSTOPPABLE FORCE. AS A SPECIES WE HAVE ALTERED OUR PLANET SO DRASTICALLY THAT EVENTS LIKE SUPERSTORM SANDY ARE A NEW THREAT THAT WE MUST LEARN HOW TO DEAL WITH. THIS SHOW OF APPROXIMATELY 70 ARTWORKS PRESENTED PAINTINGS, DRAWINGS, PRINTS, AND PHOTOGRAPHS OF WATER IN THREE THEMES: THE POWER OF MAN, THE POWER OF NATURE, THE POWER OF SELF. IT EXAMINED HOW ARTISTS HAVE PORTRAYED MANKIND'S ABILITY TO UTILIZE THE POWER OF WATER AND INCLUDED MARITIME PICTURES, SCENES OF WATER USED INDUSTRIALLY AS A POWER SOURCE FOR THINGS SUCH AS MILLS AND DAMS, AND COMMERCIAL USES OF WATER FOR FISHING. FORM 990, PART VI, SECTION B, LINE 11B THE 990 FORM IS FIRST REVIEWED BY SENIOR MANAGEMENT, AND THEN BY THE CHAIRMAN OF THE BOARD. UPON THE CURRENT CHAIRPERSON'S REVIEW AND APPROVAL A COPY IS DISTRIBUTED TO THE BOARD OF TRUSTEES BEFORE FILING WITH THE IRS. FORM 990, PART VI, SECTION B, LINE 12C DIRECTORS, OFFICERS AND KEY EMPLOYEES SIGN AN ANNUAL QUESTIONNAIRE. THE EXECUTIVE ASSISTANT TO THE EXECUTIVE DIRECTOR REVIEWS THE FORMS WHEN THEY ARE RECEIVED AND WOULD NOTIFY THE EXECUTIVE DIRECTOR OR THE DIRECTOR OF FINANCE IN THE CASE OF AN ACTUAL OR POTENTIAL CONFLICT. THEY IN TURN WOULD CONTACT THE BOARD. FORM 990, PART VI, SECTION B, LINE 15 AS PART OF THE BUDGET PROCESS, THE EXECUTIVE COMMITTEE ESTABLISHES THE COMPENSATION FOR THE EXECUTIVE DIRECTOR. THE EXECUTIVE DIRECTOR'S SUGGESTED COMPENSATION IS PRESENTED TO THE BOARD IN JUNE FOR REVIEW AND APPROVAL BY VOTE. ALSO, AS PART OF THE BUDGET PROCESS, THE EXECUTIVE DIRECTOR AND EXECUTIVE COMMITTEE ESTABLISH THE COMPENSATION FOR KEY EMPLOYEES. THE KEY EMPLOYEES' SUGGESTED COMPENSATION IS PRESENTED TO THE BOARD AT THE JUNE BOARD MEETING FOR REVIEW AND APPROVAL BY VOTE. FORM 990, PART VI, SECTION C, LINE 19 THE ORGANIZATION MAKES ITS GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, AND FINANCIAL STATEMENTS AVAILABLE TO THE PUBLIC UPON WRITTEN REQUEST. FORM 990, PART XI, LINE 9: CHANGE IN VALUE OF PERPETUAL TRUST 590,085.